Seven Wise Masters, The
Henry Chettle, John Day, Thomas Dekker, William Haughton (1600)
Historical Records
Payments to Playwrights (Henslowe Diary)
F. 67v (Greg, I. 118)
- Receaved of mr hinchlowe the 1 march to paye to
- harry chettell Thomas decker william hawton & John daye
- for a boocke calld the 7 wise mrs the some of ………. xls
- W birde.
- Lent vnto Samewell Rowly the 8 of march 1599
- to paye vnto harey chettell & John daye in fulle
- payment of a boocke called the vij wisse masters
- the some of ………. ls
- Samuell Rowlye
F. 68 (Greg, I. 119)
- Lent vnto hary chettell the 2 of march 1599
- in earnest of a Boocke called the 7 wisse
- masters the some of ………. xxxs
Payments, Miscellaneous (Henslowe's Diary)
F. 68 (Greg, I. 119)
- Receaued of Mr Henslowe to lay out for the playe of
- the 7 wise Mrs in taffataes & sattyns the some of
- in behalfe of the …….. by me Robt Shaa
- Company ………. xxll
- Receaued more of mr Henshlowe to lay out
- for the play of the 7 wise Maisters in behalf
- of the Company ………. xli
- Receaued more of Mr Henshlowe to lay out
- for the play of the 7 wise maisters in behalf
- of the Company ……….. viijli
- by me Robt Shaa
Theatrical Provenance
The Admiral's men acquired "The Seven Wise Masters" in the spring of 1600. The company was still at the Rose playhouse, though construction of the new Fortune playhouse had already begun (Edward Alleyn bought the lease on 22 December 1599). The company moved into the Fortune in the fall. The payment of £38 for materials and other things for "The Seven Wise Masters" suggests a relatively sumptuous production.
Probable Genre(s)
Tragi-comedy (Harbage); the story material offers a series of similarly themed playlets in pairs, capped by the son's tale, all framed by the story of the emperor and his second wife, who attempts to disinherit her stepson.
Possible Narrative and Dramatic Sources or Analogues
The story cycle known variously as The Seven Wise Masters and The Seven Sages of Rome is as ancient as Sanskrit, Persian, and Hebrew, languages in which analogues existed. One story of its origin attributes it to the Indian philosopher Sindibad/Syntipas in the first century CE (Wikipedia).
Printed Sources
Michael L. Hays compiled a list of the manuscripts and printings extant for The Seven Sages [Wise Masters] of Rome, which had been written c. 1300-1333. That by Wynkyn de Worde in 1506 appears to have been the seminal English text (Gomme, iii). Those likely to have been available to Chettle, Day, Dekker, and Haughton are the following:
* Purfoot, 1576 (STC 21299.3): Thomas Purfoot's title page, which calls itself the Seven Wise Masters, advertised that it was a new edition of an old printing on the title page: "Now newly corrected with a pleasant stile, &purged from all old and rude wordes and phrases which were lothsome or tedious to the reader". The Purfoot edition was printed again twice in 1602 (STC 21299.5, 21299.7), perhaps evidence of the perennial popularity of the story set.
* Ross, 1578 (STC 21254): The title page of the edition by John Ross or Rolland (for Henry Charteris) called itself the "Seven Sages" and advertised that it was translatit out of prois in Scottis meter; it also advertised the rich compendium of stories available: "ane moralitie efter euerie doctouris tale, and siclike efter the Emprice Tale, togidder with ane louing and laude to euerie doctour efter his awin tale [and] ane exclamation and outcrying vpon the empreouris wife efter hir fals contrusit tale."
* Smith, 1592 (STC 21255): The title page advertisement of the edition by Robert Smith echoes that of Rolland's in using Sages and being in Scots meter; it carries an abbreviated version of Rolland's claims of moral commentary on the doctors' tales (praise) and that of the Emperor's wife (condemnation).
The Frame Story
Poncianus, the emperor of Rome, marries a king's daughter with whom he has a son, Dioclesian. When the child is seven, his mother becomes ill. On her deathbed, she begs the emperor to remarry but to protect their son from the new wife's governance and power. As his mourning ended, Poncianus summoned seven wise masters to undertake the education of his son: Pantyllas, Lentulus, Craton, Malquydrac, Joseph, Cleophas, and a seventh unnamed. The masters agree to take the boy out of Rome so that his education might be undisturbed. Soon after, Poncianus remarries; when the new wife realizes that she might not conceive an heir herself, she plots the death of Dioclesian. Her opportunity arrives when the boy, now a young man, returns home from his schooling. She attempts to seduce him but is unsuccessful. However she tells Poncianus that Dioclesian attempted to rape her. In his fury, Poncianus orders his son to be taken to the gallows and hanged. The wise men, unable to dissuade the emperor, succeed in postponement for a trial. The empress, eager to see Dioclesian executed swiftly and the seven masters discredited (if not also executed), tells the emperor a parable about a great tree that was hewed down to allow a lesser plant to flourish, the result of which was that the lesser plant died also. The emperor vows then to have his son executed without a trial, at which point the masters delay the execution with serial story-telling. The resulting structure of "Seven Wise Masters" is a pairing of stories: the masters illustrate the villainy of women (after which the emperor halts the execution), and the empress illustrates the disloyalty of sons (after which the emperor reissues the order for immediate execution).
