Constantine: Difference between revisions

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== Historical Records ==
== Historical Records ==
Henslowe's diary
===Performance Records (Henslowe's "diary")===
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A single record of performance survives in Henslowe’s accounts for early 1592 (new style):
<br><br>
 
Fol. 7/  [http://archive.org/stream/henslowesdiary01hensuoft#page/12/mode/2up ([[WorksCited|Greg I]], 13)]
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| ||||||||                    ||R''es'' at constantine the 21 of marche 1591 || ||||||||                ……………….||xij<sup>s</sup>
|}
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== Theatrical Provenance ==
== Theatrical Provenance ==

Revision as of 13:30, 7 July 2020

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Historical Records

Performance Records (Henslowe's "diary")


A single record of performance survives in Henslowe’s accounts for early 1592 (new style):

Fol. 7/ (Greg I, 13)

Res at constantine the 21 of marche 1591 ………………. xijs




Theatrical Provenance

Rose, Strange's

Probable Genre(s)

Possible Narrative and Dramatic Sources or Analogues

References to the Play

Critical Commentary

Wiggins names two best-guess Constantines;

For What It's Worth

Works Cited