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| R''es'' at the Rangers comodey 2 of [''marche''] Aprell 1593 | y^e 2 of octobʒ 1594

...the following list, and are willing to consider further inclusions of high-use items as recommended by database users. ...i.2015.79128/2015.79128.The-Elizabethan-Stage-Vol-Ii#page/n7/mode/2up Vol. 2], [https://archive.org/details/in.ernet.dli.2015.81073 Vol.3], [http://www.

...editors do not engage Dollerup, but Harold Jenkins did note, in his Arden 2 edition, that “[i]t is difficult (as desired by ''N&Q,'' CCXXI, 156) to s ...s 6d (p. 27). [[WorksCited|Fleay, ''BCED'']] makes no comment on the play (2.298 #116).

...]. (Another plot, for the first part of the lost [[Tamar Cham, Parts 1 and 2|"Tamar Cham"]] play was transcribed by George Steevens and published in 180 [[File:2 Fortune's Tennis plot transcription.jpg]]

...) while his revised list of 1671 adds "T" to indicate tragedy (Dancer ²A3v). Unknown. Webster's allusion in 1623 does not clearly explicate whether the play was performed at all.

...Jonson to see in the Admiral's "Jeronimo" an Hieronimo of "short stature" (2.#3, p. 27). [[WorksCited|Greg II (#16, pp. 153-4)]] thus is the authority i ...at some time" (p. 55, n4). Freeman (p. 122, n.1) and Erne (p. 120, n.5) do not dispute the erased notation.

...nd [[Burbon (i.e. Bourbon?)|"Borbonne."]] Unlike "Black Joan," these two ''do'' appear in Henslowe's playlists (for October and November 1597). ...gestion that the entries refer to a witchcraft play; although witches were not exclusively female, of course. See [[WorksCited|Wiggins, ''Catalogue'']] fo

...ight dreame'', & his ''Merchant of Venice'': for Tragedy his ''Richard the 2''. ''Richard the 3''. ''Henry the 4''. ''King Iohn'', ''Titus Andronicus'' ...illinois.edu/rbx/collections/reproduction-services Inquiries about further use])

...ies. And though there may be some sower dispositions, which may think this not worth a ''Memoriall'', yet that wise Knight ''Guarina Baptista'' (whom lear ...th [http://archive.org/stream/lifelettersofsir02smitiala#page/484/mode/2up 2:485]; Salviati, I, sigs. [http://archive.org/stream/imgAIV956MiscellaneaOpa

:And spare not. :I care not;

(For further details about the architecture, finances, and use of the Red Lion, see [[#Critical Commentary|'''Critical Commentary''' below ...verdale translation quoted below (1535), the narrative begins in Judges 13.2 and continues through Judges 16.31. Its major episodes include the followin

Permission for the commercial and non-commercial use of the image should be obtained directly from [https://www.sal.org.uk/libra :2 Secondly then the entrance of Englands Ioy by the Coronation of our<br /

...folios / 4 pages) in length. The first page features a number at the top (2) and begins part-way through a scene, preserving 144 lines in total of an e |<!--column3--><small>''BL Add MS 88878, fol.2^r''</small>.

:maij to bye maskyngsewt''es'' ^antycke for the 2 p''ar''te :for the 2 p''ar''t of wollsey the some of . . . . . . . . . . . . . . . iij<sup>ll</s

'''<i>Repertory</i> 31, pt. 2 (4 November 1613 – 28 October 1614).''' ...ier dispat[c]h of this busines And lastly because the Lord Maiors house is not held spatious enough to receave so great a trayne as is exspected will atte

...he link with Peele is the only clue about the debut of the play, and it is not much help. Peele's plays appear in the holdings of the Children of the Chap ...ails of his telling might have been "in the air," so to speak, for Peele's use. William Barksted's poem, "Hiren: or, the Fair Greek," 1611, is even later,

...ksCited|Harbage]] calls the play a Pseudo-history, but there is no reason not to think the play treated its narrative seriously, as a history play. ...ttp://english.nsms.ox.ac.uk/holinshed/texts.php?text1=1587_0138 1587, Vol. 2, p.15]). There are several unique details in each account, but neither ment

...rksCited|Greg II]] agreed with Collier about the name of the town but was “not aware of any record thereof,” although he thought the connection "very pr ...ne of the earliest performances …” (p. 157n). Cerasano describes Forman as not having “any particular critical insight” into the plays he saw, or he m

| y^e 2 of maye 1596 | y^e 2 of novmbʒ 1596

...posed by the Privy Council "by the means of playing the Jeylle of dooges." Not every detail is equally relevant to the lost play, but the entry is repeate :money of Ingland yf he do not performe thes thinges folowinge