Rangers Comedy, The: Difference between revisions
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[[Anon.]] ([[1594]]) | [[Anon.]] ([[1594]]) | ||
<br> | |||
==Historical Records== | == Historical Records == | ||
''Henslowe's Diary'' | ''Henslowe's Diary'' <br> | ||
<br> | |||
F. 9 (Greg I.17) | F. 9 (Greg I.17) <br> | ||
<br> | |||
Under the play list for "the Quenes men & my lord of Susexe to geather" for Easter 1594: | Under the play list for "the Quenes men & my lord of Susexe to geather" for Easter 1594: | ||
:{| | : | ||
| Rd at the Rangers comodey | |||
{| | |||
|- | |||
| Rd at the Rangers comodey | |||
| | |||
| 2 of [''marche''] Aprell 1593 | |||
| | |||
| iij<sup>li</sup> | |||
|} | |} | ||
Under the play list for "my lord admierals men" on 14-16 May 1594: | <br> Under the play list for "my lord admierals men" on 14-16 May 1594: | ||
: | |||
{| | |||
| Rd at the Rangers comodey | |- | ||
| Rd at the Rangers comodey | |||
| | |||
| the 15 of maye | |||
| 1594 | |||
| xxxiij<sup>s</sup> | |||
|} | |} | ||
<br> | <br> <br> F. 9 (Greg I.17) <br> | ||
F. 9 (Greg I.17) | |||
<br> | |||
In the play lists beginning 15 June 1594, the date on which W. W. Greg decided that the Admiral's players had returned to the Rose after their 10-day run at Newington with the Chamberlain's players: | In the play lists beginning 15 June 1594, the date on which W. W. Greg decided that the Admiral's players had returned to the Rose after their 10-day run at Newington with the Chamberlain's players: | ||
:{| | : | ||
{| | |||
|- | |- | ||
| ye | | ye 18 of June 1594 | ||
| | |||
| Rd at the Rangers comodey | |||
| | |||
| xxij<sup>s</sup> | |||
|- | |||
| ye 22 of June 1594 | |||
| | |||
| Rd at the Rangers comodey | |||
| | |||
| lviiij<sup>s</sup> | |||
|} | |} | ||
<br> | <br> <br> F. 9<sup>v</sup> (Greg I.18) <br> | ||
F. 9<sup>v</sup> (Greg I.18) | |||
<br> | |||
:{| | : | ||
{| | |||
|- | |- | ||
| y<sup>e</sup> | | y<sup>e</sup> 5 of Julye 1594 | ||
| | |||
| Rd at the Rangers comodey | |||
| | |||
| xviij<sup>s</sup> | |||
|- | |- | ||
| y<sup>e</sup> | | y<sup>e</sup> 17 of Julye 1594 | ||
| | |||
| Rd at the Rangers comodey | |||
| | |||
| xv<sup>s</sup> | |||
|- | |- | ||
| y<sup>e</sup> | | y<sup>e</sup> 1 of aguste 1594 | ||
| | |||
| Rd at the Rangers comodey | |||
| | |||
| xiij<sup>s</sup> vj<sup>d</sup> | |||
|- | |||
| y<sup>e</sup> 20 of aguste 1594 | |||
| | |||
| Rd at the Rangers comodey | |||
| | |||
| xiiij<sup>s</sup> vj<sup>d</sup> | |||
|} | |} | ||
< | <br> | ||
F. 10 (Greg I.19) <br> | |||
{| | |||
|- | |||
| y<sup>e</sup> 16 of septmb[er] 1594 | |||
| | |||
| Rd at the Rangers comodey | |||
| | |||
| xv<sup>s</sup> | |||
|- | |||
| y<sup>e</sup> 2 of octob[er] 1594 | |||
| | |||
| Rd at the Rangers comodey | |||
| | |||
| x<sup>s</sup> | |||
|} | |||
<br> <br> | |||
< | |||
== Theatrical Provenance == | |||
<Enter information about which company performed the play, and where/when it was performed, etc.> | |||
< | <br> | ||
== Probable Genre(s) == | |||
<List possible genres of the play: if noted by a critic, cite them, e.g. "Comedy (Harbage)". If an original speculation, simply list the genre.> | |||
<br> | |||
== Possible Narrative and Dramatic Sources or Analogues == | |||
<Enter any information about possible or known sources. Summarise these sources where practical/possible, or provide an excerpt from another scholar's discussion of the subject if available.> | |||
<br> | |||
== | == References to the Play == | ||
