Richard Crookback: Difference between revisions
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==Possible Narrative and Dramatic Sources or Analogues==
==Possible Narrative and Dramatic Sources or Analogues==


<Enter any information about possible or known sources. Summarise these sources where practical/possible, or provide an excerpt from another scholar's discussion of the subject if available.>
The history of Richard III had remained very popular over the whole Tudor era, which means Jonson had a wide range of dramatic and non-dramatics sources to look at.


As Donaldson (183) usefully summarises, Jonson


:would have been familiar with Shakespeare's ''Richard III'' (probably completed by 1593) and the anonymous ''True Tragedy of Richard the Third'', published in 1594 but probably composed a few years earlier [...]. He may also have known the Latin play ''Ricardus Tertius'' by Thoms Legge, Master of Caius College, Cambridge, acted ''c''. 1579. He certainly studied with close attention Thomas More's influential but unfinished account of the life of Richard III, as his heavy markings in his personal copy of the 1566 Louvain edition of More's ''Omnia Latina opera'' reveal [...]. It was More who had given fullest currency to the traditional portrait of Richard III which Jonson (to judge at least from the title of this lost play) seems to have inherited.


==References to the Play==
==References to the Play==

Revision as of 12:08, 15 April 2017

Ben Jonson (1602)


Historical Records

Payments to Playwrights (Henslowe’s Diary)

F. 106v (Greg I.168)

Lent ^ vnto bengemy Johnsone at the a poyntment of E Alleyn }
& wm birde the 22 of June 1602 }
in earneste of a Boocke called Richard } xli
crockbacke & for new adicyons for }
Jeronymo the some of }



Theatrical Provenance

Presumably performed by the Admiral's Men at the Fortune, possibly in late summer 1602, although the lack of evidence makes it impossible to ascertain whether the play was indeed ever completed or performed.

Probable Genre(s)

History (Harbage).

Possible Narrative and Dramatic Sources or Analogues

The history of Richard III had remained very popular over the whole Tudor era, which means Jonson had a wide range of dramatic and non-dramatics sources to look at.

As Donaldson (183) usefully summarises, Jonson

would have been familiar with Shakespeare's Richard III (probably completed by 1593) and the anonymous True Tragedy of Richard the Third, published in 1594 but probably composed a few years earlier [...]. He may also have known the Latin play Ricardus Tertius by Thoms Legge, Master of Caius College, Cambridge, acted c. 1579. He certainly studied with close attention Thomas More's influential but unfinished account of the life of Richard III, as his heavy markings in his personal copy of the 1566 Louvain edition of More's Omnia Latina opera reveal [...]. It was More who had given fullest currency to the traditional portrait of Richard III which Jonson (to judge at least from the title of this lost play) seems to have inherited.

References to the Play

<List any known or conjectured references to the lost play here.>


Critical Commentary

Donaldson (183) suggests that the play may have never been completed or performed, possibly because of Jonson's illness.

For What It's Worth

<Enter any miscellaneous points that may be relevant, but don't fit into the above categories. This is the best place for highly conjectural thoughts.>


Works Cited

Donaldson, Ian. "Richard Crookback (lost play)." The Cambridge Edition of the Works of Ben Jonson. Ed. David Bevington, Martin Butler and Ian Donaldson. 7 vols. Cambridge: CUP, 2012. 2:183-184.
Evans Robert C. "More's Richard III and Jonson's Richard Crookback and Sejanus." Comparative Drama 24 (1990): 97-132.



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