Phocas: Difference between revisions

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[[Playwright's Name]] ([[Year]])
[[Bernard, Samuel|Samuel Bernard]] ([[1619|1618/19]])




==Historical Records==
==Historical Records==


<Reproduce relevant documentary evidence from historical records here. (For example, entries from Henslowe's Diary).>
Bodleian Library ms. Crynes 701, an eighteenth-century auction catalogue:<br>
<br>Jacob Hooke (comp), ''Bibliotheca Bernardiana: Or, A Catalogue Of the Library of the Late Charles Bernard, Esq; Serjeant Surgeon to Her Majesty. Containing a curious Collection of the best Authors in Physick, History, Philology, Antiquities, &c. With several MSS. Ancient and Modern which will begin to be sold by Auction on Thursday the 22d of March, 1710-11. At the Black-Boy Coffee-House in Ave-Mary-Lane, near Ludgate-Street'' (London, 1711).<br>
<br>It is described by Elliott-Nelson, [http://www.archive.org/stream/oxfordREED02elliuoft#page/n325/mode/2up/search/Andronicus REED Oxford 2.899]:<br>
<blockquote>A copy preserved in the Bodleian Library (Crynes 701) has auction prices recorded in the margins. Lot 674 (p 217), which fetched 10s from an unknown buyer, was a folio-sized manuscript of tragedies by Charles Bernard's ancestor, Samuel Bernard, containing:<br>
:1) ''Julius and Gonzaga'', performed in the president's house in Magdalen College, 23 January 1616/17 (this may be the play referred to by Peter Heylyn on 8 March 1616/17);<br>
:2) ''Andronicus'', performed on 26 January 1617/18, in the Magdalen College hall; and <br>
:3) ''Phocas'', performed on 27 January 1618/19, in the Magdalen College hall.<br>
A second item, lot 925 (p 218) which fetched 2s, was a quarto-sized manuscript containing three tragedies and other poetical works by 'Sarm''ueli'' Bernardi': since the plays are not named, it is uncertain whether or not these were the same three plays. Neither volume has been traced.</blockquote>




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==Theatrical Provenance==
==Theatrical Provenance==


<Enter information about which company performed the play, and where/when it was performed, etc.>
Performed 27 January 1618/19, in the Magdalen College hall.




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==Probable Genre(s)==
==Probable Genre(s)==


<List possible genres of the play: if noted by a critic, cite them, e.g. "Comedy (Harbage)". If an original speculation, simply list the genre.>
Latin Tragedy (Elliott-Nelson)





Revision as of 01:39, 3 December 2010

Samuel Bernard (1618/19)


Historical Records

Bodleian Library ms. Crynes 701, an eighteenth-century auction catalogue:

Jacob Hooke (comp), Bibliotheca Bernardiana: Or, A Catalogue Of the Library of the Late Charles Bernard, Esq; Serjeant Surgeon to Her Majesty. Containing a curious Collection of the best Authors in Physick, History, Philology, Antiquities, &c. With several MSS. Ancient and Modern which will begin to be sold by Auction on Thursday the 22d of March, 1710-11. At the Black-Boy Coffee-House in Ave-Mary-Lane, near Ludgate-Street (London, 1711).

It is described by Elliott-Nelson, REED Oxford 2.899:

A copy preserved in the Bodleian Library (Crynes 701) has auction prices recorded in the margins. Lot 674 (p 217), which fetched 10s from an unknown buyer, was a folio-sized manuscript of tragedies by Charles Bernard's ancestor, Samuel Bernard, containing:

1) Julius and Gonzaga, performed in the president's house in Magdalen College, 23 January 1616/17 (this may be the play referred to by Peter Heylyn on 8 March 1616/17);
2) Andronicus, performed on 26 January 1617/18, in the Magdalen College hall; and
3) Phocas, performed on 27 January 1618/19, in the Magdalen College hall.

A second item, lot 925 (p 218) which fetched 2s, was a quarto-sized manuscript containing three tragedies and other poetical works by 'Sarmueli Bernardi': since the plays are not named, it is uncertain whether or not these were the same three plays. Neither volume has been traced.


Theatrical Provenance

Performed 27 January 1618/19, in the Magdalen College hall.


Probable Genre(s)

Latin Tragedy (Elliott-Nelson)


Possible Narrative and Dramatic Sources or Analogues

<Enter any information about possible or known sources. Summarise these sources where practical/possible, or provide an excerpt from another scholar's discussion of the subject if available.>


References to the Play

<List any known or conjectured references to the lost play here.>


Critical Commentary

<Summarise any critical commentary that may have been published by scholars. Please maintain an objective tone!>


For What It's Worth

<Enter any miscellaneous points that may be relevant, but don't fit into the above categories. This is the best place for highly conjectural thoughts.>


Works Cited

<List all texts cited throughout the entry, except those staple texts whose full bibliographical details have been provided in the masterlist of Works Cited found on the sidebar menu.>


<If you haven't done so already, also add here any key words that will help categorise this play. Use the following format, repeating as necessary:>


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