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...ced at [[Trinity, Cambridge|Trinity College, Cambridge]], March [[1615]]. (Harbage has [[St John’s, Cambridge]]). REED has "Trinity College hall, by student Latin Comedy (Harbage)

|probableGenres=History History [[WorksCited|Harbage]]

|probableGenres=History ...s order in Henslowe's entries, though both consider it to have had a stage history already. [[WorksCited|Greg II]] thought it was "[n]o doubt an old play of P

Comedy? [[Works Cited|Harbage]] History [[Works Cited|Wiggins, ''Catalogue'' #602]]

Biblical History (Harbage), Biblical Tragedy The most likely source for ''The History of Job'' is the Book of Job from the ''Bishops' Bible'' (1586).

...nd published the contents of the manuscript named above. It contains the ''History of Richard III'' by the Master of the Revels, Sir George Buck, written on w Unknown Co. at Ct. (Harbage); possibly King’s (Bentley V.1352).

...hen British Museum manuscript, Cotton MS. Tiberius E. X. It contains the ''History of Richard III'' by the Master of the Revels, Sir George Buck, written on w Unknown company at court (Harbage); King’s (Bentley).

Classical History ([[Works Cited|Harbage]]) [[category:Court]][[category:Update]][[category:History]][[category:Roslyn L. Knutson]][[category:Feuillerat]]

Moral? ([[WorksCited|Harbage]]) ...lays in One"]] (1.#8, p. 287). In apparent contradiction, in ''A Chronicle History'' (p. 114), he identifies "Times Triumph" with Heywood's ''Jupiter and Io''

History? [[WorksCited|Harbage]] ::* Caradoc of Llancarvan, ''The History of Cambria, Now Called Wales'', trans. Humphrey Llywd (1584)

foreign pseudo-history ([[WorksCited|Harbage]]); history ([[WorksCited|Wiggins, ''Catalogue'' #894]]) ...ory:disguise]] [[category:Foxe]][[category:Henslowe's records]] [[category:history]] [[category:Leicester's]] [[category:Lydgate]] [[category:pope]] [[categor

...hen British Museum manuscript, Cotton MS. Tiberius E. X. It contains the ''History of Richard III'' by the Master of the Revels, Sir George Buck, written on w Unknown company at court (Harbage). Chambers (''RES'' 484) suggests that the plays in Buck’s list, written

:(Jacob Henry Burn, "Collection towards forming a history of the now obsolete office of the Master of the Revells", [1874]. James Mar Comedy (?) (Harbage)

...hen British Museum manuscript, Cotton MS. Tiberius E. X. It contains the ''History of Richard III'' by the Master of the Revels, Sir George Buc, written on wh Unknown company at court (Harbage).Chambers (''RES'' 484) suggests that the plays in Buc’s list, written on

...nd published the contents of the manuscript named above. It contains the ''History of Richard III'' by the Master of the Revels, Sir George Buck, written on w Unknown Co. at Ct. (Harbage); possibly King’s (Bentley V.1309).

Romantic comedy? ([[WorksCited|Harbage]]) ...eam/henslowesdiary02hensuoft#page/158/mode/2up #32, p. 158]), [[WorksCited|Harbage]], and more recently '''Knutson'''. [[category:F. G. Fleay]]

Comedy (Harbage). '''Harbage''' assigns a date range of 1587–97.

The anonymous "History of the Knight in the Burnyng Rock" was performed for the court by Warwick's Heroical Romance (?) (Harbage)

Pseudo-history ([[WorksCited|Harbage]]), legendary history ([[WorksCited|Wiggins, ''Catalogue'' #1070]]) ...gown in Henslowe's inventory to this play (2. #193, p. 305; ''A Chronicle History,'' p. 114). [[WorksCited|Greg II]] agrees with the assignment of the costum

Didactic history (Harbage). ...he Shakespearean History Play." ''The Cambridge Companion to Shakespeare's History Plays''. Ed. Michael Hattaway. Cambridge: CUP, 2002. 1-24</div>

