French Doctor
Historical Records
Performance Records (Henslowe's Diary)
F. 10 (Greg, I.19)
ye 18 of octobʒ 1594 Res at the frenshe docter xxijs
ye 28 of octobʒ 1594 Res at the frenshe docter xvs ye 18 of novmbʒ 1594 Res at the frenshe docter xxvijs
ye 3 of Jenewary 1594 Res at the frenshe docter xxjs ye 30 of Jenewary 1594 Res at the frenshe docter xviijs ye 7 of febreary 1594 Res at the frenshe docter xxjs
ye 24 of febreary 1594 Res at the frensh doctor xxxxxiiijs ye easter mondaye 1595 Res at the ffrenshe doctor liijs ye 3 of may 1595 Res at the frenshe docter xjs
ye 2[3]4 of maye 1595 Res at the frenshe docter xxijs
ye 19 of septmbʒ 1595 Res at the frenshe doctor xvjs
ye 4 of July 1596 Res at frenshe dacter xiiijs
ye 29 of octobʒ 1596 Res at the frenshe docter xvs ye 9 of novmbʒ 1596 Res at the frenshe docter xiiijs
Payments to Edward Alleyn for Playbooks
F. 96 (Greg. I.153)
- pd at the apoyntment of the companye the }
- 18 of Janewary 1601 vnto E Alleyn for iij boockes }
- wch were played called the french docter the } vjli
- massaker of france & the nvtte the some of }
Theatrical Provenance
The Admiral's men brought "The French Doctor" to the stage of the Rose in October 1594 and continued it into the autumn season of 1596-7. However, any clarity about its pre-October provenance is complicated by the fact that Henslowe did not mark the play "ne" at its debut in his records (autumn, 1594). Theater historians consequently assume that the play was in revival. See
But where had it been when new, and with which company?
Harbage, under the heading "1590, Addenda," lists "The French Doctor" with more than several dozen plays that appear in Henslowe's diary in playlists for Strange's men (1592-3) and the Admiral's men (1594-5) without his distinguishing "ne" (he includes also "Hester and Ahasuerus"). He thus implies a pre-1590 debut for each item, though he assigns each to the company that performed it when Henslowe was entering performances and payments in his diary (in the case of the Admiral's men, a pre-1590s version of the company is not considered identical to the 1594 version).
Wiggins, Catalogue focuses on Edward Alleyn as the key to the pre-1594 provenance of "The French Doctor" (#833; see also #785 for a broader treatment of the Admiral's non-"ne" plays in 1594-5). Offering several scenarios for the stage life and company/player ownership of "The French Doctor" before October 1594, he is comfortable only with the conclusion that the play had been in Alleyn's hands for some time before its sale to the Admiral's men in 1602.