Marriott's List (1653)

Background

In late 1653, the printer John Marriott entered twenty-one plays on the Stationers' Register. The entry is dated 29 November, although it appears between entries dated 22 and 30 December, so that it may well be misdated by a month. Of the twenty-one plays he registered that day, eighteen are lost.
The three extant plays are:

[Henry Glapthorne], Revenge for Honour, a tragedy printed by Richard Marriott in 1654. (Bentley, 4.489-93).

The Eunuch, which Bentley identifies with William Heminge's tragedy The Fatal Contract, printed by "J.M.", probably John Marriott, in 1653. This identification has been accepted by Carol A. Morley in her recent and definitive edition of Heminge (239-54). Interestingly, this had the same dedicatee as did the printing of Revenge for Honour; James and Isabella, Earl and Countess of Northampton.

The pastoral tragicomedy The Thracian Wonder, printed in 1661 by Francis Kirkman with a (generally doubted) attribution to John Webster and William Rowley.

The other eighteen are lost, although at least five of the titles are also known from other references to those plays (The Proxy, A Fool and Her Maidenhead Soon Parted, The Younger Brother, The Noble Trial, and The Florentine Friend). "All in all, the list is an odd one which, taken as a whole, throws no light on any of the individual titles. One would like to guess that the list represents part of the repertory of some company, but the evidence is against it… In the absence of evidence one can only assume that Marriott had assembled a miscellaneous group of manuscripts which he intended to publish, but that he later abandoned nearly all of them" (Bentley, 5.1446).

Transcription

Cited from Bentley, 5.1445. Stationers' Register, 29 November 1653.

Rich: Marriott Entred for his copies the severall playes following (vizt)

The Paraside or Revenge for hono^r. by Henry Glapthorne.

The fflorentine friend

The Proxe or Loues after Game

The Eunuch a Tragedy

The Conceits

Salisbury Plaine a comedy.

The Womans Master Piece

Pitty the Maid

The Royall Choice by S^r Rob^t. Stapleton.

The Noble Rauishers

A Foole & her maiden head soone Parted

Supposed Inconstancy.

The Womans Law.

The Diuorse

The Bond Woman

Castara or Cruelty without hate

The Thracian Wonder

The Blacke Wedding.

The Law Case

The Younger Brother

The Noble Triall

Discussion

Table of plays

Play title (standardized)	Date	Company provenance	Venue	Author	Genre
Parricide, The / Revenge for Honour	after 1637	Queen Henrietta's Men	Salisbury Court	Glapthorne	T
Florentine Friend, The	1638	Queen Henrietta's Men	Salisbury Court	Brome	C
Love’s Aftergame, or The Proxy	1634	King's Revels	Salisbury Court
Eunuch, The	1633-1637	Queen Henrietta's Men		Heminge	T
Conceits, The
Salisbury Plain	?1635	?amateurs	?St John's College, Oxford	?Speed	C
Woman's Masterpiece, The
Pity the Maid
Royal Choice, The
Noble Ravishers, The
Fool and her Maidenhead Soon Parted	in repertory 1639	Beeston's Boys	Cockpit	?Davenport	C
Supposed Inconstancy
Woman's Law, The
Divorce, The
Bondwoman, The
Castara, or Cruelty Without Hate	?after 1634
The Thracian Wonder	1607-25? (Rowley's career)			?Rowley and ?Heywood	TC
Black Wedding, The					T
Law Case, The
Younger Brother, The	?1617	?Prince Charles (I)	?Red Bull		C

For what it's worth

As Bentley said, this list is tantalizing.

At least five of the twenty-one plays seem to have an identifiably female eponymous character; at least five more seem to have an eponymous act of love, sex, or marriage. It's hard to translate these statistics into meaningful terms, but do they suggest a repertoire unusually interested in women?

For a list of those plays which already have entries in the Lost Plays database, click the entry for "Marriott's List" which appears in the Categories list below.

Works Cited

Heminge, William. The Plays and Poems of William Heminge, ed. Carol A. Morley. Madison: Farleigh Dickinson University Press, 2006.

Site created and maintained by Matthew Steggle: updated, 3 December 2009.