History ([[WorksCited|Harbage]]) ...]][[category:Rose]][[category:Update]][[category:Plays]][[category:English history]][[category:Favourites]][[category:Holinshed]]

<blockquote>'''The history''' of Portio and demorantes shewen at whitehall on Candlemas daie at nighte [http://www.british-history.ac.uk/acts-privy-council/vol11/pp376-400 (Dasent, ''Acts of the Privy Counc

...hen British Museum manuscript, Cotton MS. Tiberius E. X. It contains the ''History of Richard III'' by the Master of the Revels, Sir George Buck, written on w Unknown Co. at Ct. (Harbage); Prince Charles's Men (Orbison, Steggle).

'''NB:''' Although taken seriously by sources including Harbage and Bentley, this supposed lost play is in fact a '''nineteenth-century hoa On the basis of the article, Harbage lists ''The Famous History of Petronius Maximus'' among the lost plays of Supplementary List II of ''A

History [[category:History]] ...ry the First'' was licensed" (311). However, in an apparent contradiction, Harbage subsequently suggests that Davenport drew on Drayton's ''Heroical Epistles'

...Works Cited|Wiggins, ''Catalogue'' #605)]] settles for the designation of "history." [[category:Court]][[category:Sussex's]][[category:History]][[category:Update]][[category:Roslyn L. Knutson]][[category:Feuillerat]]

Pseudo-history [[WorksCited|Harbage]][[category:Pseudo-history]] ...s these offerings as bringing to the stage at the Rose a "view of national history" that arises from the "Trojan and Galfridian" narratives of conquest, reven

Foreign History (Harbage); "Contemporary" (Wiggins #1388).

...hen British Museum manuscript, Cotton MS. Tiberius E. X. It contains the ''History of Richard III'' by the Master of the Revels, Sir George Buc, written on wh Unknown company at court (Harbage). Chambers (''RES'' 484) suggests that the plays in Buc’s list, written o

"Brunhild" (modernization of "Branhowlte" by [[WorksCited|Harbage]], also [[WorksCited|Wiggins, ''Catalogue'']] #1089) was acquired by the Ad {{Play/Probable Genres}}? ([[WorksCited|Harbage]])

Comedy (Henslowe); Unknown ([[WorksCited|Harbage]]). ...tream/henslowesdiary02hensuoft#page/194/mode/2up #142 & #151, pp. 194-5]). Harbage uses the names "[''I''] ''Hannibal and Hermes ([I] Worse (A)feared Than Hur

...o Heliodorus's ''[http://name.umdl.umich.edu/A02897.0001.001 An Aethiopian History],'' translated from a Greek text by Thomas Underdowne and printed around 15 ...n in 1582 lists an [http://name.umdl.umich.edu/A02897.0001.001 'Aethiopian History'], the probable source text for this play, as one of the books "ransackt to

<td>''history called VALENTINE and ORSSON played by her maiesties''</td> Romance ([[WorksCited|Harbage]])

...p. 185); “gild or citizen’s play” (Knutson, ''Repertory'' p. 43); foreign history or romance (McInnis, pp. 96-101). ...eam/henslowesdiary02hensuoft#page/156/mode/2up (p. 156, #22)] [[WorksCited|Harbage]], following [[WorksCited|Greg II]], lists the play as “''The Tanner of D

? [[WorksCited|Harbage]] ...ss as a ''second'' part" (p. 59). Further embedding his forgery into stage history, Collier tags the second performance of "Barnardo and Fiammetta" on the 6th

Classical history (?) (Harbage) ...author of a dramatic performance on the subject of the life of Catiline. A history, named by Henslowe ''Catalin's Conspiracie'', is entered by him with the da

Moral ([[WorksCited|Harbage]]) NB: Harbage was so persuaded that "Four Plays in One" was a revival of "[[Three Plays i ...s players at court in January and February 1585, respectively (''Chronicle History'' 83; see also ''BCED'', 2.298, #107). With the Plot of "[[Second Part of t

|probableGenres=History {{Play/Probable Genres}}; [[WorksCited|Harbage]] is more specific, labeling the plays "Foreign" histories.

