Palamon and Arcite, Part 2
Historical Records
Contemporary Accounts
Nicholas Robinson, "Of the Acts Done at Oxford" (REED Oxford 1.135-41; English trans. in REED Oxford 2.977-78)
John Bereblock, "Commentary" (REED Oxford 1.136-41; English trans. in REED Oxford 2.979-83)
Miles Windsor, "Narrative" (Oxford 1.126-35)
BL Add. MS 26737
A song entitled "An Elegie on the death of a Sweetheart" and followed by an attribution to Edwards and the note "The song of Emelye", is preserved in a seventeenth-century manuscript :
- British Library Add. MS 26737, fo.106v, reproduced by permission. (See REED Oxford 1.142-43 for a transcription.)
Jones, The Arbour of Amorous Devices (1597)
A printed version appeared in Richard Jones, The Arbour of Amorous Devices (1597, STC 3631), sigs. B1r-v, under the title "A Lady's Complaint for the Loss of Her Love". See the Open-Access version of EEBO-TCP:
A Ladies complaint for the losse of her Loue. COme follow me you Nymphes, Whose eyes are neuer drie, Augment your wayling number nowe With me poore Emelie. Giue place ye to my plaintes, Whose ioyes are pincht with paines My loue, alas through foule mishap, Most cruell death hath slaine, What wight can wel, alas, my sorrowes now indite? I waile & want my new desire I lack my new delite, Gush out my trickling teares, Like mighty floods of raine, My Knight alas, through foule mishap Most cruell death hath slaine. Oh hap alas most hard, Oh death why didst thou so? Why could not I embrace my ioy, for me that bid such woe? False Fortunu out, alas, Woe worth thy subtill traine, Whereby my loue through foule mishap, Most cruell death hath slaine. Rock me a sleepe in woe, You wofull Sisters three, Oh cut you off my fatall threed, Dispatch poore Emelie. Why should I liue, alas, And linger thus in paine? Farewell my life, sith that my loue Most cruell death hath slaine. Finis.
Theatrical Provenance
Performed at Christ Church, Oxford before the Queen on 04 September 1566.
Probable Genre(s)
Tragedy (Harbage); comedy (Stow); history (contemporary reference); romance (Wiggins).
Possible Narrative and Dramatic Sources or Analogues
Chaucer's The Knight's Tale.
References to the Play
Stow:
Comedies also and Tragedies were played in Christes Churche, where the Quéenes Highnesse dged. Among the whych, the Comedie entituled PalemonMisfortune at Oxford. and Arcet, made by Maister Edwards of the Quéenes Chap∣pel, had suche tragicall successe as was lamentable: For at that time by the fall of a wall and a payre of staires, & great presse of the multitude, thrée men were slaine (1130, EEBO-TCP (Open-Access))
Critical Commentary
Hyder Rollins first pointed out that the lyrics in Bl Add. MS 26737 (reproduced above) seem to have been sung by Emily in Edwards' play. He also suggested that the lyric, The Muses nine that cradle rock'd, in Bodleian Library MS Tanner 306, fol.176r-v, might have also come from the lost "Palamon and Arcyte" play (205-6).
With reference to the reward paid to the boy actor playing Emily "for gatheringe her flowers pretelie in ye garden & singinge sweetlie in ye pryme of maye" (REED Oxford 1.132), Ross W. Duffin suggests that "Since the performance was in September, the phrase 'singinge sweeetlie in ye pryme of maye' suggests that the anonymous consort song When May is in his prime, in the Dow Partbooks, copied by an Oxford Fellow in the 1580s, may well have been sung during the original performance of Palamon and is probably by Edwards" (116). Although he does not note it, "When May is in his prime" appears on fol.108r-v of the same manuscript (BL Add. MS 26737) as Emily's song above.
Duffin also notes that the versification of Bl Add. MS 26737 "matches Awake, ye woeful wights perfectly and the song is a lament, so it seems highly likely that it was intended to be sung to that tune" (116). He sets the lyrics to the music on p.117 of Some Other Note (as Example 4.10).
For What It's Worth
<Enter any miscellaneous points that may be relevant, but don't fit into the above categories. This is the best place for highly conjectural thoughts.>
Works Cited
Site created and maintained by David McInnis, University of Melbourne; updated 10 January 2019.