England’s First Happiness, or The Life of St. Austin: Difference between revisions
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Anon. (before 1641) | [[Anon.]] (before [[1641]]) | ||
==Historical Records== | ==Historical Records== | ||
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Bentley, 5.1326. Stationers' Register, 15 April 1641. Entered for John Nicholson | Bentley, 5.1326. Stationers' Register, 15 April 1641. Entered for John Nicholson | ||
:three playes, viz<sup>t</sup>. <i>A Tragedy called Charles, Duke of Burbon, The Parroiall of Princes & England's first happines, or, the Life of St. Austin</i>... xviii<sup>d</sup>. | :three playes, viz<sup>t</sup>. <i>A Tragedy called Charles, Duke of Burbon, The Parroiall of Princes & England's first happines, or, the Life of St. Austin</i>... xviii<sup>d</sup>. | ||
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unknown | unknown | ||
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Neo-miracle? (Harbage); History play | Neo-miracle? (Harbage); History play | ||
==Possible Narrative and Dramatic Sources or Analogues== | ==Possible Narrative and Dramatic Sources or Analogues== | ||
Saint Augustine was the seventh-century Archbishop of Canterbury who converted England to Christianity. What one might call the standard early modern English account of his life is provided by [http://www.cems.ox.ac.uk/holinshed/index.shtml Holinshed], and is itself based on Bede. The story begins with Pope Gregory the Great, struck by the beauty of British boys, dispatching Augustine to England to convert the nation to Christianity. It goes on to describe Augustine's early fears and his preaching in front of King Ethelbert. Augustine's ultimate triumphs, in this account, include miracles, scenes of mass baptism, and the establishment of Saint Paul's Cathedral. | Saint Augustine was the seventh-century Archbishop of Canterbury who converted England to Christianity. What one might call the standard early modern English account of his life is provided by [http://www.cems.ox.ac.uk/holinshed/index.shtml Holinshed], and is itself based on Bede. The story begins with Pope Gregory the Great, struck by the beauty of British boys, dispatching Augustine to England to convert the nation to Christianity. It goes on to describe Augustine's early fears and his preaching in front of King Ethelbert. Augustine's ultimate triumphs, in this account, include miracles, scenes of mass baptism, and the establishment of Saint Paul's Cathedral. | ||
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none known | none known | ||
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"Nothing is known of a play with this title, or… of any play on the life of St Augustine of Canterbury" (Bentley, 5.1326, summarizing and concurring with Greg, <i>BEPD</i>). Bentley also observes that "very few plays earlier than the times of James I were entered in the Stationers' Register for the first time in the 1640's". | "Nothing is known of a play with this title, or… of any play on the life of St Augustine of Canterbury" (Bentley, 5.1326, summarizing and concurring with Greg, <i>BEPD</i>). Bentley also observes that "very few plays earlier than the times of James I were entered in the Stationers' Register for the first time in the 1640's". | ||
==For What It's Worth== | ==For What It's Worth== | ||
This play was registered along with two other lost plays, <i>The [[Parroiall (Pareil?) of Princes]]</i> and <i>[[Charles, Duke of Bourbon]]</i>. John Nicholson was not a well-known printer of plays. The only extant play he printed was "J.D."'s <i>The Knave in Grain… acted at the Fortune</i> (1640). Is this a tenuous indication of the possible theatrical provenance of these three lost, anonymous plays? | This play was registered along with two other lost plays, <i>The [[Parroiall (Pareil?) of Princes]]</i> and <i>[[Charles, Duke of Bourbon]]</i>. John Nicholson was not a well-known printer of plays. The only extant play he printed was "J.D."'s <i>The Knave in Grain… acted at the Fortune</i> (1640). Is this a tenuous indication of the possible theatrical provenance of these three lost, anonymous plays? | ||
==Keywords== | ==Keywords== | ||
Revision as of 01:01, 5 December 2009
Historical Records
Bentley, 5.1326. Stationers' Register, 15 April 1641. Entered for John Nicholson
- three playes, vizt. A Tragedy called Charles, Duke of Burbon, The Parroiall of Princes & England's first happines, or, the Life of St. Austin... xviiid.
Theatrical Provenance
unknown
Probable Genre(s)
Neo-miracle? (Harbage); History play
Possible Narrative and Dramatic Sources or Analogues
Saint Augustine was the seventh-century Archbishop of Canterbury who converted England to Christianity. What one might call the standard early modern English account of his life is provided by Holinshed, and is itself based on Bede. The story begins with Pope Gregory the Great, struck by the beauty of British boys, dispatching Augustine to England to convert the nation to Christianity. It goes on to describe Augustine's early fears and his preaching in front of King Ethelbert. Augustine's ultimate triumphs, in this account, include miracles, scenes of mass baptism, and the establishment of Saint Paul's Cathedral.
References to the Play
none known
Critical Commentary
"Nothing is known of a play with this title, or… of any play on the life of St Augustine of Canterbury" (Bentley, 5.1326, summarizing and concurring with Greg, BEPD). Bentley also observes that "very few plays earlier than the times of James I were entered in the Stationers' Register for the first time in the 1640's".
For What It's Worth
This play was registered along with two other lost plays, The Parroiall (Pareil?) of Princes and Charles, Duke of Bourbon. John Nicholson was not a well-known printer of plays. The only extant play he printed was "J.D."'s The Knave in Grain… acted at the Fortune (1640). Is this a tenuous indication of the possible theatrical provenance of these three lost, anonymous plays?
Keywords
Works Cited
Site created and maintained by --Matthew Steggle 13:01, 24 November 2009 (UTC).