...p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;|||| { '''An history of the creweltie of A Stepmother''' shewen at Richmond on Comedy [[Works Cited|Harbage]]

Classical history (?) ([[WorksCited|Harbage]]); tragedy (?) ([[WorksCited|Wiggins, ''Catalogue'' #973]]). ...he Romans'' (written by 1562, printed 1571) and Eusebius' ''Ecclesiastical History'' (tr. Meredith Hanmer, 1577, repr. 1585). Another source might have been t

...p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;|||| { '''An history of the creweltie of A Stepmother''' shewen at Richmond on Tragedy? [[Works Cited|Harbage]]; also [[Works Cited|Wiggins, ''Catalogue'' #653]]

Institutional History (Wiggins). '''Harbage''' (503) suggested that John Sansbury (1576–1610) may have been the autho

Tragedy ([[WorksCited|Harbage]]); "Contemporary" ([[WorksCited|Wiggins, ''Catalogue'' #1401]]) ...r a defector," not Alleyn the player (#1401). Considering the performance history of the play, Wiggins opines that the play was completed (despite this one p

History [[Works Cited|Harbage?]] [[category:Roslyn L. Knutson]][[category:King's]][[category:History]]

Burlesque (Harbage). ...nformists and Student Revels at Oxford, 1607-08." ''Anglican and Episcopal History'' 80 (2011): 349-72.</div>

...4. [http://www.british-history.ac.uk/catalogue.aspx?gid=156&type=2 British History Online] | Harbage

History ([[WorksCited|Harbage]]). [[category:all]][[category:David McInnis]][[category:English history]][[category:Admiral's]][[category:Rose]][[category:Henslowe's records]][[ca

:(Jacob Henry Burn, "Collection towards forming a history of the now obsolete office of the Master of the Revells", [1874]. James Mar The Prince's company. Harbage, working without the benefit of the Burn transcript (see above), presumably

Bourgeois Romance (?) (Harbage) ...Hector of Germany'', or ''The'' Palsgrave ''Prime Elector''; an Honourable History, publickly acted at the ''Red-bull'', and at the ''Curtain'', by a Company

History? ([[WorksCited|Harbage]]) ...[[category:Disputed titles]][[category:Possibly corrupt titles]][[category:History]]

...fferent dramatic companies (see below). The date range given above is from Harbage. ...if this play is historical, there is a fairly limited selection of family history available to provide Glapthorne's source material. For a more specific sug

|probableGenres=Foreign History; Unknown ::Unknown (Harbage), Foreign History (Greg, Wiggins, Steggle)

Neo-miracle? (Harbage); History play ...itself based on the opening chapters of Book 2 of Bede's ''Ecclesiastical History of England'', conveniently available online and in translation [http://www.

History; Foreign History; Tragedy. (Not listed in Harbage) ...t appear to have dramatised "not only recent history, but sensitive recent history at that" (539), and which therefore ought to prompt a reassessment of our p

...c. 1567-8. [[WorksCited|'''Wiggins''']] thus departs from [[WorksCited|'''Harbage''']] in assigning this play to 1568 rather than 1598. It was probably writt Latin (?) Tragedy ([[WorksCited|'''Harbage''']])

Moral (?) [[WorksCited|Harbage]]; "Ages of History" ('''White''') ...the plays were somehow a fit with the category of "Moral" (as [[WorksCited|Harbage]] echoes, skeptically) is perpetuated by [[WorksCited|Chambers, ''ES'']],

History ([[WorksCited|Harbage]]) ...ying at the Red Bull in 1639, its licence recorded by Herbert: "Massinger, History of Will: ''Longesword'', son to Rosamund, lic. to the bull 1639" (Bawcutt 2

