William the Conqueror: Difference between revisions
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[[Anon.]] ([[1593]]) | |||
[[Anon.]] ([[1593]]) | [[Anon.]] ([[1593]]) | ||
==Historical Records== | ==Historical Records== | ||
===Performance Records (''Henslowe's Diary'')=== | |||
<br>[[category:Henslowe's records]] | |||
'''F. 8<sup>v</sup> ([http://www.archive.org/stream/henslowesdiary00unkngoog#page/n76/mode/2up Greg, I.16])''' | |||
<br> | |||
In a listing headed as follows: | |||
: "In the name of god Amen begninge the 27 of | |||
:desemb''er'' 1593 the earle of susex his men | |||
::{| {{table}} | |||
| R''es'' at william the conkerer the 4 of Jenewary 1593 [i.e. 1594]. . . ||……….||xxii<sup>s</sup> | |||
|} | |||
<br> | |||
==Theatrical Provenance== | ==Theatrical Provenance== | ||
Sussex's Men at the Rose Playhouse. The play is not marked "ne". | |||
Revision as of 06:00, 12 September 2016
Historical Records
Performance Records (Henslowe's Diary)
F. 8v (Greg, I.16)
In a listing headed as follows:
- "In the name of god Amen begninge the 27 of
- desember 1593 the earle of susex his men
Res at william the conkerer the 4 of Jenewary 1593 [i.e. 1594]. . . ………. xxiis
Theatrical Provenance
Sussex's Men at the Rose Playhouse. The play is not marked "ne".
Probable Genre(s)
<List possible genres of the play: if noted by a critic, cite them, e.g. "Comedy (Harbage)". If an original speculation, simply list the genre.>
Possible Narrative and Dramatic Sources or Analogues
<Enter any information about possible or known sources. Summarise these sources where practical/possible, or provide an excerpt from another scholar's discussion of the subject if available.>
References to the Play
<List any known or conjectured references to the lost play here.>
Critical Commentary
<Summarise any critical commentary that may have been published by scholars. Please maintain an objective tone!>
See also Wiggins serial number 903.
For What It's Worth
<Enter any miscellaneous points that may be relevant, but don't fit into the above categories. This is the best place for highly conjectural thoughts.>
Works Cited
<List all texts cited throughout the entry, except those staple texts whose full bibliographical details have been provided in the masterlist of Works Cited found on the sidebar menu.>
<If you haven't done so already, also add here any key words that will help categorise this play. Use the following format, repeating as necessary:>
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