Brandimer: Difference between revisions

 
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=== Performance Records ===
=== Performance Records ===


====Playlists in Philip Henslowe's diary =====
====Playlists in Philip Henslowe's diary ====
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Two records of performance survive in Henslowe’s accounts for early 1592:
Two records of performance survive in Henslowe’s accounts for early 1592:
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== Theatrical Provenance ==
== Theatrical Provenance ==
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<br>
"Brandimer" was one of nineteen plays scheduled by Lord Strange's men at the Rose playhouse that apparently were not new in the late winter and spring of 1592.  
"Brandimer" is one of nineteen plays scheduled by Lord Strange's men at the Rose playhouse that apparently were not new in the late winter and spring of 1592. [[WorksCited|Wiggins, ''Catalogue'' #897]] assigns the play to 1591 within a range of 1576-92. Basing his argument on its few performances (a mere 2), he considers the play "in a late stage of its repertory life" compared with other plays performed by Strange's Men that were also not marked "ne" (see a discussion of the problem of non-ne plays in Henslowe's playlists @ Wiggins #878).
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== Probable Genre(s) ==
== Probable Genre(s) ==
<br>
<br>
Romantic comedy (?) [[WorksCited|Harbage]]
Romantic comedy (?) [[WorksCited|Harbage]]
 
Romance? [[WorksCited|Wiggins, ''Catalogue'' (#897)]]
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== Possible Narrative and Dramatic Sources or Analogues ==
== Possible Narrative and Dramatic Sources or Analogues ==
<br>
 
Neither [[WorksCited|Malone]], [[WorksCited|Collier]], nor [[WorksCited|Fleay, ''BCED'']] ventures a guess as to the story line of "Brandimer."
[[WorksCited|Malone]] has no opinion on the story of "Brandimer" (p. 291); [[WorksCited|Collier (p. 24)]] and  [[WorksCited|Fleay, ''BCED'' (2.298 #111)]] are also silent. [[WorksCited|Greg II (#19, p. 155)]] calls attention to the similarity in name with Brandimart, who appears in Robert Greene's ''Orlando Furioso'', which Strange's men has given one performance the previous February (21st). Greg does not think this character was lifted out of the Greene play and given the star role here, but he does consider that as "King of the Iles" Brandimer might have headlined a play with a strong English theme.
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[[WorksCited|Greg II (#19, p. 155)]] called attention to the similarity in name with Brandimart, who appears in Robert Greene's ''Orlando Furioso'', which Strange's men had given one performance the previous February (21st). Greg did not think this character was lifted out of the Greene play and given the star role here, but he did consider that as "King of the Iles" Brandimer might have headlined a play with a strong English theme.
[[WorksCited|Wiggins, ''Catalogue'' #897]], although not convinced by Greg's line of thought, nevertheless points out a story line for King Brandimart in Ariosto's ''Orlando Furioso'', focusing on his early life. As an alternative to Greg's thinking, Wiggins offers a giant named Brandimore, who was killed by Guy of Warwick.   
<br><br>
[[WorksCited|Wiggins, ''Catalogue'' #897]], although not convinced by Greg's line of thought, points out a story line for King Brandimart in Ariosto's ''Orlando Furioso'', focusing on his early life. As an alternative, he offers a giant named Brandimore, who is killed by Guy of Warwick.   
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== Critical Commentary ==
== Critical Commentary ==
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Any commentary is dependent upon an identification of the title character; see [[#Possible Narrative and Dramatic Sources or Analogues|Possible Narrative and Dramatic Sources or Analogues
[[WorksCited|Malone (p. 291)]] does not hazard a guess on the narrative or source of this play; neither do [[WorksCited|Collier (p. 24)]] and [[WorksCited|Fleay, ''BCED'' (2.298 #111)]]. See [[#Possible Narrative and Dramatic Sources or Analogues|Possible Narrative and Dramatic Sources or Analogues]], above for subsequent scholarly conjecture on an identification of the title character.
]], above.
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== For What It's Worth ==
== For What It's Worth ==
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<br>
[[WorksCited|Wiggins, ''Catalogue'' #897]] boosts the likelihood that the title character of "Brandimer" is the dragon by making an argument about theatricality across the repertories staged at the Rose and Fortune: he notes that the Jacobean ballad, which features the dragon (Brandimore), also mentions characters in other plays including "Sir John Mandeville" (Strange's), "Abraham and Lot" (Sussex's), and ''Tamburlaine'' (Admiral's).
[[WorksCited|Wiggins, ''Catalogue'' #897]] boosts the likelihood that the title character of "Brandimer" is the giant by making an argument about theatricality across the repertories staged at the Rose and Fortune: he notes that the Jacobean ballad, which features the dragon (Brandimore), also mentions characters in other plays including "[[Sir John Mandeville|Sir John Mandeville]]" (Strange's), "[[Abraham and Lot|Abraham and Lot]]" (Sussex's), and ''Tamburlaine'' (Admiral's).
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[[WorksCited|Manley and MacLean]] modernize the title of "Brandimer" to ''Brandimart'' (p. 339).
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[[Category:All]][[category:Roslyn L. Knutson]]
[[Category:All]][[category:Roslyn L. Knutson]]
[[category:Henslowe's records]][[category:Rose]][[category:Plays]][[category:Matter of Britain]][[category:Strange's]]
[[category:Henslowe's records]][[category:Rose]][[category:Plays]][[category:Matter of Britain]][[category:Strange's]]
[[category:Update]]
[[category:Update]][[category:Dragons]]

