Venetian Comedy, The: Difference between revisions
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'''Knutson''' uses the complex of five similar titles—"The Grecian Comedy,""The Love of an English Lady," "The Love of a Grecian Lady," and "The Grecian Comedy"—to illustrate the difficulties of separating discrete titles from variant ones (pp. 21-22). She reduces these five to two: "The Venetian Comedy" and "The Grecian Comedy" (which subsumes "The Love of an English Lady," "The Love of a Grecian Lady," and "The Grecian Lady"). See in addition [[#Critical Commentary|Critical Commentary]] and the pages for "[[Love of a Grecian Lady, The|The Love of a Grecian Lady]]," "[[Love of an English Lady, The|The Love of an English Lady]]," and "[[Grecian Comedy|Grecian Comedy]]" for alternative opinions on the relationship of this play-set in the Admiral's repertory at the Rose in the fall of 1594. | '''Knutson''' uses the complex of five similar titles—"The Grecian Comedy,""The Love of an English Lady," "The Love of a Grecian Lady," and "The Grecian Comedy"—to illustrate the difficulties of separating discrete titles from variant ones (pp. 21-22). She reduces these five to two: "The Venetian Comedy" and "The Grecian Comedy" (which subsumes "The Love of an English Lady," "The Love of a Grecian Lady," and "The Grecian Lady"). See in addition [[#Critical Commentary|Critical Commentary]] and the pages for "[[Love of a Grecian Lady, The|The Love of a Grecian Lady]]," "[[Love of an English Lady, The|The Love of an English Lady]]," and "[[Grecian Comedy|Grecian Comedy]]" for alternative opinions on the relationship of this play-set in the Admiral's repertory at the Rose in the fall of 1594. | ||
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== Works Cited == | == Works Cited == |
Latest revision as of 15:51, 15 September 2022
Historical Records
Performance Records
Playlists in Philip Henslowe's diary
Fol. 10 (Greg, I.19)
ye 25 of aguste 1594
Res at the venesyon comodey . . . . . . . . . . . . . . . . . . . . . . .
ls vjd
ye [7]5 of septmbʒ 1594
Res at the venesyon comodey . . . . . . . . . . . . . . . . . . . . . . .
xxxvjs vjd
ye 15 of septmbʒ 1594
———
Res at the venesyon comodey . . . . . . . . . . . . . . . . . . . . . . .
xxxvjs vjd
ye 22 of septmbʒ 1594
Res at the venesyon comodey . . . . . . . . . . . . . . . . . . . . . . .
xxvs
ye 24 of septmbʒ 1594
ne . .
Res at venesyon & the love of & Jngleshe lady . . . . . . . .
xxxxvijs
ye 3 of octobʒ 1594
Res at the venesyon comodey . . . . . . . . . . . . . . . . . . . . . . .
xvijs
ye 11 of octobʒ 1594
Res at the venesyon comodey . . . . . . . . . . . . . . . . . . . . . . .
xvjs
Fol. 10v (Greg, I.20)
ye 11 of novembʒ 1594
———
Res at the venesyon comodey . . . . . . . . . . . . . . . . . . . . . . . . .
xxjs
ye 26 of novembʒ 1594
Res at the venecyon comodey . . . . . . . . . . . . . . . . . . . . . . . . . .
xiijs
Fol. 11 (Greg, I.21)
ye 10 of febreary 1594
———
Res at the venesyan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
xxs
Fol. 11v (Greg, I.22)
ye 25 of febreary 1594
Res at the venesyan comodey . . . . . . . . . . . . . . . . . . . . . . .
xxs
ye 8 of maye 1595
. . . . . . . .
Res at the venesyon comodey . . . . . . . . . . . . . . . . . . . . . . . . . .
xxxs
Theatrical Provenance
The Admiral's men introduced "The Venetian Comedy" on the 25th of August in 1594, and Henslowe entered the play as "ne" in his book of accounts. If the apparent error on 24 September 1594 is discounted, the play received 11 performances through the 21st of May 1595 with average an average return of 34s to Henslowe (a very respectable average).
Probable Genre(s)
Comedy
Possible Narrative and Dramatic Sources or Analogues
Unfortunately, the generic nature of the title does not give a clue to the narrative material relied on for the script.
References to the Play
None known.
Critical Commentary
Malone does not guess at the content of this play, nor does Collier, whose only observation is to reject any relationship to "The Love of an English Lady" and Shakespeare's Merchant of Venice (p. 40, n.1). Likewise Fleay, BCED (uncharacteristically) does not suggest a connection to some other play or familiar narrative (2.303, #155).
Greg II reads Henslowe's entry for 24 September 1594 as "a double performance" (p. 167, #51). Further, he puzzles over the proximity of "The Venetian Comedy" to "The French Doctor," introduced on 18 October 1594 with the mark of "ne." He lays out a case full of supposes for their being :"identical" in an entry on the latter play (p. 170, #57).
Gurr, addressing specifically Henslowe's entry on the 24th of September 1594 ("ne" ... Res at venesyon & the love of & Jngleshe lady," considers the inclusion of "venesyon" a mistake, and he deletes 24 September from the list of performances of "The Venetian Comedy" (207, n.17).
Wiggins, Catalogue #964 includes the 24 September 1594 performance among the offerings of "The Venitian Comedy" but adds that it "may be an error."
For What It's Worth
Knutson uses the complex of five similar titles—"The Grecian Comedy,""The Love of an English Lady," "The Love of a Grecian Lady," and "The Grecian Comedy"—to illustrate the difficulties of separating discrete titles from variant ones (pp. 21-22). She reduces these five to two: "The Venetian Comedy" and "The Grecian Comedy" (which subsumes "The Love of an English Lady," "The Love of a Grecian Lady," and "The Grecian Lady"). See in addition Critical Commentary and the pages for "The Love of a Grecian Lady," "The Love of an English Lady," and "Grecian Comedy" for alternative opinions on the relationship of this play-set in the Admiral's repertory at the Rose in the fall of 1594.
Works Cited
Site created and maintained by Roslyn L. Knutson, Professor Emerita, University of Arkansas at Little Rock; 10 August 2020.