User:William Lloyd: Difference between revisions

m (Creating user page with biography of new user.)
 
(reformatted user info)
 
Line 1: Line 1:
Independent Scholar<br>
William Lloyd is a professional bookseller and an independent scholar, is a member of the Malone Society and The Shakespeare Association of America, and has studied Speech & Drama at Catholic University and English at University of Maryland College Park (B.A. 1987). He has contributed to Notes and Queries and Research Opportunities in Medieval and Renaissance Drama, and most years gives a paper in the SAA’s Theatre History seminar.
B.A.,University of Maryland College Park, 1987.<br>
Member of Malone Society since 1985 and of the Shakespeare Association of America since 2003<br>
<br>
Publications<br>
- “Scribal Copy for Q1 Richard II?”  ''Notes and Queries'', Sept 2004<br>
- “John Webster and The London Prodigal: New Sources for The Devil’s Law-case” ''Research Opportunities in Medieval and Renaissance Drama'', 2005<br>
<br>
Seminar Papers<br>
- “A First Performance and an Imaginary Performance: Lady Elizabeth’s, Queen Henrietta’s and The Renegado” Paper for Alan Nelson’s Theatre History Seminar at SAA 2006 in Philadelphia.<br>
- “Submerged Biography in William Heminge’s Elegy on Randolph’s Finger”  Paper for David Kathman’s Theatre History Seminar at SAA 2007 in San Diego<br>
- “Unravelling the Revels”: Philip Rosseter, William Perry and the Travelling Revels Companies.  Paper for Barbara Palmer’s Theatre History Seminar at SAA 2009 in Washington DC<br>
- “Mar a Curious Tale in Telling It”: Error, Assertion and Confusion in Andrew Gurr’s The Shakespearian Playing Companies. Paper for Paul Menzer’s Theatre History Seminar at SAA 2010 in Chicago

Latest revision as of 21:02, 28 February 2010

William Lloyd is a professional bookseller and an independent scholar, is a member of the Malone Society and The Shakespeare Association of America, and has studied Speech & Drama at Catholic University and English at University of Maryland College Park (B.A. 1987). He has contributed to Notes and Queries and Research Opportunities in Medieval and Renaissance Drama, and most years gives a paper in the SAA’s Theatre History seminar.