History ([[WorksCited|Harbage]]); Tragedy [[WorksCited|Wiggins, ''Catalogue'' (#1204)]] ...' [1974, p. 185]). Characterizing Holinshed's version of Robert's domestic history (''Chronicles,'' p. 245), Shapiro summarizes the result as "a dramatic narr

NB. This play, entered by Harbage under this title and listed as lost, has subsequently been identified with History (?) ([[WorksCited|Harbage]])

|probableGenres=History}} {{Play/Probable Genres}} ([[WorksCited|Harbage]])

Given its price, "The Miller" was an old piece. Any previous performance history is guesswork based on Robert Lee and his career. Lee (also "Leigh") first a {{Play/Probable Genres}} [[WorksCited|Harbage]]

...d themselves subsequently stage a similar scenario in ''The True Chronicle History of King Leir'' (before 1594). A Stationers’ Register entry for 20 Januar ...ral redaction of the Fortunatus legend. As Albert Feuillerat notes, “[t]he history of Fortunatus was published for the first time in Augsburg in 1509” in th

|probableGenres=History History ([[WorksCited|Harbage]])

| ''The first parte of the history of the life of Sir JOHN OLDCASTELL lord COBHAM''. | ''Item the second and last parte of the history of Sir JOHN OLDCASTELL lord COBHAM with his martyrdom''

Harbage assigns a date of 1587, presumably on the basis of the now discredited Harv Heroical romance (Harbage); Foreign history (Schoenbaum rev. Harbage).

Comedy ([[WorksCited|Harbage]]) ...s which have been identified by previous scholars as part of the reception history of Marlowe’s famous pastoral lyric, “Come Live with Me and Be My Love�

History/current affairs play ...ed in 1621, within Edward Grimeston's continuation of Knolles's <I>General History of the Turks</I>. The quotations that follow are from Grimeston::

History ([[WorksCited|Harbage]]). [[category:all]][[category: English kings]] [[category: English history]] [[category: Holinshed]] [[category: Henslowe's records]] [[category: myth

...Syracuse, a city-state in Sicily, enjoyed a long and turbulent political history. [[category: Not in Harbage]][[category:Matthew Steggle]]

:The history of Agamemnon & Vlisses presented and enacted before her ma<i>ie</i>stie by Classical Legend ([[WorksCited|Harbage]]).

History (Hazlitt, Harbage)<br> ...nown of this play." Harbage, nevertheless, continues to list the genre as "History".

<br>''The History of Madon, King of Brittain'', by '''F. Beamont.''' Pseudo-History (Harbage); History (Wiggins).

[[WorksCited|Harbage]] considers the play a history, as does [[WorksCited|Wiggins, ''Catalogue'']] (#1091) [[category:English history]]

...rical legend. Benamin Griffin includes it in his list of “Plays on English History” (151). ...n Mayors List 13 is simply to “The Storye” of Ebrauk), not an “interlude”. Harbage's ''Annals'' describes the genre of the play as a “show” (55).

|probableGenres=History History ([[WorksCited|Harbage]])

Unknown ([[WorksCited|Harbage]]); romance (?) ([[WorksCited|Wiggins, ''Catalogue'' (#1147)]]. ...also [[#Critical Commentary|'''Critical Commentary''']]).[[category:Pseudo-history]]

...p;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;|||| { '''An history of the creweltie of A Stepmother''' shewen at Richmond on ...nd. Based on a late 1578 order from the Privy Council ([http://www.british-history.ac.uk/acts-privy-council/vol10/pp426-442 Dasent Vol X, 436]) to allow publi

Played at The Curtain (Herbert 24), by Prince’s (Harbage). Bentley, however, sees greater complexity in the issue: Tragedy (Harbage); History (?); Foreign History (?).

