Cutlack: Difference between revisions

(Created page with 'Anon. (1594) ==Historical Records== ''Henslowe's Diary'' F. 9 (Greg I.17) Under the play list for "the Quenes men & my lord of Susexe to geather" for Easter 1594: :…')
 
Line 24: Line 24:
| y<sup>e</sup>  17 of June 1594||||||Rd at cvtlacke||||||xxxv<sup>s</sup>
| y<sup>e</sup>  17 of June 1594||||||Rd at cvtlacke||||||xxxv<sup>s</sup>
|-
|-
| y<sup>e</sup>  24 of June 1594||||||Rd at cvtlacke||||||xxxv<sup>s</sup>
| y<sup>e</sup>  24 of June 1594||||||Rd at cvtlacke||||||xxv<sup>s</sup>
|-
|-
| y<sup>e</sup>  27 of June 1594||||||Rd at cvtlacke||||||xxxvj<sup>s</sup>
| y<sup>e</sup>  27 of June 1594||||||Rd at cvtlacke||||||xxxvj<sup>s</sup>
Line 52: Line 52:
| y<sup>e</sup>  26 of septmb[er] 1594||||||Rd at cvttlacke||||||xiiij<sup>s</sup>
| y<sup>e</sup>  26 of septmb[er] 1594||||||Rd at cvttlacke||||||xiiij<sup>s</sup>
|}
|}


==Theatrical Provenance==
==Theatrical Provenance==

Revision as of 15:23, 24 February 2010

Anon. (1594)


Historical Records

Henslowe's Diary


F. 9 (Greg I.17)

Under the play list for "the Quenes men & my lord of Susexe to geather" for Easter 1594:

Rd at Cvlacke the 16 of maye 1594 xxxxijs


Under the play list for "my lord admierals men" on 14-16 May 1594:

ye 6 of June 1594 Rd at cvtlacke xjs


In the play lists beginning 15 June 1594, the date on which W. W. Greg decided that the Admiral's players had returned to the Rose after their 10-day run at Newington with the Chamberlain's players:

ye 17 of June 1594 Rd at cvtlacke xxxvs
ye 24 of June 1594 Rd at cvtlacke xxvs
ye 27 of June 1594 Rd at cvtlacke xxxvjs


F. 9v (Greg I.18)

ye 4 of Julye 1594 Rd at cvtlacke xxiiijs
ye 15 of Julye 1594 Rd at cvtlacke xxxvs
ye 29 of Julye 1594 Rd at cvtlacke xxixs
ye 8 of aguste 1594 Rd at cvttlacke xiijs vjd
ye 22 of aguste 1594 Rd at cvttlacke xxiijs vjd


F. 10 (Greg I.19)

ye 6 of septemb[er] 1594 Rd at cvtlacke xjs
ye 26 of septmb[er] 1594 Rd at cvttlacke xiiijs

Theatrical Provenance

<Enter information about which company performed the play, and where/when it was performed, etc.>


Probable Genre(s)

<List possible genres of the play: if noted by a critic, cite them, e.g. "Comedy (Harbage)". If an original speculation, simply list the genre.>


Possible Narrative and Dramatic Sources or Analogues

<Enter any information about possible or known sources. Summarise these sources where practical/possible, or provide an excerpt from another scholar's discussion of the subject if available.>


References to the Play

<List any known or conjectured references to the lost play here.>


Critical Commentary

<Summarise any critical commentary that may have been published by scholars. Please maintain an objective tone!>


For What It's Worth

<Enter any miscellaneous points that may be relevant, but don't fit into the above categories. This is the best place for highly conjectural thoughts.>


Works Cited

<List all texts cited throughout the entry, except those staple texts whose full bibliographical details have been provided in the masterlist of Works Cited found on the sidebar menu.>


<If you haven't done so already, also add here any key words that will help categorise this play. Use the following format, repeating as necessary:>


Site created and maintained by your name, affiliation; updated DD Month YYYY.