Processus Satanae

Anon. (1575)

Historical Records

An actor's part exists for the role of 'God' in this play; it is currently held by a private collection in the United Kingdom. Although most of the lines belong to God, a partial list of other characters from the play can be reconstructed through references and cues:
Characters:

God the Father

Christ

Michael

An Angel

Verity

Justice

Mercy

Peace

Satan

"The Part of God", MS (transcription)

Strip 1a (Private Collection, UK; reproduced by permission)

Strip 1a

God the father speaketh

The Aungell ^. In heauen our record

 God

Come my welbeloued mans only sauing hea<l..
   for thou alone hast conquered hell synne & death<

Christ^. Dyd hole spill

 God

Sitt on my right hand after thy gret toille
   Vntill I haue made thine enemies thy fotestole

Here Christ goeth vp to his throne<

An Aungell ^. or open yt euer^.

 God

Behold this Lion of the stocke of Iuda

the rote of Dauid hais obteyned alwaye

To open this boke and vnclaspe yt

and to know all the secrettes of yt

Sathan ^. Villeny and wronge ^.

 God

Tary michaell a while yet

in so moche as he will reson yt

what wronge Sathan haue I done the

Sathan ^. Robbed me

 God

Nay Sathan when yt ^{^is} well knowen

I haue taken that wch was but myne owne<

 Sathan ^. of the and me /

 God ^.

Why so Sathan let heare I       the

 Sathan ^. ther to dwell ^.

  God

But thos whom thou Sathan for syn dost blame

I haue sanctified & clensed with y^e blod of y^is <l

Thou apeachest them of synne to me night & <

and the blod of this lambe hathe washt it <a

  Sathan ^. more busynes

God ^.

I am the god wth whom dwelles no wickednes<

my nature abhorreth then all wrongfulnes

for Sathan yf in case of syn I shuld wronge the

I were falsely said to hate iniquite ~

  Sathan ^. yf thou deale Iustice

God

But yet Sathan thou dost not reme<
thy spitefull malice against man ev<  .
for when I made man at furst in gret honour
and planted him to liue in paradice of pleasure
Thou hockeredst so much ther his felicyte
y^t thou broughtst hym to disobedience even through y^y env<y
Ther thou deceyvedst him first of his place
and broughtst hym throw y^y subtelty to y^is sinfull ca<s
for I made hym always to haue byn Innocent<
Yf he had neuer broken my Commaundement
And thou wroughtst all this then canst y^u be
yf for like malice I worke like pollicye /     |angry

Strip 2a (Private Collection, UK; reproduced by permission)

Strip 2a

  Sathan ^. suche pollicye in god

God

Why not Sathan in all thinges wch be good ^.

  Sathan ^. of preventing mischefe

God ^.

Yet the same may be to good mens relefe /
yt folowes not that he is a mischievous person
Wch wth pollycie preventes all evell in ych_^^Season<e
nor policye here cannot be taken in evell meaning
That I have prevented thy malicious workinge
But subtill falshod and craftye pollicy
are always concurrant in thy nature wholy

 Sathan ^. I am right sure /

God

Why because,    I placed here in thy sight
Theise two whom thou saiest I haue no right<
Thou calledst them synners I say they be non
for that they be sanctyfied from syn euery one<
Then I do not wrong the Sathan in this case<

 Sathan ^. Trye that –

God

Then take the comissioners whom thou willt chose<
I will abyde the iudgement of those ^.
Y^t yf it be iudged by the commissyoners
That I haue done the wrong take them y^er pⁱsoners<
Whom wilt y^u take or chose let heare ^.

 Sathan ^. I cannot tell where

God

Here is Abraham wilt thou haue hym ^.

 Sathan ^. not dyshonest you

God

Wilt thou haue Moses for he makes muche for the
wch brought the Lawe to man an enemy
And my gret curse therwth dyd bringe
Vpon mankinde even whole for synne
Afore the lawe was synne was not imputed
By occasion wherof synne only encresed
And yet for all this the lawe had no power
to take away synne or make iuste a synner
Consideringe this yf ther be any chose
one wold thinke that moses were for thy pur_^^pose

 Sathan ^. Iuggell in my matte<

God

Wilt thou haue Isay or Dauid let heare

 Sathan ^. an adultere<

God

Yet Iohn Baptiste he must nedes plese the

 Sathan ^. to ly in the diche<

God

What sayest thou then vnto the theif
Wch was so gret a worker of mischef<

 Sathan ^. and worse also ^.

