Black Joan: Difference between revisions
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== Historical Records == | == Historical Records == | ||
=== Henslowe Papers<br> === | === Henslowe Papers<br> === | ||
Greg, [http://www.archive.org/stream/henslowepapersbe00hensuoft#page/118/mode/2up ''Papers'', 118]:<br> | Greg, [http://www.archive.org/stream/henslowepapersbe00hensuoft#page/118/mode/2up ''Papers'', 118]:<br> | ||
Under Henslowe's title, "''The Enventary tacken of all the properties for my'' Lord Admeralles men, ''the ''10 ''of Marche'' 1598" is:<br> | Under Henslowe's title, "''The Enventary tacken of all the properties for my'' Lord Admeralles men, ''the ''10 ''of Marche'' 1598" is:<br> | ||
Item, j frame for the heading [i.e. beheading] in Black Jone.<br> | Item, j frame for the heading [i.e. beheading] in Black Jone.<br> | ||
<br> | <br> | ||
Greg, [http://www.archive.org/stream/henslowepapersbe00hensuoft#page/120/mode/2up Papers, 121]:<br> | Greg, [http://www.archive.org/stream/henslowepapersbe00hensuoft#page/120/mode/2up Papers, 121]:<br> | ||
Under Henslowe's title, "''A Note of all suche bookes as belong to the Stocke, and such as I have bought since the ''3''d of March'' 1598" is:<br> | Under Henslowe's title, "''A Note of all suche bookes as belong to the Stocke, and such as I have bought since the ''3''d of March'' 1598" is:<br> | ||
Black Jonne.<br> | Black Jonne.<br> | ||
<br> | <br> | ||
== Theatrical Provenance == | == Theatrical Provenance == | ||
The Admiral’s Company. | The Admiral’s Company. | ||
<br> | <br> | ||
== Probable Genre(s) == | == Probable Genre(s) == | ||
Tragedy (?) (Harbage, 64-5).<br> | Tragedy (?) (Harbage, 64-5).<br> | ||
<br> | <br> | ||
== Possible Narrative and Dramatic Sources or Analogues == | == Possible Narrative and Dramatic Sources or Analogues == | ||
<Enter any information about possible or known sources. Summarise these sources where practical/possible, or provide an excerpt from another scholar's discussion of the subject if available.> | <Enter any information about possible or known sources. Summarise these sources where practical/possible, or provide an excerpt from another scholar's discussion of the subject if available.> | ||
Line 41: | Line 41: | ||
<br> | <br> | ||
== References to the Play == | == References to the Play == | ||
<List any known or conjectured references to the lost play here.> | <List any known or conjectured references to the lost play here.> | ||
Line 47: | Line 47: | ||
<br> | <br> | ||
== Critical Commentary == | == Critical Commentary == | ||
H. W. Herrington posits a “dramatic vogue” for witchcraft plays in the late 1590s (478), and, after discussing Mother Redcap, writes: | H. W. Herrington posits a “dramatic vogue” for witchcraft plays in the late 1590s (478), and, after discussing Mother Redcap, writes: | ||
Earlier in the same year [1597] Henslowe notes a performance of "The Witch of Islington." By the next year had been written "Black Joan." The former was either an out-and-out witch play, or else such a play with political bearings. The latter, in all probability, was a witch play also. If we may judge from the titles and the growing realism of dramatic treatment, they were of a kind far closer to actual life than those hitherto considered. (478)<br> | Earlier in the same year [1597] Henslowe notes a performance of "The Witch of Islington." By the next year had been written "Black Joan." The former was either an out-and-out witch play, or else such a play with political bearings. The latter, in all probability, was a witch play also. If we may judge from the titles and the growing realism of dramatic treatment, they were of a kind far closer to actual life than those hitherto considered. (478)<br> | ||
<br> | |||
Purkiss supports Herrington's suggestion of a mini-vogue for witch plays at this time and speculates that the play may have influenced Shakespeare's Joan la Pucelle in ''1 Henry VI'' (197 n.28)<br> | Purkiss supports Herrington's suggestion of a mini-vogue for witch plays at this time and speculates that the play may have influenced Shakespeare's Joan la Pucelle in ''1 Henry VI'' (197 n.28)<br> | ||
<br> | |||
== For What It's Worth == | |||
== For What It's Worth == | |||
<Enter any miscellaneous points that may be relevant, but don't fit into the above categories. This is the best place for highly conjectural thoughts.> | <Enter any miscellaneous points that may be relevant, but don't fit into the above categories. This is the best place for highly conjectural thoughts.> | ||
Line 65: | Line 65: | ||
<br> | <br> | ||
== Works Cited == | == Works Cited == | ||
Herrington, H. W. “Witchcraft and Magic in the Elizabethan Drama”. ''The Journal of American Folklore'' 32.126 (1919): 447–85. Print. [http://www.archive.org/stream/journalamerican80socigoog#page/n472/mode/2up Web].<br> | |||
Purkiss, D. The Witch in History. London & New York: Routledge, 199c. Print. [http://books.google.co.uk/books?id=TpkOAAAAQAAJ&lpg=PA197&ots=caCtxRaB9y&dq=%22black%20joan%22%20henslowe&pg=PP1#v=onepage&q&f=false Web] (Google Books). | |||
<br> Site created and maintained by [[Your name|Simon Davies]], University of Sussex; updated 13 May 2011. | |||
[[Category:Example]] [[Category:All]] | [[Category:Admiral's]] [[Category:Example]] [[Category:All]] |
Revision as of 11:11, 13 May 2011
Historical Records
Henslowe Papers
Greg, Papers, 118:
Under Henslowe's title, "The Enventary tacken of all the properties for my Lord Admeralles men, the 10 of Marche 1598" is:
Item, j frame for the heading [i.e. beheading] in Black Jone.
Greg, Papers, 121:
Under Henslowe's title, "A Note of all suche bookes as belong to the Stocke, and such as I have bought since the 3d of March 1598" is:
Black Jonne.
Theatrical Provenance
The Admiral’s Company.
Probable Genre(s)
Tragedy (?) (Harbage, 64-5).
Possible Narrative and Dramatic Sources or Analogues
<Enter any information about possible or known sources. Summarise these sources where practical/possible, or provide an excerpt from another scholar's discussion of the subject if available.>
References to the Play
<List any known or conjectured references to the lost play here.>
Critical Commentary
H. W. Herrington posits a “dramatic vogue” for witchcraft plays in the late 1590s (478), and, after discussing Mother Redcap, writes:
Earlier in the same year [1597] Henslowe notes a performance of "The Witch of Islington." By the next year had been written "Black Joan." The former was either an out-and-out witch play, or else such a play with political bearings. The latter, in all probability, was a witch play also. If we may judge from the titles and the growing realism of dramatic treatment, they were of a kind far closer to actual life than those hitherto considered. (478)
Purkiss supports Herrington's suggestion of a mini-vogue for witch plays at this time and speculates that the play may have influenced Shakespeare's Joan la Pucelle in 1 Henry VI (197 n.28)
For What It's Worth
<Enter any miscellaneous points that may be relevant, but don't fit into the above categories. This is the best place for highly conjectural thoughts.>
Works Cited
Herrington, H. W. “Witchcraft and Magic in the Elizabethan Drama”. The Journal of American Folklore 32.126 (1919): 447–85. Print. Web.
Purkiss, D. The Witch in History. London & New York: Routledge, 199c. Print. Web (Google Books).
Site created and maintained by Simon Davies, University of Sussex; updated 13 May 2011.