Tragedy (?) ([[WorksCited|Harbage]]), chivalric romance (see [[#For_What_It.27s_Worth|For What It's Worth]] b ...r than give the play a post-history, [[WorksCited|Collier]] gives it a pre-history, noting not only its Chaucerian source but also Richard Edwards's lost "Pal

Classical history ([[WorksCited|Harbage]]); tragedy ([[WorksCited|Wiggins, ''Catalogue'' #1145). ...author of a dramatic performance on the subject of the life of Catiline. A history, named by Henslowe ''Catalin's Conspiracie'', is entered by him with the da

Foreign History ([[WorksCited|Harbage]]); Strange Wonders play (?)

Classical history ([[WorksCited|Harbage]]). ...War'', Suetonius's ''Lives of the Twelve Caesars'', Cassius Dio's ''Roman History'' and Caesar's own ''Civil War''. However, it is impossible to determine wh

History (Harbage, ''Annals''); Historical romance (Harbage, "Palimpsest" 318). Harbage proposes the ballad, "The Deathe of Faire Rosamond", which appeared in Delo

Harbage (124) credits this play to Queen Henrietta's Men, but does not give a reaso Unknown (Harbage): comedy?

Foreign History (?) [[WorksCited|Harbage]]

Comedy ([[WorksCited|Harbage]]) ...accepted "Love's Labour's Won" as a lost play by Shakespeare (''Chronicle History of the Life and Work of William Shakespeare'', p. 104), but he soon began t

Moral (Harbage) NB: In making this assignment of genre, Harbage was assuming that "Five Plays in One" was the first part of "[[Seven Deadly ...ton's "[[Seven Deadly Sins, The|The Seven Deadly Sins]]." In ''A Chronicle History of the London Stage'', he focused on the Plot of "[[Second Part of the Seve

Moral (Harbage) NB: In making this assignment of genre, Harbage was assuming that "Three Plays in One" was "[[Second Part of the Seven Dead ...ton's "[[Seven Deadly Sins, The|The Seven Deadly Sins]]." In ''A Chronicle History of the London Stage'', he focused on the Plot of "[[Second Part of the Seve

Pseudo-history (?) (Harbage). '''Harbage''' suggests this play might the same as "'''[[Telomo]]'''", performed by Le

History ([[WorksCited|Harbage]]). ...ory:all]][[category:David McInnis]][[category:crusades]][[category:english history]][[category:english kings]][[category:Henslowe's records]][[category:Herber

|probableGenres=History [[WorksCited|Harbage]]

History ([[WorksCited|Harbage]], who collapses the play with "[[Famous Wars of Henry I and the Prince of

..., acting the last part of the 4 sons of Aymon, towards the last act of the history, where penitent Renaldo, like a common labourer, lived in disguise, vowing Romance (Harbage)

[[WorksCited|Harbage]] calls "Agamemnon" a classical legend; [[WorksCited|Wiggins]] tags it a tr ...e afterstories of its heroes combined with those in Geoffrey of Monmouth's history of Britain (p. 129). Teramura suggests that Thomas Heywood's ''Ages'' plays

...mplified there, where the Drummes might walke, or the pen ruffle, when the history swelled, and ran to hye for the number of y^e persons, that shoul Classical history (Harbage).

Foreign History (Harbage); Tragedy (Henslowe, Wiggins)

Comedy (?) (Harbage) ...-indent: -2em">C., T., trans. ''The Right, Pleasant, and Variable Tragical History of Fortunatus''. London, 1676.</div>

Classical. Harbage merely lists this as "Dramatic fragment in verse, ''c''. 1620." (Supplement ...ating of the manuscript, Harbage speculates "c.1620," but Proudfoot thinks Harbage "may offer rather too late a date" (58). He argues instead for a turn-of-th

Latin tragedy (Harbage); closet (?). ...War'', Suetonius's ''Lives of the Twelve Caesars'', Cassius Dio's ''Roman History'' and Caesar's own works. In no way can the use of these be ruled out, espe

Romance ([[WorksCited|Harbage]]) ...oot, SR III, 576 (a mass entry, 7 Nov 1615, his father's books; one = "The history of HUON of Burdeaux")