French Comedy, The: Difference between revisions
(2 intermediate revisions by the same user not shown) | |||
Line 21: | Line 21: | ||
| y<sup>e</sup> 11 of febreary 1594 | | y<sup>e</sup> 11 of febreary 1594 | ||
| . . . . . ne . . . . | | . . . . . ne . . . . | ||
| R'' | | R''es'' at the frenshe Comodey . . . . . . . . . . . . . . . . . . . . . . . . | ||
| l<sup>s</sup> <br> | | l<sup>s</sup> <br> | ||
|- | |- | ||
Line 32: | Line 32: | ||
| y<sup>e</sup> 27 of febreary 1594 | | y<sup>e</sup> 27 of febreary 1594 | ||
| . . . . . . . . . . . . | | . . . . . . . . . . . . | ||
| R'' | | R''es'' at the frenshe Comodey . . . . . . . . . . . . . . . . . . . . . . . . | ||
| xxxx<sup>s</sup> | | xxxx<sup>s</sup> | ||
|- | |- | ||
| y<sup>e</sup> 12 of maye 1595 | | y<sup>e</sup> 12 of maye 1595 | ||
| | | | ||
| R'' | | R''es'' at the frenshe comodey . . . . . . . . . . . . . . . . . . . . . . . . | ||
| xxviij<sup>s</sup> | | xxviij<sup>s</sup> | ||
|- | |- | ||
Line 48: | Line 48: | ||
| y<sup>e</sup> 31 of maye 1595 | | y<sup>e</sup> 31 of maye 1595 | ||
| <u> . . . . . pd . . . . </u> | | <u> . . . . . pd . . . . </u> | ||
| R'' | | R''es'' at the frenshe comodey . . . . . . . . . . . . . . . . . . . . . . . . | ||
| xv<sup>s</sup> | | xv<sup>s</sup> | ||
|- | |- | ||
| y<sup>e</sup> 17 of June 1595 | | y<sup>e</sup> 17 of June 1595 | ||
| | | | ||
| R'' | | R''es'' at the frenshe comodey . . . . . . . . . . . . . . . . . . . . . . . . | ||
| xxj<sup>s</sup> | | xxj<sup>s</sup> | ||
|- | |- | ||
| y<sup>e</sup> 24 of June | | y<sup>e</sup> 24 of June | ||
| mydsomerdaye | | mydsomerdaye | ||
| R'' | | R''es'' at the frenshecomodey . . . . . . . . . . . . . . . . . . . . . . . . | ||
| xxx<sup>s</sup> | | xxx<sup>s</sup> | ||
|- | |- | ||
Line 71: | Line 71: | ||
<!-- This template outputs the probable genres entered in the data section above. You can replace this comment and the line below if you'd like to write about the probable genres in more detail --> | <!-- This template outputs the probable genres entered in the data section above. You can replace this comment and the line below if you'd like to write about the probable genres in more detail --> | ||
{{Play/Probable Genres}} | {{Play/Probable Genres}} | ||
<br><br> | |||
== Possible Narrative and Dramatic Sources or Analogues == | == Possible Narrative and Dramatic Sources or Analogues == | ||
Line 106: | Line 107: | ||
Site created and maintained by [[Roslyn L. Knutson]], Professor Emerita, University of Arkansas at Little Rock; 11 February 2021. | Site created and maintained by [[Roslyn L. Knutson]], Professor Emerita, University of Arkansas at Little Rock; 11 February 2021. | ||
[[category:all]][[category:Rose]][[Category:Henslowe's records]][[category:Roslyn L. Knutson]][[category:Update]][[category:Admiral's]][[category:Duplicate plays]][[category:Possibly corrupt titles]]Plays]] | [[category:all]][[category:Rose]][[Category:Henslowe's records]][[category:Roslyn L. Knutson]][[category:Update]][[category:Admiral's]][[category:Duplicate plays]][[category:Possibly corrupt titles]]Plays]][[category:Edmond Malone]] |
Latest revision as of 10:20, 16 September 2022
Historical Records
Performance Records
Playlists in Philip Henslowe's diary
F11 (Greg I.21):
ye 11 of febreary 1594 . . . . . ne . . . . Res at the frenshe Comodey . . . . . . . . . . . . . . . . . . . . . . . . ls
F11v (Greg I.22):
ye 27 of febreary 1594 . . . . . . . . . . . . Res at the frenshe Comodey . . . . . . . . . . . . . . . . . . . . . . . . xxxxs ye 12 of maye 1595 Res at the frenshe comodey . . . . . . . . . . . . . . . . . . . . . . . . xxviijs
F12v (Greg I.24)
ye 31 of maye 1595 . . . . . pd . . . . Res at the frenshe comodey . . . . . . . . . . . . . . . . . . . . . . . . xvs ye 17 of June 1595 Res at the frenshe comodey . . . . . . . . . . . . . . . . . . . . . . . . xxjs ye 24 of June mydsomerdaye Res at the frenshecomodey . . . . . . . . . . . . . . . . . . . . . . . . xxxs
Theatrical Provenance
The Admiral's men performed "The French Comedy" at the Rose playhouse twice before Eastertide in 1595 and four times into the summer.
Probable Genre(s)
Comedy
Possible Narrative and Dramatic Sources or Analogues
Information welcome.
References to the Play
None known.
Critical Commentary
Malone makes no comment on the play (p. 296); however, by not including a second and separate entry for "A French Comedy" at its appearance on 18 April 1597, he implies that the two plays were one. Collier specifically warns against confusing the play with "The French Doctor," which had been introduced in the Admiral's repertory in October 1594 and was played throughout the run of "The French Comedy" and beyond (p. 49, n1); at the maiden performance of "A French Comedy" (18 April 1597, Collier acknowledges the sameness of the titles but does not fold them into a single script (p. 87, n1). Fleay, BCED (2.303, #162), like Malone, does not include a second and separate entry for "A French Comedy." Greg II considers it "impossible to say" if Henslowe's entries indicate one play or two (p.174, #67).
Knutson ignores the difference in the titles of the two plays and discusses them as one (p. 49), yet she uses the pair to challenge the habit of Fleay, BCED to consider "duplicate plays as mistakes in the diary for one seminal text and/or versions, revisions, or thefts of a single text" (p. 50). Her larger point is that "the frequency with which plays on similar subjects, with similarly formulaic titles, or merely with titles echoing other works ... forces us to recognize that what may be a standard of efficiency for us does not necessarily define the way companies did business" (p. 50).
Gurr considers the similarity of the two titles and specifies that "[t]he editors of the Diary believe that only one play way involved" (p. 214, n35).
Wiggins, Catalogue, respecting the subtle difference in the two titles, gives each play its own entry: the 1595 item, "The French Comedy," is #989; the 1597 "A French Comedy" is #1066.
For What It's Worth
Information welcome.
Works Cited
Site created and maintained by Roslyn L. Knutson, Professor Emerita, University of Arkansas at Little Rock; 11 February 2021.Plays]]