Richard the Confessor: Difference between revisions
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==Historical Records==
==Historical Records==
[[category:Henslowe's records]]
===Performance Records (''Henslowe's Diary'')===
<Reproduce relevant documentary evidence from historical records here. (For example, entries from Henslowe's Diary).>
<br>[[category:Henslowe's records]]
 
'''F. 8<sup>v</sup> ([http://www.archive.org/stream/henslowesdiary00unkngoog#page/n76/mode/2up Greg, I.16])'''
<br>
 
In a listing headed as follows:
 
: "In the name of god Amen begninge the 27 of
:desemb''er'' 1593 the earle of susex his men
 
 
::{| {{table}}
| R''es'' at Richard the confeser the 31 of desembʒ 1593 . . . ||……….||xxxviij<sup>s</sup>
|-
| R''es'' at Richard the confeser the 16 of Jenewarye 1593 [i.e., 1594]||……….||xj<sup>s</sup>
|}
<br>
 
'''F. 9 ([http://www.archive.org/stream/henslowesdiary00unkngoog#page/n76/mode/2up Greg, I.17])'''
<br>
 


==Theatrical Provenance==
==Theatrical Provenance==


<Enter information about which company performed the play, and where/when it was performed, etc.>
Sussex's Men at the Rose Playhouse




==Probable Genre(s)==


==Probable Genre(s)==
History (Harbage)
Saints play (Wiggins, Steggle)


<List possible genres of the play: if noted by a critic, cite them, e.g. "Comedy (Harbage)". If an original speculation, simply list the genre.>




Revision as of 05:22, 9 September 2016

Anon. (1593)


Historical Records

Performance Records (Henslowe's Diary)


F. 8v (Greg, I.16)

In a listing headed as follows:

"In the name of god Amen begninge the 27 of
desember 1593 the earle of susex his men


Res at Richard the confeser the 31 of desembʒ 1593 . . . ………. xxxviijs
Res at Richard the confeser the 16 of Jenewarye 1593 [i.e., 1594] ………. xjs


F. 9 (Greg, I.17)


Theatrical Provenance

Sussex's Men at the Rose Playhouse


Probable Genre(s)

History (Harbage) Saints play (Wiggins, Steggle)



Possible Narrative and Dramatic Sources or Analogues

<Enter any information about possible or known sources. Summarise these sources where practical/possible, or provide an excerpt from another scholar's discussion of the subject if available.>


References to the Play

<List any known or conjectured references to the lost play here.>


Critical Commentary

<Summarise any critical commentary that may have been published by scholars. Please maintain an objective tone!>

See also Wiggins serial number 917.


For What It's Worth

<Enter any miscellaneous points that may be relevant, but don't fit into the above categories. This is the best place for highly conjectural thoughts.>


Works Cited

<List all texts cited throughout the entry, except those staple texts whose full bibliographical details have been provided in the masterlist of Works Cited found on the sidebar menu.>


<If you haven't done so already, also add here any key words that will help categorise this play. Use the following format, repeating as necessary:>


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