Latest revision as of 10:47, 15 September 2022

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Historical Records


Performance Records

Playlists in Philip Henslowe's diary


Two records of performance survive in Henslowe’s accounts for early 1592:

Fol. 7 (Greg I, 13)
Res at brandymer the 6 of aprell 1591 ................................ xxijs


Fol. 7 v (Greg I, 14)
Res at brandimer the 8 of maye 1592 .................................... xxiiijs



Theatrical Provenance


"Brandimer" is one of nineteen plays scheduled by Lord Strange's men at the Rose playhouse that apparently were not new in the late winter and spring of 1592. Wiggins, Catalogue #897 assigns the play to 1591 within a range of 1576-92. Basing his argument on its few performances (a mere 2), he considers the play "in a late stage of its repertory life" compared with other plays performed by Strange's Men that were also not marked "ne" (see a discussion of the problem of non-ne plays in Henslowe's playlists @ Wiggins #878).

Probable Genre(s)


Romantic comedy (?) Harbage

Romance? Wiggins, Catalogue (#897)

Possible Narrative and Dramatic Sources or Analogues

Malone has no opinion on the story of "Brandimer" (p. 291); Collier (p. 24) and Fleay, BCED (2.298 #111) are also silent. Greg II (#19, p. 155) calls attention to the similarity in name with Brandimart, who appears in Robert Greene's Orlando Furioso, which Strange's men has given one performance the previous February (21st). Greg does not think this character was lifted out of the Greene play and given the star role here, but he does consider that as "King of the Iles" Brandimer might have headlined a play with a strong English theme.

Wiggins, Catalogue #897, although not convinced by Greg's line of thought, nevertheless points out a story line for King Brandimart in Ariosto's Orlando Furioso, focusing on his early life. As an alternative to Greg's thinking, Wiggins offers a giant named Brandimore, who was killed by Guy of Warwick.

References to the Play


Information welcome.

Critical Commentary

Malone (p. 291) does not hazard a guess on the narrative or source of this play; neither do Collier (p. 24) and Fleay, BCED (2.298 #111). See Possible Narrative and Dramatic Sources or Analogues, above for subsequent scholarly conjecture on an identification of the title character.

For What It's Worth


Wiggins, Catalogue #897 boosts the likelihood that the title character of "Brandimer" is the giant by making an argument about theatricality across the repertories staged at the Rose and Fortune: he notes that the Jacobean ballad, which features the dragon (Brandimore), also mentions characters in other plays including "Sir John Mandeville" (Strange's), "Abraham and Lot" (Sussex's), and Tamburlaine (Admiral's).

Manley and MacLean modernize the title of "Brandimer" to Brandimart (p. 339).

Works Cited



Site created and maintained by Roslyn L. Knutson, Professor Emerita, University of Arkansas at Little Rock; updated 10 July 2020.