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In late 1653, the printer Richard Marriott entered twenty-one plays on the Stationers' Register.  The entry is dated 29 November, although it appears between entries dated 22 and 30 December, so that it may well be misdated by a month.   
In late 1653, the printer Richard Marriott entered twenty-one plays on the Stationers' Register.  The entry is dated 29 November, although it appears between entries dated 22 and 30 December, so that it may well be misdated by a month.   
Only three of the plays, probably, are extant:  
Only three of the plays, probably, are extant:  
:Glapthorne, <i>The Parricide</i> (printed by Marriott himself in 1654).
:Henry Glapthorne, <i>The Parricide</i> (printed by Marriott himself in 1654).
:<i>The Eunuch</i>, which Bentley identifies with William Heminge's <i>The Fatal Contract</i>, printed by "J.M.", probably John Marriott, in 1653.  This identification has been accepted by Carol A. Morley in her recent and definitive edition of Heminge (239-54).
:<i>The Eunuch</i>, which Bentley identifies with William Heminge's <i>The Fatal Contract</i>, printed by "J.M.", probably John Marriott, in 1653.  This identification has been accepted by Carol A. Morley in her recent and definitive edition of Heminge (239-54).
:<i>The Thracian Wonder</i>, printed in 1661 by Francis Kirkman with a (generally doubted) attribution to John Webster and William Rowley.
:<i>The Thracian Wonder</i>, printed in 1661 by Francis Kirkman with a (generally doubted) attribution to John Webster and William Rowley.
The other eighteen are lost, although at least five of the titles are also known from other references to those plays (''The Proxy, A Fool and Her Maidenhead Soon Parted, The Younger Brother, The Noble Trial'', and ''The Florentine Friend''). "All in all, the list is an odd one which, taken as a whole, throws no light on any of the individual titles.  One would like to guess that the list represents part of the repertory of some company, but the evidence is against it… In the absence of evidence one can only assume that Marriott had assembled a miscellaneous group of manuscripts which he intended to publish, but that he later abandoned nearly all of them" (Bentley, 5.1446).  
The other eighteen are lost, although at least five of the titles are also known from other references to those plays (''The Proxy, A Fool and Her Maidenhead Soon Parted, The Younger Brother, The Noble Trial'', and ''The Florentine Friend''). "All in all, the list is an odd one which, taken as a whole, throws no light on any of the individual titles.  One would like to guess that the list represents part of the repertory of some company, but the evidence is against it… In the absence of evidence one can only assume that Marriott had assembled a miscellaneous group of manuscripts which he intended to publish, but that he later abandoned nearly all of them" (Bentley, 5.1446).
 
== Transcription  ==
== Transcription  ==
Cited from Bentley, 5.1445.  Stationers' Register, 29 November 1653.
Cited from Bentley, 5.1445.  Stationers' Register, 29 November 1653.

Revision as of 07:59, 28 January 2010

Background

In late 1653, the printer Richard Marriott entered twenty-one plays on the Stationers' Register. The entry is dated 29 November, although it appears between entries dated 22 and 30 December, so that it may well be misdated by a month. Only three of the plays, probably, are extant:

Henry Glapthorne, The Parricide (printed by Marriott himself in 1654).
The Eunuch, which Bentley identifies with William Heminge's The Fatal Contract, printed by "J.M.", probably John Marriott, in 1653. This identification has been accepted by Carol A. Morley in her recent and definitive edition of Heminge (239-54).
The Thracian Wonder, printed in 1661 by Francis Kirkman with a (generally doubted) attribution to John Webster and William Rowley.

The other eighteen are lost, although at least five of the titles are also known from other references to those plays (The Proxy, A Fool and Her Maidenhead Soon Parted, The Younger Brother, The Noble Trial, and The Florentine Friend). "All in all, the list is an odd one which, taken as a whole, throws no light on any of the individual titles. One would like to guess that the list represents part of the repertory of some company, but the evidence is against it… In the absence of evidence one can only assume that Marriott had assembled a miscellaneous group of manuscripts which he intended to publish, but that he later abandoned nearly all of them" (Bentley, 5.1446).

Transcription

Cited from Bentley, 5.1445. Stationers' Register, 29 November 1653.

Rich: Marriott Entred for his copies the severall playes following (vizt)
The Paraside or Revenge for honor. by Henry Glapthorne.
The fflorentine friend
The Proxe or Loues after Game
The Eunuch a Tragedy
The Conceits
Salisbury Plaine a comedy.
The Womans Master Piece
Pitty the Maid
The Royall Choice by Sr Robt. Stapleton.
The Noble Rauishers
A Foole & her maiden head soone Parted
Supposed Inconstancy.
The Womans Law.
The Diuorse
The Bond Woman
Castara or Cruelty without hate
The Thracian Wonder
The Blacke Wedding.
The Law Case
The Younger Brother
The Noble Triall

For what it's worth

As Bentley said, this list is tantalizing.

At least five of the twenty-one plays seem to have an identifiably female eponymous character; at least five more seem to have an eponymous act of love, sex, or marriage. It's hard to translate these statistics into meaningful terms, but do they suggest a repertoire unusually interested in women?

For a list of those plays which already have entries in the Lost Plays database, click the entry for "Marriott's List" which appears in the Categories list below.

Works Cited

Heminge, William. The Plays and Poems of William Heminge, ed. Carol A. Morley. Madison: Farleigh Dickinson University Press, 2006.


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