<List any known or conjectured references to the lost play here.> | |||
<br> | |||
== Critical Commentary == | |||
<Summarise any critical commentary that may have been published by scholars. Please maintain an objective tone!> | |||
< | <br> | ||
== For What It's Worth == | |||
<Enter any miscellaneous points that may be relevant, but don't fit into the above categories. This is the best place for highly conjectural thoughts.> | |||
<br> | |||
== Works Cited == | |||
<List all texts cited throughout the entry, except those staple texts whose full bibliographical details have been provided in the masterlist of Works Cited found on the sidebar menu.> | |||
<If you haven't done so already, also add here any key words that will help categorise this play. Use the following format, repeating as necessary: | <br> <If you haven't done so already, also add here any key words that will help categorise this play. Use the following format, repeating as necessary:> | ||
<br> Site created and maintained by [[Your name]], affiliation; updated DD Month YYYY. | |||
[[Category:Example]] |
Revision as of 12:43, 22 February 2010
Historical Records
Henslowe's Diary
F. 9 (Greg I.17)
Under the play list for "the Quenes men & my lord of Susexe to geather" for Easter 1594:
Rd at the Rangers comodey | 2 of [marche] Aprell 1593 | iijli |
Under the play list for "my lord admierals men" on 14-16 May 1594:
Rd at the Rangers comodey | the 15 of maye | 1594 | xxxiijs |
F. 9 (Greg I.17)
In the play lists beginning 15 June 1594, the date on which W. W. Greg decided that the Admiral's players had returned to the Rose after their 10-day run at Newington with the Chamberlain's players:
ye 18 of June 1594 | Rd at the Rangers comodey | xxijs | ||
ye 22 of June 1594 | Rd at the Rangers comodey | lviiijs |
F. 9v (Greg I.18)
ye 5 of Julye 1594 | Rd at the Rangers comodey | xviijs | ||
ye 17 of Julye 1594 | Rd at the Rangers comodey | xvs | ||
ye 1 of aguste 1594 | Rd at the Rangers comodey | xiijs vjd | ||
ye 20 of aguste 1594 | Rd at the Rangers comodey | xiiijs vjd |
F. 10 (Greg I.19)
ye 16 of septmb[er] 1594 | Rd at the Rangers comodey | xvs | ||
ye 2 of octob[er] 1594 | Rd at the Rangers comodey | xs |
Theatrical Provenance
<Enter information about which company performed the play, and where/when it was performed, etc.>
Probable Genre(s)
<List possible genres of the play: if noted by a critic, cite them, e.g. "Comedy (Harbage)". If an original speculation, simply list the genre.>
Possible Narrative and Dramatic Sources or Analogues
<Enter any information about possible or known sources. Summarise these sources where practical/possible, or provide an excerpt from another scholar's discussion of the subject if available.>
References to the Play
<List any known or conjectured references to the lost play here.>
Critical Commentary
<Summarise any critical commentary that may have been published by scholars. Please maintain an objective tone!>
For What It's Worth
<Enter any miscellaneous points that may be relevant, but don't fit into the above categories. This is the best place for highly conjectural thoughts.>
Works Cited
<List all texts cited throughout the entry, except those staple texts whose full bibliographical details have been provided in the masterlist of Works Cited found on the sidebar menu.>
<If you haven't done so already, also add here any key words that will help categorise this play. Use the following format, repeating as necessary:>
Site created and maintained by Your name, affiliation; updated DD Month YYYY.