Longshanks

Anon. (1595) Underconstruction.jpg


Historical Records

Henslowe's Diary


F. 12v (Greg, I. 24)

ye 29 of aguste 1595 ne ………. Res at longe shanke ………. xxxxs
ye 10 of september 1595 Res at longshancke ………. iijll


F. 13 (Greg, I. 25)

ye 30 of september 1595 ………. Res at longe shancke ………. xxxijs
ye 21 of october 1595 ………. Res at long shancke ………. xxxs


F. 14 (Greg, I. 27)

ye 9 of november 1595 ………. Res at longshancke ………. xxxiijs
ye 26 of november 1595 ………. Res at longshancke ………. xviijs
ye 10 of desember 1595 ………. Res at prynce longshanke ………. xxxs
ye 29 of desember 1595 ………. Res at longshanckes ………. xxxijs


F. 14v (Greg, I. 28)

ye 5 of febreary 1595 ………. Res at longshancke ………. xiiijs
ye 27 of febreary 1595 ………. Res at longshancke ………. xxxs


F. 15v (Greg, I. 30)

ye 21 of aprell 1596 ………. Res at longshancke ………. xiiijs
ye 28 of aprell 1596 ………. Res at longschancke ………. xxs


F. 21v (Greg, I. 42)

ye 2 of June 1596 ………. Res at longshancke ………. iijll
ye 9 of July 1596 ………. Res at longshancke ………. xvs


F. 107 (Greg, I. 169)

pd vnto my sone EA for ij bocke called
phillipe of spayne & Longshanckes the 8
of agust 1602 the some of ……………… iiijll



Henslowe's Inventory


The booke of the Inventary of the goods of my Lord Admeralles men, taken the 10 of Marche in the yeare 1598. (Greg, Papers, 113)

Gone and loste.
Item, j longe-shanckes sewte.



The Enventorey of all the aparell of the Lord Admeralles men, taken the 13th of Marche 1598, as followeth: (Greg, Papers, 121)

Item, j Longeshankes seute.



Theatrical Provenance

The Admiral's players introduced "Longshanks" in the opening week of their fall season at the Rose playhouse, August 1595. It was the first play of the season to be marked by Henslowe's enigmatic "ne." It received fourteen performances through 9 July 1596, and it returned an average of 31s. per performance to Henslowe. On 8 August 1602 the company purchased the playbook from Edward Alleyn, presumably for revival at the Fortune playhouse. The timing of the purchase suggests that "Longshanks" participated in Alleyn's own return to the stage after retirement in 1597; that return is generally viewed as a marketing strategy for the Fortune, newly built in 1600 and ready for business by the fall of that year.


Probable Genre(s)

History (Harbage)".


Possible Narrative and Dramatic Sources or Analogues

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References to the Play

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Critical Commentary

Fleay

Greg

Hook, discussing "Longshanks" in his introduction to Edward I in the Yale edition of Peele's work, considers the lost play "almost certainly" Peele's play (7). His reasoning is that "Longshanks is a name used for no one but Edward I, and no other play is known to have been written about that monarch" (7). He considers the item of apparel listed as both "Gone and loste" and found in Henslowe's inventory ("long-shanckes sewte", "Longeshankes seute") as additional proof, conjecturing that the suit is no ordinary "royal robe" but the "special garment" specified in the opening stage direction for scene 3 in Edward I: Enter … king Edward in his sute of Glasse (7, 93). In a note, Hook cites Collier, Fleay, Greg, and Chambers as the line of authority that the identification of "Longshanks" as "Edward I (with or without revisions) "is widely accepted" (7).

Braunmuller repeats the received wisdom on the identification of "Longshanks" as Peele's Edward I, considering the 1595-6 run as proof of Peele's "play's popularity" (87). In a note, Braunmuller raises but does not engage the issue of Henslowe's designation of "Longshanks" as "ne" (146).

Knutson

Gurr

For What It's Worth

(that lone instance of "The Welshman" in HD.)

Works Cited

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Site created and maintained by Roslyn L. Knutson, Professor Emerita, University of Arkansas at Little Rock; updated 15 April 2012.