Category:Todd A. Borlik: Difference between revisions

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'''Todd A. Borlik''' is an Assistant Professor at Bloomsburg University in Pennsylvania, where he teaches courses in Shakespeare and English literature. His research interests include the pre-history of environmentalism, science and magic, theatre and film, and the international reception of Shakespeare. He has contributed articles to ''Shakespeare Quarterly'', ''Shakespeare'', ''Shakespeare Survey'', and ''Shakespeare Bulletin''. His first book, ''Ecocriticism and Early Modern English Literature: Green Pastures'', has just been published in paperback by Routledge. He is currently preparing a new monograph that seeks to recover the ecology of "lost plays" in Elizabethan drama.
'''Todd A. Borlik''' is an Assistant Professor at the University of Huddersfield, where he teaches courses in Shakespeare and English literature. His research interests include the pre-history of environmentalism, science and magic, theatre and film, and the international reception of Shakespeare. He has contributed articles to ''Shakespeare Quarterly'', ''Shakespeare'', ''Shakespeare Survey'', and ''Shakespeare Bulletin''. His first book, ''Ecocriticism and Early Modern English Literature: Green Pastures'', has just been published in paperback by Routledge. He is currently preparing a new monograph that seeks to recover the ecology of "lost plays" in Elizabethan drama.
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Latest revision as of 21:11, 14 January 2018

Todd A. Borlik is an Assistant Professor at the University of Huddersfield, where he teaches courses in Shakespeare and English literature. His research interests include the pre-history of environmentalism, science and magic, theatre and film, and the international reception of Shakespeare. He has contributed articles to Shakespeare Quarterly, Shakespeare, Shakespeare Survey, and Shakespeare Bulletin. His first book, Ecocriticism and Early Modern English Literature: Green Pastures, has just been published in paperback by Routledge. He is currently preparing a new monograph that seeks to recover the ecology of "lost plays" in Elizabethan drama.


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