Roderick

(before October 1600)

Historical Records

Performance Records

Playlists in Philip Henslowe's diary

Fol. 83 (Greg, I.131)

My Lordes of penbrockes men begane to playe

at the Rosse the 28 of octobȝ 1600 as followeth

octbȝ 28

Rd at RodeRicke ...... vs

Theatrical Provenance

According to the entry in Philip Henslowe's diary, the play was written for Pembroke's men at the Rose.

Probable Genre(s)

History? Harbage

Possible Narrative and Dramatic Sources or Analogues

Roderick the Great of Gwynedd

If, as several scholars propose (see below), the play was about Rhodri Mawr, King of Gwynedd, Wiggins, Catalogue (#1077) suggests the following source:

• Caradoc of Llancarvan, The History of Cambria, Now Called Wales, trans. Humphrey Llywd (1584)

Roderic of Spain

Wiggins, Catalogue (#1077) proposes that the play could have been about Roderic, the last Visigothic king of Spain; he suggests the following sources:

• Thomas Lanquet, An Epitome of Chronicles (1559; a brief outline only)
• Celio Augustino Curione, A Notable History of the Saracens, trans. Thomas Newton (1575), 27-31
• Robert Greene, Mamillia: A Mirror or Looking-Glass for the Ladies of England (1583; mentioned only in passing)

David Nicol (181) notes another English source available to the author of Roderick:

• Thomas Lodge, The Life and Death of William Long Beard (1593), H2^v-H3^r

The Pictish King Roderick

Wiggins, Catalogue (#1077) proposes that another, less likely subject is Roderick, a Pictish king who visited Ireland. He suggests Holinshed.

References to the Play

None known.

Critical Commentary

Collier (p. 181, n.2) proposed that the play "may have been a drama on 'Roderick the great', who divided Wales, and who is mentioned in 'Thameseidos', 1600, by E.W., Lib. 2."

Fleay, BCED (2.#212) thought it "probably a play on the death of Hoffman's father" and linked it as possibly the "foundation" of Henry Chettle's "Danish Tragedy," which title he then acknowledged as perhaps "only another name for Hoffman.

Greg II (#262, p. 229) picked up Fleay's suggestion of a "fore-piece" to Henry Chettle's Hoffman, in that the father of that play's hero is called Roderick. However, finding Collier's suggestion more likely, Greg elaborated on the identification of "Rhodri Mawr, prince of North Wales, who after fighting against the Danes fell in battle with the English in 877."

Wiggins, Catalogue (#1077) notes the possibility of a Welsh king too, correctly referring to the 9th century Rhodri as a uniter, rather than a divider of Wales. He mentions alternative Rodericks who could have been suitable subjects for a play: Roderic, King of Spain, whose rape of Florinda legendarily brought about the invasion of the Moors in the 9th century; and a Pictish king Roderick who visited Ireland and fought in Scotland.

For What It's Worth

If the play was about Roderic of Spain, William Rowley's adaptation of that legend, All's Lost by Lust (1619-20), might offer clues as to how the author of "Roderick" could have dramatized it.

Works Cited

Nicol, David. "'My little what shall I call thee': Reinventing the Rape Tragedy in William Rowley's All's Lost by Lust". Medieval and Renaissance Drama in England 19 (2006): 175-93.

Site created and maintained by David Nicol, Dalhousie University; updated 10 August 2015.