Frederick and Basilea: Difference between revisions
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==Works Cited== | ==Works Cited== | ||
<div style="padding-left: 2em; text-indent: -2em">Kathman, David. "The Seven Deadly Sins and Theatrical Apprenticeship." ''Early Theatre'' 14.1 (2011): 121-39.</div> | |||
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<If you haven't done so already, also add here any key words that will help categorise this play. Use the following format, repeating as necessary: [[category:example]]> | <If you haven't done so already, also add here any key words that will help categorise this play. Use the following format, repeating as necessary: [[category:example]]> | ||
Site created and maintained by [[David McInnis]], University of Melbourne; updated | Site created and maintained by [[David McInnis]], University of Melbourne; updated 29 October 2015. | ||
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Revision as of 00:23, 29 October 2015
Historical Records
Plot (British Library Add. MS.10449, f.2)
(British Library Add. MS.10449, f.2, reproduced with permission)
The following transcription is reproduced from Greg, Papers, 136-37.
The plott of ffrederick & Basilea Enter Prologue : Richard Alleine Enter Frederick Kinge : Mr Jubie R Allenn To them
Basilea seruant Black Dick, Dick.Enter Gouernor Athanasia Moore : Mr Dunstann. Griffen
Charles, To them Heraclius Seruants. Tho : hunt black DickEnter Leonora, Sebastian, Theodore, Pedro, Philippo Andreo
Mr Allen, well, Mr Martyn. Ed. Dutton. ledbeter, Pigg :
To them King frederick Basilea Guarde. Mr Juby. R Allen
Dick Tho. Hunt, black Dick.Enter Myron=hamec, lords. Tho : Towne. Tho Hunt ledbeter
To them Heraclius, Thamar, Sam Charles.Enter Gouernor Mr Dunstann, To hym Messenger Th : Hunt
To them Heraclius Sam, To them Myranhamec Goliors.Enter ffrederick, Basilea, R Allen Dick, To them Kinge
Mr Jubie To them Messenger Black Dick, To them
Sebastian, Heraclius, Theodore, Pedro, Philippo Andreo
Thamar. Mr Allen, Sam : Mr Martyn. leadb : Dutton Pigg.
To them Leonora, Will,Enter ffrederick Basilea, R Allen : Dick. To them
Philippo, Duttonn, To her King ffrederick, Mr Jubie
R Allenn :Enter, Myron=hamec Sebastian, Pedroe lords
Tho : Towne. Mr Allenn, ledbeter. AttendauntsEnter King Theodore ffrederick, Mr Jubie, Mr Martyn
R Allenn. To them Philipo Basilea E Dutton his boye Guard
Tho : Hunt. [Black Dick] Gatherers. To them messenger
Black Dick. To them Sebastian Myron=hamec
leonora Pedroe Andreo. Mr Allen : Tho Towne
will : leadbeter Pigg guards gatherers.Enter ffrederick Basilea To them Pedro confederates
Robt ; leadb : Black Dick Gatherers.Enter ffrederick Guard. Mr Juby R Allen
Th : [Tow] Hunt &c. To them Sebastian [leonora]
Theodore Myranhamec Guard Mr Allen. Martyn
To them Pedro Basilea vpon the walls. come downe
Pedro Basilea. ledb : Dick.Enter Theodore Andreo. Mr Martyn Pigg To hym
Thamar Heraclius Sam charles.Enter ffrederick Basilea, ffryer, R Allen : Dick
Mr Dunstann.Enter Heraclius, Thamar, Andreo, Sam. Charles
Pigg. To them ffryer. Mr Dunstann, To them
Theodore MartynnEnter ffrederick Basilea R Allen. Dick, To them
ffryer Mr Dunstann, To them Heraclius SamEnter Leonora Myronhamec, Sebastian Goliors
Will : Mr Towne, Mr Allen. Tho Hunt black DickTo the queen Theodore Marynn. Enter Heraclius Thamar sam charles To him
Theodore ffryer Dunstan Martynn To them
[------------------------------------------------------------------------------------]
Enter King Basilea ffrederick Messenger
Mr Juby R Allen Dick Black Dick. To them
Sebastian leonora Myronhamec Thamar Goliors
Mr Allen will Tho Towne Charles. Tho : Hunt
Black Dick gatherers.Epilogs R Allenn Finis : /
Performance Records (Henslowe's Diary)
Theatrical Provenance
The plot provides for a cast of seventeen men and four boys (Kathman 127).
Probable Genre(s)
<List possible genres of the play: if noted by a critic, cite them, e.g. "Comedy (Harbage)". If an original speculation, simply list the genre.>
Possible Narrative and Dramatic Sources or Analogues
<Enter any information about possible or known sources. Summarise these sources where practical/possible, or provide an excerpt from another scholar's discussion of the subject if available.>
References to the Play
<List any known or conjectured references to the lost play here.>
Critical Commentary
<Summarise any critical commentary that may have been published by scholars. Please maintain an objective tone!>
For What It's Worth
<Enter any miscellaneous points that may be relevant, but don't fit into the above categories. This is the best place for highly conjectural thoughts.>
Works Cited
<If you haven't done so already, also add here any key words that will help categorise this play. Use the following format, repeating as necessary:>
Site created and maintained by David McInnis, University of Melbourne; updated 29 October 2015.