Category:Laurie Johnson: Difference between revisions

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Professor Laurie Johnson...
'''Laurie Johnson''' is Professor of English and Cultural Studies and a member of the [https://www.usq.edu.au/research/institutes-centres/centre-for-heritage-culture Centre for Heritage and Culture] at the University of Southern Queensland, Australia. His publications include ''Shakespeare's Lost Playhouse: Eleven Days at Newington Butts'' (2018); ''The Tain of Hamlet'' (2013), and ''The Wolf Man's Burden'' (2001), as well as the edited collections ''Embodied Cognition and Shakespeare's Theatre: The Early Modern Body-Mind'' (with John Sutton and Evelyn Tribble, 2014) and ''Rapt in Secret Studies: Emerging Shakespeares'' (with Darryl Chalk, 2010). He was a [https://www.folger.edu/ Folger Shakespeare Library] Short-Term Fellow in 2019, working on a project on the impact of climate and weather on the rise of the playhouse industry in the sixteenth century, and is currently also completing a book on The Earl  of Leicester's Men with generous support from the editors of the [https://ereed.library.utoronto.ca/ Records of Early English Drama (REED)] collections.
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<div style="text-align: center;">Back to [[Contributors|Contributors]]</div>
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Revision as of 23:23, 1 December 2019

Laurie Johnson is Professor of English and Cultural Studies and a member of the Centre for Heritage and Culture at the University of Southern Queensland, Australia. His publications include Shakespeare's Lost Playhouse: Eleven Days at Newington Butts (2018); The Tain of Hamlet (2013), and The Wolf Man's Burden (2001), as well as the edited collections Embodied Cognition and Shakespeare's Theatre: The Early Modern Body-Mind (with John Sutton and Evelyn Tribble, 2014) and Rapt in Secret Studies: Emerging Shakespeares (with Darryl Chalk, 2010). He was a Folger Shakespeare Library Short-Term Fellow in 2019, working on a project on the impact of climate and weather on the rise of the playhouse industry in the sixteenth century, and is currently also completing a book on The Earl of Leicester's Men with generous support from the editors of the Records of Early English Drama (REED) collections.


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