Category:Richard Burbage

Richard Burbage, son of James Burbage and younger brother of Cuthbert Burbage, was the leading player of the Chamberlain's men as constituted in 1594; at his father's death (February 1597), Richard became a leading businessman with the company as well, having the Globe playhouse and later also Blackfriars Playhouse under his and his brother Cuthbert's control.

Player
Richard Burbage first appears in records connected with the theatrical world of London in a lawsuit in the Court of Chancery in 1589-90 concerning business at the Shoreditch playhouse, the Theater.

brawl at the Theater, 1590
differences of opinion about his company affiliation, 1591-94; anecdote about playing Richard III (John Manningham)
June 1594-98
Christmas, 1598-Sept 1619

other: character with Kempe in 2 Return from Parnasus; apears as self in Induction to The Malcontent 1604 (with Condell and Lowin; 1618, pageant celebrating the announcement of Prince Henry as Prince of Wales

Businessman

Berry,"The Theatre," pp. 320-387; "The Curtain," pp. 404-18; "The first Globe," pp. 493-500; "The second Blackfriars," pp. 501-30.
Theater
Curtain
Pembroke's men??
Blackfriars
Globe
2nd Blackfriars

Family St. Leonard's Shoreditch

Julia (?Juliet), christened 2 January 1603; buried 12 September 1608

Frances, christened 16 September 1604; buried 16 September 1604

Anne, christened 6 November 1616; buried 15 August 1615

Winifred, christened 10 October 1613; buried 16 October 1616

Julia, christened 27 December 1614; buried 15 August 1615

William, christened 6 November 1616

Sara, christened 5 August 1619; buried 29 April 1625

Richard (himself) buried 16 March 1619
elegies: "Exit Burbage" (Nungezer, p. 73); numerous elegies and elegiac references well into the 17th c

Closeness with brother Cuthbert: bought houses together in 1608, also 1617 (Eccles, 43)

Roles
Presumably, Burbage was the lead adult male player in the Chamberlain's men after its formation by June 1594 as well as in the King's men; a list of those roles being lengthy, the focus here is on his roles in lost plays.

?Urganda ?King Egereon, ?Eschines, "The Dead Man's Fortune" (Guesses: Greg, "Urganda," pp. 102-3, note to ll. 34-6; McMillin, King Egereon, p. 239; Bradley, Eschines, p. 97).

King Gorboduc ("Envy"), Tereus ("Lechery"), "The Second Part of the Seven Deadly Sins"

Works Cited

Berry, Herbert. "Aspects of the Design and Use of the First Public Playhouse." In The First Public Playhouse: The Theatre in Shoreditch 1576-1598. Ed. Herbert Berry. Montreal: McGill-Queen's University Press, 1979. pp. 29-45.

———. Shakespeare's Playhouses, with illustrations by C. Walter Hodges. New York: AMS Press, 1987.

———. "Part Three: Playhouses, 1560-1660." In English Professional Theatre, 1530-1660. Ed. Glynne Wickham, Herbert Berry, and William Ingram. Cambridge: Cambridge UP, 2000. pp. 297-403.

Bradley, David. From Text to Performance in the Elizabethan Theatre. Cambridge, Cambridge University Press, 1992.

Eccles, Mark. "Elizabethan Actors I: A-D," Notes and Queries 236.1 (1991): 38-48.

Greg, W. W. ‘’Dramatic Documents from the Elizabethan Playhouses’’. Oxford: Clarendon Press, 1931, rpt. 1969.

Honigmann, E. A. J. and Susan Brock. Playhouse Wills 1558-1642. Manchester: Manchester University Press, 1993.

Kathman, David. "Reconsidering The Seven Deadly Sins," Early Theatre 7.1 (2004). 13-44.

Manley, Lawrence and Sally-Beth MacLean. Lord Strange's Men and Their Plays. New Haven and London: Yale University Press, 2014.

McMillin, Scott. "The Plots of The Dead Man's Fortune and 2 Seven Deadly Sins: Inferences for Theatre Historians," Studies in Bibliography 26 (1973): 235-43.

Munro, Lucy. Shakespeare in the Theatre: The King's Men. The Arden Shakespeare. London: Bloomsbury, 2020.

Nungezer, Edwin. ‘’A Dictionary of Actors’’. New York: Greenwood Press, 1968 (orig. Yale University Press, 1929).