Phoenissae: Difference between revisions
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==Critical Commentary== | ==Critical Commentary== | ||
For Norbert F. O'Donnell, Jonson's comment about Oedipus' sons suggests that Goffe adapted Seneca's ''Phoenissae''. O'Donnell notes that there are clues in | For Norbert F. O'Donnell, Jonson's comment about Oedipus' sons suggests that Goffe adapted Seneca's ''Phoenissae''. O'Donnell notes that there are clues in Goffe's other works that he was familiar with Seneca's ''Phoenissae'': | ||
<blockquote>His ''Tragedy of Orestes'' (1633) and ''Courageous Turk'' (1632) both contain speeches translated from Seneca's play. More impresive, in ''The Courageous Turk'', the speeches of a Turkish princess intervening in a quarrel between her sultan-father and her husband are liberally adapted throughout an entire scene (sig. G3<sup>r</sup>) from Jocasta's outcries as she comes between her warring sons. (163)</blockquote> | <blockquote>His [Goffe's] ''Tragedy of Orestes'' (1633) and ''Courageous Turk'' (1632) both contain speeches translated from Seneca's play. More impresive, in ''The Courageous Turk'', the speeches of a Turkish princess intervening in a quarrel between her sultan-father and her husband are liberally adapted throughout an entire scene (sig. G3<sup>r</sup>) from Jocasta's outcries as she comes between her warring sons. (163)</blockquote> | ||
Because Goffe's plays were written whilst he was a student at Christ Church, but were published posthumously from manuscript, O'Donnell implies that there is a possibility that not everything that Goffe wrote was published. It would be convenient if a lost play based on Seneca's ''Phoenissae'', which would have to be from c.1619, could make sense of the Jonson quip recorded by Plume. | Because Goffe's plays were written whilst he was a student at Christ Church, but were published posthumously from manuscript, O'Donnell implies that there is a possibility that not everything that Goffe wrote was published. It would be convenient if a lost play based on Seneca's ''Phoenissae'', which would have to be from c.1619, could make sense of the Jonson quip recorded by Plume. | ||
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Revision as of 19:00, 15 December 2013
Thomas Goffe (c.1619)
Historical Records
Thomas Plume's notes on Ben Jonson
Bishop Thomas Plume records a conversation with Ben Jonson, in which Jonson, who had elsewhere noted Shakespeare's mistaken suggestion of a Bohemian coastline (Informations 157, CWBJ), appears to have noted a comparable error made by Thomas Goffe:
So Tom Goff brings in Etiocles & Polynices discng of K. Ric. 2d. (Herford and Simpson, 1.185)
Theatrical Provenance
Christ Church, Oxford (?) (Harbage)
Probable Genre(s)
Tragedy (Harbage).
Possible Narrative and Dramatic Sources or Analogues
<Enter any information about possible or known sources. Summarise these sources where practical/possible, or provide an excerpt from another scholar's discussion of the subject if available.>
References to the Play
This title is known only through the reference by Plumes.
Critical Commentary
For Norbert F. O'Donnell, Jonson's comment about Oedipus' sons suggests that Goffe adapted Seneca's Phoenissae. O'Donnell notes that there are clues in Goffe's other works that he was familiar with Seneca's Phoenissae:
His [Goffe's] Tragedy of Orestes (1633) and Courageous Turk (1632) both contain speeches translated from Seneca's play. More impresive, in The Courageous Turk, the speeches of a Turkish princess intervening in a quarrel between her sultan-father and her husband are liberally adapted throughout an entire scene (sig. G3r) from Jocasta's outcries as she comes between her warring sons. (163)
Because Goffe's plays were written whilst he was a student at Christ Church, but were published posthumously from manuscript, O'Donnell implies that there is a possibility that not everything that Goffe wrote was published. It would be convenient if a lost play based on Seneca's Phoenissae, which would have to be from c.1619, could make sense of the Jonson quip recorded by Plume.
For What It's Worth
Eteocles and Polynices were apparently ready to grace the stage in the 1560s, which is much too early for Goff. Thomas Cooper, then Dean of Christ Church, Oxford, noted in a letter to Robert Earl of Leicester, that "We have also in readinesse a playe or shew of the destruction of Thebes, and the contention between Eteocles and Polynices for the gouernement thereof" (Chambers, "Four Letters", 146). The play was planned for a 15 May 1569 performance but it is unclear whether that performance ever took place.
Works Cited
Jonson, Ben. "Informations to William Drummond of Hawthornden". ed. Ian Donaldson. CWBJ. Cambridge: CUP, 2012. 5.359-91.
Herford, C. H., Percy and Evelyn Simpson, eds. Ben Jonson. Oxford, 1941.
Chambers, E. K., ed. "Four Letters on Theatrical Affairs" in Malone Society Collections 2, Part 2 (1923), 145-49. (Internet Archive)
O'Donnell, Norbert F. "A Lost Jacobean Phoenissae?" Modern Language Notes 69.3 (1954): 163-64.
<If you haven't done so already, also add here any key words that will help categorise this play. Use the following format, repeating as necessary:>
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