King Xerxes: Difference between revisions

mNo edit summary
No edit summary
Line 185: Line 185:
==Theatrical Provenance==
==Theatrical Provenance==


<Enter information about which company performed the play, and where/when it was performed, etc.>
Performed on 6 January 1575 by the Children of Windsor before the Queen at Hampton Court.





Revision as of 14:38, 23 December 2016

Playwright's Name (Year)


Historical Records

Accounts of the Office of the Revels


Thomas Blagrave esquier for mony by him disburced
vpon sundry occazions concerning this Office and Thaffares
thereof as foloweth videlicet
26o Novembris. 1574
Iorneyeng charges    Horshyer and charges by the waye at Wynsor
stayeng there ij dayes in November iiij
daies for pervzing & Reformyng of ffarantes
playe &c. xlijs vjd
.5o. Decembris 1574
[…]
Mr Knevett vpon certayne devices & to pervze
ffarantes playe there againe iij daies the charges
wherof with horsemeate at kingston is xxvijs viijd
[…]
6o Ianvarij
[…]
Hier of Armour To Roger Tyndall tharmerer for Lending of Armor for
ffarrantes playe and for attending the same xjs. iiijd.
[…]
Wexchaundler Wax for A Cake in ffarrantes playe iijs vjd.
[…]
Edward Buggyn gentleman clerkcomptrowler of Thoffice
for mony by him disburced videlicet
[…]
xjo. Ianvarij.
for A periwigg of Heare for king xerxces syster
in ffarrantes playe iiijs. viijd.
for Cariage of iij Lode of stuf (for the playe &c. on
twelfe Nighte) to the watersyde at the Blackfryers iijs.
[…]
.jo. ffebruarij .1574.
neccessaries for ij ells of Canvas to make frenge for the players
howse in farrantes play xxd

(The National Archives, AO 3/907/4, ff. 9r–10r, 12r; qtd. Feuillerat 238-40, 244)


Theatrical Provenance

Performed on 6 January 1575 by the Children of Windsor before the Queen at Hampton Court.


Probable Genre(s)

<List possible genres of the play: if noted by a critic, cite them, e.g. "Comedy (Harbage)". If an original speculation, simply list the genre.>


Possible Narrative and Dramatic Sources or Analogues

<Enter any information about possible or known sources. Summarise these sources where practical/possible, or provide an excerpt from another scholar's discussion of the subject if available.>


References to the Play

<List any known or conjectured references to the lost play here.>


Critical Commentary

<Summarise any critical commentary that may have been published by scholars. Please maintain an objective tone!>


For What It's Worth

<Enter any miscellaneous points that may be relevant, but don't fit into the above categories. This is the best place for highly conjectural thoughts.>


Works Cited

<List all texts cited throughout the entry, except those staple texts whose full bibliographical details have been provided in the masterlist of Works Cited found on the sidebar menu. Use the coding below to format the list>

citation goes here

<If you haven't done so already, also add here any key words that will help categorise this play. Use the following format, repeating as necessary:>


Site created and maintained by your name, affiliation; updated DD Month YYYY.