Capture of Stuhlweissenburg, The
Heywood, Thomas, Smith, Wentworth (1602)
Historical Records
Theatrical Provenance
Probable Genre(s)
Foreign History
Possible Narrative and Dramatic Sources or Analogues
+++ siege plays===
References to the Play
In 1602 Duke Philip Julius of Stettin-Pomerania visited England, and while in London, the nobleman attended plays. The duke's diary records that "on the 13th a play was acted showing how Stuhl-Weissenberg was gained by the Turks, and then won again by the Christians" (quoted from Steggle, p. 112).
Critical Commentary
Chambers, in a discussion of playhouses (ES II, p. 367), cites the diary of Duke Philip Julius of Stettin-Pomerania. He does himself not specify which theater was the location where the play described by the duke as "a comedy ... of the taking of Stuhl-Weissenberg, firstly by the Turks, and thereafter back again by the Christians" was performed, but in a note to his comment he cites Charles W. Wallace as having assumed "that the theatre visited on 13 Sept. was the Globe," to which Chambers then adds "but it might have been the Rose" (p. 367, n.1).
Knutson takes the implicit bias among theater historians about the most desirable playhouses in 1602 and assigns "Stuhlweissenburg" to the Chamberlain's men at the Globe: "The attribution is based on the conjecture that the foreign visitors, having been [to] the newest pubic playhouse in London in 1602 (the Fortune), would have attended performances at the second newest one, the Globe" (p. 204).
Wiggins does not have a separate entry for this play. He considers the title, "The Capture of Stuhlweissenburg," to be a formulation "later assigned" to Alba Regalis (#1342, q.v. LPD entry for "Albere Galles").
Steggle, using EEBO-TCP. also identifies the "Stuhlweissenberg" play as the "Albere Galles" performed by Worcester's men at the Rose (a.k.a. Alba Regalis; q.v. LPD entry for "Albere Galles"). He observes that Stuhlweissenberg is the German name for the city known in Hungarian as Székesfehérvár and in Latin as Alba Regalis.
For What It's Worth