The story of the first master, Pantyllas:
A knight had a young son whom he adored, as well as a beloved greyhound and falcon. A lover of tournaments, the knight hosted one that attracted great crowd, including his wife and the baby's nurses, who left the boy in his cradle guarded by the greyhound and the falcon. A serpent, seizing the opportunity, crept out of his hole to attack the child, but the falcon made such a racket that the greyhound awakened and killed the snake, upturning the cradle and bloodying the floor in the fight. Exhausted, he lay down by the child to lick his wounds. The nurses returned from the tournament, saw the cradle and bloodied dog, and told rhe wife (as she returned) that the dog has killed the child. At that moment, the knight returned, and the wife told him what the nurses had said. The dog, hearing his master, came forward to greet him, but the knight in anger struck off his head. Only then does the knight check the cradle, find the child safe, and see the dead snake. Broken-hearted at his error in believing his wife's word, the knight splintered his sword and left for wars in the Holy Land.
The counter-story of the empress:
An emperor wanted a boar in his forest destroyed, so he offered his daughter's hand in marriage as well as his kingdom to anyone who could kill it. The only taker was a shepherd who saw a chance to advance himself and his family. Armed only with his staff, the shepherd entered the forest, aroused the boar, and scrambled up a tree to avoid being killed. To stop the boar from knocking down the tree, the shepherd dropped fruit from the tree on the boar, who ate so much that he fell asleep. The shepherd then came down from the tree, cut the boar's throat, married the daughter, and took over the kingdom when his father-in-law died.
The story of the second master, Lentulus
An old man married a young woman who sneaked out at night to see her lover. In this town, anyone caught outside when the morning bell was rung was humiliated publicly by being pilloried. One night the old man awoke, found his wife missing, and locked the door against her. When she returned before dawn to sneak into the house, he cursed her and said she had to stay outside until "the wakers" came. Threatening to drown herself in the nearby well, she instead threw in a great stone, but the old man was fooled and came running out, leaving the door of the house open. The wife now locked him out and left him to the mockery of the town as the wakers put him in prison and then on the pillory.
The counter-story of the empress
The story of the third master, Craton
The Counter-story of the empress
The story of the fourth master, Malquydrac
The Counter-story of the empress
The story of the fifth master, Joseph
The Counter-story of the empress
The story of the sixth master, Cleophas
The Counter-story of the empress
The story of the seventh master (name not provided)
The Counter-story of the empress
(story)
The story of Dioclesian
(frame concluded)
References to the Play
Information welcome.
Critical Commentary
Foakes notes (as Greg does not) that the entry on 1 March 1600 (above) is entirely in Birde's hand; that the signature for the entry of 8 March is Rowley's; and the second entry above for £8 is entirely in Shaa's hand (131, 132).
Knutson notes that "The Seven Wise Masters" shared the spring repertory in 1600 with the two-part "Fair Constance of Rome," which has not one but two wicked mothers (mothers-in-law, in Constance's case). She notes other Admiral's plays in the genre of tragedy with the stepmother motif: "Ferrex and Porrex" and "The Stepmother's Tragedy" (29). Linking the "Seven Masters" play further with its repertory mates, Knutson notes that the two-part "Constance" as well as yet another lost play, "The Golden Ass and Cupid and Psyche," are serial or co-joined plots, the latter probably also mixed in generic design. Taking a name commonly associated with the prince in the source stories, Knutson calls the young man 'Diocletian.'
For What It's Worth
In Gomme's 1885 edition of Wynkyn de Worde's seminal version, the ruler's name is Poncianus and his son is Dyoclesian (1). The masters are named Pantyllas, Lentulus, Craton, Malquydrac, Joseph, and Cleophas (the seventh master is unnamed); the stepmother is called "Empress" (5-6).
Gomme (iv) calls attention to the German woodcuts in de Worde's edition and cites an essay by W. M. Conway on the "history of the woodcuts of the Lubeck edition of the Seven Wise Masters" (Bibliographer, vol. 2, p, 70).
Works Cited
Site created and maintained by Roslyn L. Knutson, Professor Emerita, University of Arkansas at Little Rock; updated 30 October 2009.