Owen Tudor: Difference between revisions
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Michael Drayton, Richard Hathaway, Anthony Munday, Robert Wilson (1600) | Michael Drayton, Richard Hathaway, Anthony Munday, Robert Wilson (1600) | ||
<br> | |||
== Historical Records == | == Historical Records == | ||
<br> | |||
=== ''Henslowe's Diary'' === | |||
F. 67 (Greg I.117) | |||
<br> | :Lent vnto mihell drayton antony monday m<sup>r</sup> | ||
:hathwaye & m<sup>r</sup> willsone at the apoyntment | |||
:of Thomas downton in earneste of a playe | |||
:Boocke called owen teder the some of ... iiij<sup>li</sup> | |||
<br> <br> | |||
=== Diary fragment in the collection of the Duke of Rutland at Belvoir Castle === | === Diary fragment in the collection of the Duke of Rutland at Belvoir Castle === | ||
Foakes, ''Henslowe's Diary'' (267) | Foakes, ''Henslowe's Diary'' (267)<br> | ||
<br> | |||
: y<sup>e</sup> 10 of Jenewary 1599 | : y<sup>e</sup> 10 of Jenewary 1599 | ||
| Line 21: | Line 28: | ||
:Ri: Hathwaye R Wilson. An: Mundy | :Ri: Hathwaye R Wilson. An: Mundy | ||
:witnes | :witnes | ||
:Robt Shaa | :Robt Shaa | ||
<br> | <br> | ||
== Theatrical Provenance == | == Theatrical Provenance == | ||
<Enter information about which company performed the play, and where/when it was performed, etc.> | <Enter information about which company performed the play, and where/when it was performed, etc.> | ||
| Line 32: | Line 39: | ||
<br> | <br> | ||
== Probable Genre(s) == | == Probable Genre(s) == | ||
<List possible genres of the play: if noted by a critic, cite them, e.g. "Comedy (Harbage)". If an original speculation, simply list the genre.> | <List possible genres of the play: if noted by a critic, cite them, e.g. "Comedy (Harbage)". If an original speculation, simply list the genre.> | ||
| Line 38: | Line 45: | ||
<br> | <br> | ||
== Possible Narrative and Dramatic Sources or Analogues == | == Possible Narrative and Dramatic Sources or Analogues == | ||
<Enter any information about possible or known sources. Summarise these sources where practical/possible, or provide an excerpt from another scholar's discussion of the subject if available.> | <Enter any information about possible or known sources. Summarise these sources where practical/possible, or provide an excerpt from another scholar's discussion of the subject if available.> | ||
| Line 44: | Line 51: | ||
<br> | <br> | ||
== References to the Play == | == References to the Play == | ||
<List any known or conjectured references to the lost play here.> | <List any known or conjectured references to the lost play here.> | ||
| Line 50: | Line 57: | ||
<br> | <br> | ||
== Critical Commentary == | == Critical Commentary == | ||
<Summarise any critical commentary that may have been published by scholars. Please maintain an objective tone!> | <Summarise any critical commentary that may have been published by scholars. Please maintain an objective tone!> | ||
| Line 56: | Line 63: | ||
<br> | <br> | ||
== For What It's Worth == | == For What It's Worth == | ||
<Enter any miscellaneous points that may be relevant, but don't fit into the above categories. This is the best place for highly conjectural thoughts.> | <Enter any miscellaneous points that may be relevant, but don't fit into the above categories. This is the best place for highly conjectural thoughts.> | ||
| Line 62: | Line 69: | ||
<br> | <br> | ||
== Keywords == | == Keywords == | ||
Michael Drayton, Richard Hathaway, Anthony Munday, Robert Wilson, Henslowe's Records, Diary fragment, Autograph signature | Michael Drayton, Richard Hathaway, Anthony Munday, Robert Wilson, Henslowe's Records, Diary fragment, Autograph signature | ||
| Line 68: | Line 75: | ||
<br> | <br> | ||
== Works Cited == | == Works Cited == | ||
<List all texts cited throughout the entry, except those staple texts whose full bibliographical details have been provided in the masterlist of Works Cited found on the sidebar menu.> | <List all texts cited throughout the entry, except those staple texts whose full bibliographical details have been provided in the masterlist of Works Cited found on the sidebar menu.> | ||
Revision as of 15:02, 17 November 2009
Michael Drayton, Richard Hathaway, Anthony Munday, Robert Wilson (1600)
Historical Records
Henslowe's Diary
F. 67 (Greg I.117)
- Lent vnto mihell drayton antony monday mr
- hathwaye & mr willsone at the apoyntment
- of Thomas downton in earneste of a playe
- Boocke called owen teder the some of ... iiijli
Diary fragment in the collection of the Duke of Rutland at Belvoir Castle
Foakes, Henslowe's Diary (267)
- ye 10 of Jenewary 1599
- Receyved in pt of payment & in er[e]nest
- of a playe called Owen Tweder the somme
- of foure poundes wittnes or hands ... iiijli
- Ri: Hathwaye R Wilson. An: Mundy
- witnes
- Robt Shaa
Theatrical Provenance
<Enter information about which company performed the play, and where/when it was performed, etc.>
Probable Genre(s)
<List possible genres of the play: if noted by a critic, cite them, e.g. "Comedy (Harbage)". If an original speculation, simply list the genre.>
Possible Narrative and Dramatic Sources or Analogues
<Enter any information about possible or known sources. Summarise these sources where practical/possible, or provide an excerpt from another scholar's discussion of the subject if available.>
References to the Play
<List any known or conjectured references to the lost play here.>
Critical Commentary
<Summarise any critical commentary that may have been published by scholars. Please maintain an objective tone!>
For What It's Worth
<Enter any miscellaneous points that may be relevant, but don't fit into the above categories. This is the best place for highly conjectural thoughts.>
Keywords
Michael Drayton, Richard Hathaway, Anthony Munday, Robert Wilson, Henslowe's Records, Diary fragment, Autograph signature
Works Cited
<List all texts cited throughout the entry, except those staple texts whose full bibliographical details have been provided in the masterlist of Works Cited found on the sidebar menu.>
Site created and maintained by Roslyn L. Knutson, Professor Emerita, University of Arkansas at Little Rock; updated 30 October 2009.