Category:Richard Burbage: Difference between revisions
No edit summary |
|||
Line 2: | Line 2: | ||
'''Player'''<br> | '''Player'''<br> | ||
brawl at the Theater, 1590<br> | |||
'''Businessman'''<br> | '''Businessman'''<br> | ||
Line 19: | Line 19: | ||
====Works Cited==== | ====Works Cited==== | ||
<div style="padding-left: 2em; text-indent: -2em">Berry, Herbert. "Part Three: Playhouses, 1560-1660." In ''English Professional Theatre, 1530-1660''. Ed. Glynne Wickham, Herbert Berry, and William Ingram. Cambridge: Cambridge UP, 2000. pp. 297-403.</div> | <div style="padding-left: 2em; text-indent: -2em"> Berry, Herbert. "Aspects of the Design and Use of the First Public Playhouse." In ''The First Public Playhouse: The Theatre in Shoreditch 1576-1598.'' Ed. Herbert Berry. Montreal: McGill-Queen's University Press, 1979. pp. 29-45.</div> | ||
<div style="padding-left: 2em; text-indent: -2em"> ———. ''Shakespeare's Playhouses,'' with illustrations by C. Walter Hodges. New York: AMS Press, 1987.</div> | |||
<div style="padding-left: 2em; text-indent: -2em"> ———. "Part Three: Playhouses, 1560-1660." In ''English Professional Theatre, 1530-1660''. Ed. Glynne Wickham, Herbert Berry, and William Ingram. Cambridge: Cambridge UP, 2000. pp. 297-403.</div> | |||
<div style="padding-left: 2em; text-indent: -2em">Bradley, David. ''From Text to Performance in the Elizabethan Theatre''. Cambridge, Cambridge University Press, 1992.</div> | <div style="padding-left: 2em; text-indent: -2em">Bradley, David. ''From Text to Performance in the Elizabethan Theatre''. Cambridge, Cambridge University Press, 1992.</div> | ||
<div style="padding-left: 2em; text-indent: -2em">Eccles, Mark. "Elizabethan Actors I: A-D," ''Notes and Queries'' 236.1 (1991): 38-48.</div> | <div style="padding-left: 2em; text-indent: -2em">Eccles, Mark. "Elizabethan Actors I: A-D," ''Notes and Queries'' 236.1 (1991): 38-48.</div> |
Revision as of 12:10, 5 April 2022
Richard Burbage, son of James Burbage and younger brother of Cuthbert Burbage, was the leading player of the Chamberlain's men as constituted in 1594; at his father's death, Richard became a leading businessman with the company as well, having the Blackfriars Playhouse under his control.
Player
brawl at the Theater, 1590
Businessman
Berry, "The Theatre," pp. 320-387; "The Curtain," pp. 404-18; "The first Globe," pp. 493-500; "The second Blackfriars," pp. 501-30.
Roles
Presumably, Burbage was the lead adult male player in the Chamberlain's men after its formation by June 1594 as well as in the King's men; a list of those roles being lengthy, the focus here is on his roles in lost plays.
- ?Urganda ?King Egereon, ?Eschines, "The Dead Man's Fortune" (Guesses: Greg, "Urganda," pp. 102-3, note to ll. 34-6; McMillin, King Egereon, p. 239; Bradley, Eschines, p. 97).
- King Gorboduc ("Envy"), Tereus ("Lechery"), "The Second Part of the Seven Deadly Sins"
Works Cited
Berry, Herbert. "Aspects of the Design and Use of the First Public Playhouse." In The First Public Playhouse: The Theatre in Shoreditch 1576-1598. Ed. Herbert Berry. Montreal: McGill-Queen's University Press, 1979. pp. 29-45.
———. Shakespeare's Playhouses, with illustrations by C. Walter Hodges. New York: AMS Press, 1987.
———. "Part Three: Playhouses, 1560-1660." In English Professional Theatre, 1530-1660. Ed. Glynne Wickham, Herbert Berry, and William Ingram. Cambridge: Cambridge UP, 2000. pp. 297-403.
Bradley, David. From Text to Performance in the Elizabethan Theatre. Cambridge, Cambridge University Press, 1992.
Eccles, Mark. "Elizabethan Actors I: A-D," Notes and Queries 236.1 (1991): 38-48.
Greg, W. W. ‘’Dramatic Documents from the Elizabethan Playhouses’’. Oxford: Clarendon Press, 1931, rpt. 1969.
Honigmann, E. A. J. and Susan Brock. Playhouse Wills 1558-1642. Manchester: Manchester University Press, 1993.
Kathman, David. "Reconsidering The Seven Deadly Sins," Early Theatre 7.1 (2004). 13-44.
Manley, Lawrence and Sally-Beth MacLean. Lord Strange's Men and Their Plays. New Haven and London: Yale University Press, 2014.
McMillin, Scott. "The Plots of The Dead Man's Fortune and 2 Seven Deadly Sins: Inferences for Theatre Historians," Studies in Bibliography 26 (1973): 235-43.
Munro, Lucy. Shakespeare in the Theatre: The King's Men. The Arden Shakespeare. London: Bloomsbury, 2020.
Nungezer, Edwin. ‘’A Dictionary of Actors’’. New York: Greenwood Press, 1968 (orig. Yale University Press, 1929).