Strip 3a (Private Collection, UK; reproduced by permission)

Strip 3a

God

Then seing my mocyon herin cannot please the
Chose them thy self and I will agree /

 Sathan ^. the diuell were a knave

God

Then whom wilt thou chose Sathan let heare ^.

 Sathan ^. in any wise

God

And I am content with thy eleccõn sathan ^.
Come further Verite and Iustice bothe twaine
Here Sathan dothe thinke that I do him wronge
in sauing of man from his pryson strong
and hathe chosen comission’s yo^u too on my ptie
to trye the matter & to ende the controuersie /

 Verite ^. wch in god was neu spied

God

Yet must you abate it againe here wth Sathan ^.
Wch claimes through synne the best title to man
Wylt thou be content now Sathan that I
Do chose now likewise wch make for my ptie

 Sathan ^. yt shalbe so

God

I will[  ser  ]chose but soche as shalbe indifferent
as Sathan thou hast chosen for thine entent
Come furthe mercie and peace here quickly
You most help to finishe wth yo^ur sisters a cõtrou’sy<
Sathan sais / that I wrong hym herin
to saue man wch was once condemned for synne<
and yt is brought vnto this conclusyon
That yt must be tryed even by y^is comission
for him self he hathe chosen Iustice & verite
and I haue chosen yo^u to be on my ptie

 Peace   now lord be devided

God

Yet must Sathans cause here be decised
and by this comission right must be tried
for yf in me ther shuld be found iniquite
I am wrongfully called the god of equite
now Sathan ^.

 Sathan ^. what than ^.

God

Here are the comissioners redy for vs bothe

  an houre space

  Sathan ^. may cry fy on y<

God

Arte thou contented now sathan tell m<e

 Sathan ^. ther to f<.

Strip 3b (Private Collection, UK; reproduced by permission)

Strip 3b

God

They shall not abide then in this Courte celestiall

  Christ ^. Accused to my father

God

This is Sathan whom from the begynnyng<e
I promised the world for m<an>s transgressing
This is the true Isac the son of promise
to Abraham wth the sede of <…………
This is that true Ioseph wch <in dang..
loded his bretherne with cor<ne> to the<e>r fath<
This is that stronge Sampson & mighty <Ius..
wch caryed to the hill toppe the gate of gaz<a
This _^^is the true salamon I promised t<o> David
shuld florishe in his seate not to be removed
And to conclude sathan this is mans redeem
I promised to the s3pent shuld dash all y^y po<w^r
Making therof to the worlde eu mentio<n
by all my prophete in euery gen’ation

 Sathan ^. of this misterye

God

Yeuen so thou dydst thou canst not denye
When he cast out thy foule spirite out of men
Dyd not they acknowlege him y^e son of god then<
they wch dyd call Iesus so playnlye
Dyd they not meane how he was vndoubtedly
The Sauio^r promised to the world therby

 Sathan ^. so strange a man ^.

God

Yea saye they were forced to confes his pow^r
Wch wth all thy malice thou coldst withstand neu
◇--------------------------------------------

G

finis

Iiggons

Theatrical Provenance

Noting the inscription “old verses | Frõ limebrook” on the outside of the role, and observing that the “Limebrook” meant must be the village two to three miles from Brampton Bryan, the Harleys’ home, Chambers concludes that “There seems little doubt, therefore, that this was a local product of north Herefordshire on the very border of Wales” (240). The competent but unidentified hand of the scribe leads Chambers to conjecture a date of c.1570-80. Harbage opts for a smaller range of c.1570-75 and assigns it to 1575; Wiggins prefers an earlier date of 1564 on the grounds that the 1570s are quite late for God to appear on the English stage.

Probable Genre(s)

Biblical.

Possible Narrative and Dramatic Sources or Analogues

<Enter any information about possible or known sources. Summarise these sources where practical/possible, or provide an excerpt from another scholar's discussion of the subject if available.>

References to the Play

<List any known or conjectured references to the lost play here.>

Critical Commentary

See Wiggins 382 ("Religious play").

For What It's Worth

Among the curious features of the “part” is the stage direction “an houre space”, which Chambers takes to mean “that God here withdraws and that the play proceeds for an hour before his presence is again required” (241).

Works Cited

Chambers, E. K. "Processus Satanae" in Malone Society Collections 2.3, Gen. Ed. W. W. Greg (Oxford: OUP, 1931), 239-50.

Site created and maintained by David McInnis, University of Melbourne; updated 20 April 2018.