Pirate, The: Difference between revisions

(Created page with "{{Play |playwright=Davenport, Robert |year=1626 |historicalRecords====Sheppard, ''Epigrams''=== In his ''Epigrams, Theological, Philosophical, and Romantic'' (London, 1651)...")
 
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{{Play
{{Play
|playwright=Davenport, Robert
|dramatists=Davenport, Robert
|year=1626
|year=1626
|historicalRecords====Sheppard, ''Epigrams''===
|probableGenres=
}}
 
== Historical Records ==
===Sheppard, ''Epigrams''===


In his ''Epigrams, Theological, Philosophical, and Romantic'' (London, 1651), Samuel Sheppard alluded to an otherwise unknown play by Davenport called "The Pirate":
In his ''Epigrams, Theological, Philosophical, and Romantic'' (London, 1651), Samuel Sheppard alluded to an otherwise unknown play by Davenport called "The Pirate":
Line 11: Line 15:
:The Pirate will o'retake you if you stay:  
:The Pirate will o'retake you if you stay:  
:Nay, we will yeeld our selves, and this confesse,  
:Nay, we will yeeld our selves, and this confesse,  
:Thou Rival'st ''Shakespeare'', though thy glory's lesse.  (sig.D2)
:Thou Rival'st ''Shakespeare'', though thy glory's lesse.  (sig.D2)</lpd-pre>
|theatricalProvenance=Unknown.
 
|probableGenres=Unknown.
== Theatrical Provenance ==
|possibleSources=Information welcome.
Unknown.
|references=Only the Sheppard epigram, above.
 
|criticalCommentary=Wiggins #2220 notes that Sheppard's unique reference to this otherwise unknown lost play "raises questions about how Sheppard might have known it". He also observes that "Davenport was thinking about pirates when he wrote ''A New Trick to Cheat the Devil''", which seems to have influenced Wiggins' dating of the present play to 1627 (rather than the ''Annals'' dating of 1626).
== Probable Genre(s) ==
|forWhatItsWorth=Information welcome.
<!-- This template outputs the probable genres entered in the data section above. You can replame this comment and the line below if you'd like to write about the probable genres in more detail -->
|worksCited=Sheppard, Samuel. ''Epigrams theological, philosophical, and romantick also the Socratick session, or, The arraignment and conviction of Julius Scaliger: with other select poems''. London, 1651.
{{Play/Probable Genres}}
[[category:pirates]][[category:unknown]]
 
}}
== Possible Narrative and Dramatic Sources or Analogues ==
Information welcome.
 
== References to the Play ==
Only the Sheppard epigram, above.
 
== Critical Commentary ==
Wiggins #2220 notes that Sheppard's unique reference to this otherwise unknown lost play "raises questions about how Sheppard might have known it". He also observes that "Davenport was thinking about pirates when he wrote ''A New Trick to Cheat the Devil''", which seems to have influenced Wiggins' dating of the present play to 1627 (rather than the ''Annals'' dating of 1626).
 
== For What It's Worth ==
Information welcome.
 
== Works Cited ==
Sheppard, Samuel. ''Epigrams theological, philosophical, and romantick also the Socratick session, or, The arraignment and conviction of Julius Scaliger: with other select poems''. London, 1651.
[[category:pirates]][[category:unknown]][[category:David McInnis]]
<br><br>Site created and maintained by [[David McInnis]], University of Melbourne; updated 20 Sept 2018.

Latest revision as of 07:40, 4 June 2019

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Historical Records

Sheppard, Epigrams

In his Epigrams, Theological, Philosophical, and Romantic (London, 1651), Samuel Sheppard alluded to an otherwise unknown play by Davenport called "The Pirate": 

     EPIG. 19. To Mr. Davenport on his Play called the Pirate.

     MAke all the cloth you can, haste, haste away, 
     The Pirate will o'retake you if you stay: 
     Nay, we will yeeld our selves, and this confesse, 
     Thou Rival'st Shakespeare, though thy glory's lesse.   (sig.D2)

Theatrical Provenance

Unknown.

Probable Genre(s)

Possible Narrative and Dramatic Sources or Analogues

Information welcome.

References to the Play

Only the Sheppard epigram, above.

Critical Commentary

Wiggins #2220 notes that Sheppard's unique reference to this otherwise unknown lost play "raises questions about how Sheppard might have known it". He also observes that "Davenport was thinking about pirates when he wrote A New Trick to Cheat the Devil", which seems to have influenced Wiggins' dating of the present play to 1627 (rather than the Annals dating of 1626).

For What It's Worth

Information welcome.

Works Cited

Sheppard, Samuel. Epigrams theological, philosophical, and romantick also the Socratick session, or, The arraignment and conviction of Julius Scaliger: with other select poems. London, 1651.

Site created and maintained by David McInnis, University of Melbourne; updated 20 Sept 2018.