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...details/cu31924026119705/page/n133/mode/2up Greg, ''Papers'', APX. I, art. 1, p. 117, l.66])

...acteristically, did not repeat Collier's suggestion or add one of his own (1.#9*, p. 273). ...lay, finding payments totalling £4 for the Robin Hood play in Dec-Jan 1600-1. However, Greg was enthusiastic only about two tracts published in 1595: "T

.../www.archive.org/stream/henslowesdiary00unkngoog#page/n110/mode/2up (Greg 1.51)] | |||||<nowiki>|1|</nowiki>|||||| |||| tt at womones hard to pleasse. . . . . . . . . . ||

...at first part with the entry on 19 June 1594 at Stationers' Hall (p. 37, n.1). ...art, he backs away from the Stationers' Register entry as having been part 1 of "Godfrey," and he confirms the earlier opinion (implied) that the 1594-5

<center>''Act'' 1. ''Scene'' 1.</center> <center>''Act'' 2. ''Scene'' 1.</center>

| 140-1[0]1-0^d<br> ...://www.archive.org/stream/henslowesdiary00unkngoog#page/n90/mode/1up (Greg 1.30)]:

:{| width="950" border="0" cellpadding="1" cellspacing="1" |Lent vnto Jube the 1 of marche 1602 to geue vnto}<br>John daye & hathwaye in earneste of a playe

{| cellspacing="1" cellpadding="1" align="left" border="0" style="width: 650px; height: 75px;" Part 1 was performed as new by the Admiral's Men at the Rose on Friday 8 November

<tr><td>1 &nbsp;&nbsp;&nbsp;</td><td>My thinkes tis verye good I like yt well</td><td <tr><td>1 &nbsp;&nbsp;&nbsp;</td><td>I pray the trye howe thou canst take yt th[&nbsp

.../henslowepapersbe00hensuoft#page/121/mode/1up (APX I, art. 1, p. 121, col. 1, l. 191)]

...will come of nothing? Or, What can we Learn from Plays that Don't Exist?", 1-16. <br>([http://www.palgrave.com/resources/sample-chapters/9781137403964_s ...David McInnis]] and [[Matthew Steggle]], "Introduction: Coping with Loss", 1-19.

===Payments for Part 1 (''Henslowe's Diary'') === :{| width="950" border="0" cellpadding="1" cellspacing="1"

...http://www.archive.org/stream/abiographicalch01fleagoog#page/n62/mode/2up 1.51]). ...stomers" at the Rose and the "familiar faces" of the Admiral's players (p. 1). He sees that style begin to develop in December 1594 with "[[Wise Man of

...://www.archive.org/stream/henslowesdiary00unkngoog#page/n74/mode/1up (Greg 1.13)]:|||||||||| ...://www.archive.org/stream/henslowesdiary00unkngoog#page/n75/mode/1up (Greg 1.15)]:|||||||||

| 1[59]600 to bye a sewt for his boye in the ||} xxxx^s ...he Seven Wise Masters]]" and the two-part "[[Fair Constance of Rome, Parts 1 and 2|Fair Constance of Rome]]" (pp. 29-30).

| [[Godfrey of Boulogne, Parts 1 and 2]]||[[1594]]||[[:Category:Admiral's|Admiral's]]

..."A Most Sweet Song of an English Merchant, borne at Chichester” (p. 38, n.1). ...borne at Chichester," as the basis of the narrative of the play (p. 38, n.1), and [[WorksCited|Greg II]] agreed (p. 166, #48). [[WorksCited|Wiggins, ''

| [[Devil and Collier, Parts 1 and 2]]||[[1638]]||[[:category:unknown|Unknown]]

NB. sometimes referred to as "Part 1" or as "[[Worse Afeared than Hurt]]", owing to a series of alterations in H ...://www.archive.org/stream/henslowesdiary00unkngoog#page/n150/mode/1up Greg 1.90])

{| cellspacing="1" cellpadding="1" align="left" border="0" style="width: 650px; height: 75px;" | R[es] at the 1 p of forteunatus . . . . . .<br>