Henry Richmond, Part 2

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Robert Wilson (1599)


Historical Records


Henslowe's Diary

F.65 (Greg I.113)

Receaued of mr Ph: Hinchlow by a note
vnder the hand of mr Rob: Shaw in full
payment for the second pt of Henrye
Richmond sold to hime & his Companye
the som[m]e of eight powndes Current moneye
the viijt daye of November 1599 ... viijli
          By me R Wilson



Henslowe Papers

Greg, Papers (MS. I. 27, Art. 26, p. 49)

mr Henshlowe we haue heard their booke and lyke yt their pryce is eight poundes, wch J pray pay now to mr wilson, according to our promysse, J would haue Come my selfe, but that J ame trobled wth a seytation.
yors Robt Shaa

[on the back]

1. Sce Wm Wor; & Ansell & to them ye plowghmen

2. Sce: Richard Q. & Eliza: Catesbie, Louell, Rice ap Tho: Blunt, Banester

3. Sce: Ansell Dauye Denys Hen: Oxf: Courtney Bourchier & Grace to them Rice ap Tho: & his Soldiors

4. Sce: Mitton Ban : his wyfe & children

5. Sce: K Rich : Catesb : Louell. Norf. Northumb : Percye

[6. C. and Q. Eliza.     7. Dauye. C. Daugr (in Memoirs, omitted in Papers).   9. C. Milton.]



Theatrical Provenance

The Amiral's Men bought this play in November 1599 while they were still at the Rose, before the move to the Fortune in the fall of 1600. Across Maid Lane, they could see the newly-built Globe in operation.


Probable Genre(s)

History


Possible Narrative and Dramatic Sources or Analogues


In addition to identifying Richard III and Henry Richmond, Greg offers the following identification of characters in the rough outline provided with Robert Shaa's authorization of payment (II.207-8 Item #189):

• Wm Wor[sley]: William Worsley, dean of St. Paul's, 1479-93
• Ansell: perhaps a confusion of Friar Anselem, whose ghost appears in Edward IV, with Dr. Shaw, prebendary of London and brother of the Lord Mayor; Shaw was employed by Richard Duke of Gloucester to preach at Paul's cross, 22 June 1493, against the legitimacy of the children of Edward IV
• Q[ueen]: Anne Neville, wife of Richard
• Eliza[beth]: probably Elizabeth, widow of Edward IV; but possibly his daughter, later wife of Henry Duke of Richmond after his attainment to the throne as Henry VII
• Rice ap Tho[mas]: Rhys ap Thomas, the supporter of Richmond
• Blunt: Sir James Blount, younger son of Walter, first baron Mountjoy
• Oxf[ord]: John de Vere, thirteenth earl; supporter of Richmond
• Courtney: Edward Courtenay, created Earl of Devonshire on Henry’s accession; or, his son William, knighted of the Bath in 1487, a courtier of Henry’s; or Peter Courtenay, bishop of Exeter, keeper of the privy seal to Henry VII
• Bourchier: Cardinal Thomas Bourchier, great uncle of Henry, second Earl of Essex, in Henry VII’s privy council; he crowned Richard III, and married Henry VII
• Catesby: William Catesb[y], a favorite of Richard III, beheaded after Bosworth Field
• Louell: Francis Lovell, first Viscount Lovell, a favorite of Richard III
• Norf[olk]: John Howard, first duke of that family, privy councilor and earl-marshal under Richard III, slain at Bosworth
• Northumb[erland]: Henry Percy, fourth Earl, a follower of Richard III, who switched to Henry VII after Bosworth
• Percye: his son, afterwards the fifth earl

Greg does not offer historical counterparts for the ploughmen, Banester, Davye, Denys, Grace, and Mitton Ban.



References to the Play

None known.


Critical Commentary

In addition to providing possible identifications of characters, Greg explains the designation of the play as a second part by suggesting that it might have been "intended as a sequel to Edward IV," the two-part play owned by Derby's Men and written by Thomas Heywood (II.208 Item #189).

Knutson suggests a different serial connection (23-24). She offers Owen Tudor as a plausible first part, based on the familial relationship of Tudor as grandfather to Richmond (Owen Tudor married Catherine of Valois, widow of Henry V; their son, Edmund, was Richmond's father). In a note on the possible serial relationship (35n), Knutson points out that Robert Wilson was one of the dramatists on the Owen Tudor project, the payment for which (80s.), if added to that for the Richmond play (160s.) equals 240s. or the equivalent of two completed plays. Considering the rather loose connection between the historical characters featured, she adds that "Elizabethan audiences didn't seem to mind if their serials were not all that sequential" (35n).



For What It's Worth


Keywords

Robert Wilson, Wars of the Roses, Henslowe's records


Works Cited

Knutson, Roslyn L. “Toe to Toe Across Maid Lane: : Repertorial Competition at the Rose and Globe, 1599-1600,” in June Schlueter and Paul Nelsen (eds) Acts of Criticism: Performance Matters in Shakespeare and His Contemporaries (Madison & Teaneck: Fairleigh Dickinson University Press, 2005), 21-37.



Site created and maintained by Roslyn L. Knutson, Professor Emerita, University of Arkansas at Little Rock; updated 10 November 2009.