Category:John Duke: Difference between revisions

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John Duke first appears in theatrical records in connection with players' parts (see '''Roles''', below). Apparently a hired man with the Chamberlain's men in the 1590s, he assumed a leadership role after he moved to Worcester's men around 1600. Located at the Rose playhouse, Worcester's men began a run that Henslowe documented starting on 17 August 1602. John Duke was frequently the company player to be named as the recipient of loans for costumes, properties, and playbooks. He was one of the company recipients on the final exchange with Henslowe after Worcester's men had been authorized to resume playing on 9 May 1603 "by the hynges licence" (Fol. 121).  
John Duke first appears in theatrical records in connection with players' parts (see '''Roles''', below). Apparently a hired man with the Chamberlain's men in the 1590s, he assumed a leadership role after he moved to Worcester's men around 1600. With that company, Duke moved to the newly constructed Boar's Head Playhouse (joined by players from the Earl of Oxford's men). By By August 1602, Worcester's men moved to the Rose playhouse to begin a run that Henslowe documented starting on 17 August 1. Henslowe's records show that Duke was frequently the company player to be named as the recipient of loans for costumes, properties, and playbooks. He was also one of the company recipients on the final exchange with Henslowe after Worcester's men had been authorized to resume playing on 9 May 1603 "by the hynges licence" (Fol. 121).
 
Under the new king, Duke's company acquired a license to become Queen Anne's men. Duke continued a leadership role, often being payee for the company's performances at court.
 
Duke lived with his wife and family in the vicinity of the playhouses north of the Thames. On 20 September 1596 he married Susan Mitten at St. Helen, Bishopsgate, and their "daughter susan was christened there thirteen days later (Eccles, p. 47). Over the next thirteen years the Dukes christened eight children, five of whom died in childhood. Duke himself died in 1613 (his will is dated June 1 [Honigmann and Brock, p. 230). Eccles surmises that Duke "died in debt, for his widow susan the next day renounced the administration of his estate" (p. 47).


Boar's Head/Earl of Oxford's men = Robert Browne, William Kempe, Thomas Heywood, John Lowin, Christopher Beeston, Robert Pallant, and Richard Perkins (Berry p. 51) 1603  Queen Anne's men





Revision as of 16:26, 15 March 2022

John Duke first appears in theatrical records in connection with players' parts (see Roles, below). Apparently a hired man with the Chamberlain's men in the 1590s, he assumed a leadership role after he moved to Worcester's men around 1600. With that company, Duke moved to the newly constructed Boar's Head Playhouse (joined by players from the Earl of Oxford's men). By By August 1602, Worcester's men moved to the Rose playhouse to begin a run that Henslowe documented starting on 17 August 1. Henslowe's records show that Duke was frequently the company player to be named as the recipient of loans for costumes, properties, and playbooks. He was also one of the company recipients on the final exchange with Henslowe after Worcester's men had been authorized to resume playing on 9 May 1603 "by the hynges licence" (Fol. 121).

Under the new king, Duke's company acquired a license to become Queen Anne's men. Duke continued a leadership role, often being payee for the company's performances at court.

Duke lived with his wife and family in the vicinity of the playhouses north of the Thames. On 20 September 1596 he married Susan Mitten at St. Helen, Bishopsgate, and their "daughter susan was christened there thirteen days later (Eccles, p. 47). Over the next thirteen years the Dukes christened eight children, five of whom died in childhood. Duke himself died in 1613 (his will is dated June 1 [Honigmann and Brock, p. 230). Eccles surmises that Duke "died in debt, for his widow susan the next day renounced the administration of his estate" (p. 47).



Roles
2 The Seven Deadly Sins": Pursuivant ("Induction"), Attendant, Soldier ("Envy"), Will Fool ("Sloth"), Lord ("Lechery")
Every Man in his Humour: actor list




Works Cited

Berry, Herbert. The Boar's Head Playhouse. Illus. C. Walter Hodges. Washington: Folger Books. London: Associated University Press, 1986.

Subcategories

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