Absalom: Difference between revisions
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== Theatrical Provenance == | == Theatrical Provenance == | ||
The likeliest venue for performances of " | |||
The likeliest venue for performances of "Absalom" is the Rose playhouse, where Worcester's company played after the Admiral's men moved into Edward Alleyn's new Fortune playhouse.<br><br> | |||
== Probable Genre(s) == | == Probable Genre(s) == | ||
Line 31: | Line 32: | ||
== Possible Narrative and Dramatic Sources or Analogues == | == Possible Narrative and Dramatic Sources or Analogues == | ||
The obvious source for a play is 2 Samuel 13- | The obvious source for a play is 2 Samuel 13-19: | ||
== References to the Play == | == References to the Play == | ||
None known. | None known. | ||
== Critical Commentary == | == Critical Commentary == | ||
Fleay | Fleay, succumbing to the temptation of folding a lost play into an extant one, subsumes "Absalom" into ''The Love of King David and Fair Bethsabe'' by George Peele (''BCED'', II.#6, 153-4). | ||
Greg | Greg |
Revision as of 15:18, 10 October 2024
Historical Records
Payments
F. 116v (Greg, I.182)
For properties in Philip Henslowe's diary
pd for poleyes & worckmanshipp for to } hange absolome} xiiijd
Theatrical Provenance
The likeliest venue for performances of "Absalom" is the Rose playhouse, where Worcester's company played after the Admiral's men moved into Edward Alleyn's new Fortune playhouse.
Probable Genre(s)
Possible Narrative and Dramatic Sources or Analogues
The obvious source for a play is 2 Samuel 13-19:
References to the Play
None known.
Critical Commentary
Fleay, succumbing to the temptation of folding a lost play into an extant one, subsumes "Absalom" into The Love of King David and Fair Bethsabe by George Peele (BCED, II.#6, 153-4).
Greg
Wiggins