French History of the Unfortunate General, The

John Day, Richard Hathway, Wentworth Smith, "the other poyet" (1603)


Historical Records

Payments to Playwrights (Henslowe's Diary)


F. 118v (Greg I.186)

Lent into Crystofer beston & John ducke the 7 of }
Janewary 1602 to geue vnto mr hathwaye & }
mr smyth in earneste of a playe called }
vnfortunat Jenerall frenshe hestory the some of … } xxxs


F. 119 (Greg I.187)

pd at the apoyntment of the company }
the 10 of January 1602 [in] vnto mr pathway }
& m,sup>r smythe in parte of paymente of ther }
playe called vnfortunat the frenshe hestoreye}
the some of Jeneralle ........................... } xxx<sups


pd at the apoyntment of the company the 16 of }
Janewarye 1602 vnto mr hathewaye mr smythe & }
John daye in parte of payment for ther boocke }
called the vnfortunat generall frenshe hestorey some of } 40s


F. 119v (Greg I.188)

pd at the apoyntment of John ducke }
& the company the 19 of Janewarye 1602 vnto }
mr hathewaye & mr smythe & John daye & }
the other poyet in fulle payment for ther }
playe called the frenshe hestorye some of ..... } xxxxs
vnfortunat Jenerall


Payments for Properties (Henslowe's Diary)

F. 119v (Greg I.188)

Lent vnto John lewen & cattanes the 24 of }
January 1602 to by a systysen cotte & sleves }
for the playe of the vnfortunat Jenerall the }
some of .................................................... } ls



Theatrical Provenance

<Enter information about which company performed the play, and where/when it was performed, etc.>


Probable Genre(s)

<List possible genres of the play: if noted by a critic, cite them, e.g. "Comedy (Harbage)". If an original speculation, simply list the genre.>


Possible Narrative and Dramatic Sources or Analogues

<Enter any information about possible or known sources. Summarise these sources where practical/possible, or provide an excerpt from another scholar's discussion of the subject if available.>


References to the Play

<List any known or conjectured references to the lost play here.>


Critical Commentary

<Summarise any critical commentary that may have been published by scholars. Please maintain an objective tone!>


For What It's Worth

<Enter any miscellaneous points that may be relevant, but don't fit into the above categories. This is the best place for highly conjectural thoughts.>


Works Cited

<List all texts cited throughout the entry, except those staple texts whose full bibliographical details have been provided in the masterlist of Works Cited found on the sidebar menu. Use the coding below to format the list>

citation goes here

<If you haven't done so already, also add here any key words that will help categorise this play. Use the following format, repeating as necessary:>


Site created and maintained by your name, affiliation; updated DD Month YYYY.