Set at Maw, The

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Historical Records

Performance Records

Playlists in Philip Henslowe's diary

Fol. 10^v (Greg, I.20)

ye 14 of decembʒ 1594

. . . ne . . .

Res at the maw . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

xxxxiiijs

Fol. 11 (Greg, I.21)

ye 2 of Jenewary 1594	. . . . . . . . .	Res at the seat at mawe . . . . . . . . . . . . . . . . . . . . . .	xxiiijs
ye 17 of Jenewary 1594		Res at the mawe . . . . . . . . . . . . . . . . . . . . . . . . . . . . .	xxvs
ye 28 of Jenewary 1594		Res at the mawe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .	xxvijs

Theatrical Provenance

"The Set at Maw" belonged to the Admiral's men in the winter of 1594-5, when the company was playing at the Rose. It appears nowhere else in extant theater records.

Probable Genre(s)

Harbage suggested that the play was a comedy.

Possible Narrative and Dramatic Sources or Analogues

See For What It's Worth, below.

References to the Play

None known.

Critical Commentary

Malone commented that "maw" was a game of cards, and he read the second entry of the play title as "seut, i.e., "suit" (p. 296, n.4). He also identified "The Mack" as a play entitled for a "game at cards" (p. 296, n.5).

Collier agreed about the title of "Set at Maw" as indicating a card game but rejected Malone's reading of the second entry in the manuscript as "seut" (p. 47, n.1). He agreed also that "The Mack" referred to a card game, and he conjectured that it "was perhaps written in consequence of the success of the Maw, already many times represented" (p. 49, n. 3).

Fleay, BCED [#61, 1.132-3) believed that Thomas Dekker's Match me in London (1630) belonged to 1611 and that it was "pretty clearly an alteration of The Set at Maw" because of its play on the language of card games (shuffling, dealing, cutting the cards, turning up a "Court card").

Greg II (#63, p. 172) took seriously Fleay's lumping of "The Set at Maw" with Thomas Dekker's Match me in London on the basis of its allusions to cards and "one specific reference to the game of maw." However, he couldn't find additional evidence to support the connection. He considered evidence of revision in the later play too slight to be persuasive, and he deemed the argument that the "Maw" play could have traveled with Dekker to Queen Anna's men more than a decade later to be irrelevant.

Gurr

Wiggins, Catalogue (#977)

For What It's Worth

Ballad, Cassidy, Wiggins

Works Cited

The Groome-porters lawes," EBBA #37082 (EBBA 37082 (http://ebba.english.ucsb.edu/ballad/37082/image)/

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