Play of the Saxons
Anon. (1617?)
NB. "Play of the Saxons" is a recent assignation (from Wiggins 1817) for this untitled play. The name is used here for convenience.
Historical Records
Philip Powell of Brecon's commonplace book (Cardiff County Library MS 3.42)
In his entry for 25 March 1620 (i.e. 1621) -- 26 March 1621, Philip Powell records the following anecdote about a playgoer responding to a line delivered by a player:
1620 ii
on Kendal a foole in a stage play in Bristoll being m˹e˺erie acctinge the part of the vize, spake extempore as foloweth, in dispraise of the noble Brittans,
if thou art a Brittane borne, it fitts thee to were ye horne
Iohn Brittan a prentiz of on Thomas Dean of Bristoll his re-ply to Kendall: twise: as foloweth:
A Brittans name I truly beare, I leaue the horne for the ˹^to were:˺
the horne becomes the saxons best
I kisd thy wife supose the rest:
...
[Marginal note: "(R) Kendall the Saxon put to silence:"]
(Cardiff County Library MS 3.42, p.139; REED Bristol 215)
Theatrical Provenance
Performed by an unknown company at Bristol. Powell names the player in the role of Vice as one "Kendall", which may refer to William Kendall (Admiral's/Palsgrave's company) or Richard Kendall (King's Revels company). Wiggins (1817) notes that the Palsgrave's Men visited Bristol for the only time in late 1617, and tentatively suggests this as the most likely auspices of the performance in question.
Probable Genre(s)
History (?) (Wiggins)
Possible Narrative and Dramatic Sources or Analogues
Inasmuch as it cannot be said with any certainty whether Kendall's character literally had a horned Saxon helmet or whether he was simply referring to one, we technically can't be sure that the play even featured Saxons and Britons. It may simply have been a throwaway line from an otherwise unrelated play, rather than being a play concerned with the Saxon invasion (though this, too, does remain a possibility). The presence of a Vice character complicates any straightforward identification of the play as 'history'.
References to the Play
Only Powell's anecdote (see Historical Records above.
Critical Commentary
Wiggins (1817) appears to be the only scholar to comment on this play since the relevant excerpt from Powell's commonplace book was published in REED: Bristol.
For What It's Worth
Information welcome.
Works Cited
Site created and maintained by David McInnis, University of Melbourne; updated 17 March 2017.