Philip of Spain: Difference between revisions

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==Historical Records==
==Historical Records==


==== Purchase of the play from Edward Alleyn in Philip Henslowe's diary: ====
<Reproduce relevant documentary evidence from historical records here. (For example, entries from Henslowe's Diary).>
<Reproduce relevant documentary evidence from historical records here. (For example, entries from Henslowe's Diary).>


==Theatrical Provenance==
==Theatrical Provenance==
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==Works Cited==
==Works Cited==


<List all texts cited throughout the entry, except those staple texts whose full bibliographical details have been provided in the masterlist of Works Cited found on the sidebar menu.>
<[[category:Henslowe's records]]
 
 
<If you haven't done so already, also add here any key words that will help categorise this play. Use the following format, repeating as necessary: [[category:example]]>
 


Site created and maintained by [[your name]], affiliation; updated DD Month YYYY.
Site created and maintained by [[your name]], affiliation; updated DD Month YYYY.
[[category:all]][[category:your name]][[category:Secondhand plays]]
[[category:all]][[category:your name]]

Latest revision as of 16:21, 20 October 2020

Playwright's Name (Year)


Historical Records

Purchase of the play from Edward Alleyn in Philip Henslowe's diary:

<Reproduce relevant documentary evidence from historical records here. (For example, entries from Henslowe's Diary).>

Theatrical Provenance

<Enter information about which company performed the play, and where/when it was performed, etc.>


Probable Genre(s)

<List possible genres of the play: if noted by a critic, cite them, e.g. "Comedy (Harbage)". If an original speculation, simply list the genre.>


Possible Narrative and Dramatic Sources or Analogues

<Enter any information about possible or known sources. Summarise these sources where practical/possible, or provide an excerpt from another scholar's discussion of the subject if available.>


References to the Play

<List any known or conjectured references to the lost play here.>


Critical Commentary

<Summarise any critical commentary that may have been published by scholars. Please maintain an objective tone!>


For What It's Worth

<Enter any miscellaneous points that may be relevant, but don't fit into the above categories. This is the best place for highly conjectural thoughts.>


Works Cited

<

Site created and maintained by your name, affiliation; updated DD Month YYYY.