Grecian Comedy: Difference between revisions

 
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| y<sup>e</sup> 4 of octobʒ 1594<br>
| y<sup>e</sup> 4 of octobʒ 1594<br>
|  . . . . . . . . .      <br>
|  . . . . . . . . .      <br>
| R''d'' at the love of a gresyan lady . . . . . . . . . . . . . . . . . . . .<br>
| R''es'' at the love of a gresyan lady . . . . . . . . . . . . . . . . . . . .<br>
|xxvj<sup>s</sup><br>
|xxvj<sup>s</sup><br>
|-
|-
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| y<sup>e</sup> 13 of novembʒ 1594<br>
| y<sup>e</sup> 13 of novembʒ 1594<br>
|       
|       
| R''d'' at the gresyan ladye . . . . . . . . . . . . . . . . . . . . . . . . . . . .  <br>
| R''es'' at the gresyan ladye . . . . . . . . . . . . . . . . . . . . . . . . . . . .  <br>
|xv<sup>s</sup><br>
|xv<sup>s</sup><br>
|-
|-
| y<sup>e</sup> 23 of novembʒ 1594<br>
| y<sup>e</sup> 23 of novembʒ 1594<br>
|  <br>
|  <br>
| R''d'' at the greasyon comodey . . . . . . . . . . . . . . . . . . . . . . . <br>
| R''es'' at the greasyon comodey . . . . . . . . . . . . . . . . . . . . . . . <br>
|x<sup>s</sup><br>
|x<sup>s</sup><br>
|-
|-
| y<sup>e</sup> 1 of decembʒ 1594<br>
| y<sup>e</sup> 1 of decembʒ 1594<br>
| ———  <br>
| ———  <br>
| R''d'' at the gresyan comody . . . . . . . . . . . . . . . . . . . .  . . . . .<br>
| R''es'' at the gresyan comody . . . . . . . . . . . . . . . . . . . .  . . . . .<br>
|iiij<sup>s</sup><br>
|iiij<sup>s</sup><br>
|-
|-
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| y<sup>e</sup> 25 of decembʒ 1594<br>
| y<sup>e</sup> 25 of decembʒ 1594<br>
| <sup>S steuen</sup> <br>
| <sup>S steuen</sup> <br>
| R''d'' at the greasyane comodey . . . . . . . . . . . . . . . . . . .  <br>
| R''es'' at the greasyane comodey . . . . . . . . . . . . . . . . . . .  <br>
|xxxxvj<sup>s</sup><br>
|xxxxvj<sup>s</sup><br>
|-
|-
| y<sup>e</sup> 10 of Jenewary 159[4]5<br>
| y<sup>e</sup> 10 of Jenewary 159[4]5<br>
|        <br>
|        <br>
| R''d'' at the greasyon comodey . . . . . . . . . . . . . . . . . . . .<br>
| R''es'' at the greasyon comodey . . . . . . . . . . . . . . . . . . . .<br>
|xxviij<sup>s</sup><br>
|xxviij<sup>s</sup><br>
|-
|-
| y<sup>e</sup> 25 of Jenewary 1594<br>
| y<sup>e</sup> 25 of Jenewary 1594<br>
|        <br>
|        <br>
| R''d'' at the greasyan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . <br>
| R''es'' at the greasyan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . <br>
|xv<sup>s</sup><br>
|xv<sup>s</sup><br>
|-
|-
| y<sup>e</sup> 31 of Jenewary 1594<br>
| y<sup>e</sup> 31 of Jenewary 1594<br>
|        <br>
|        <br>
| R''d'' at the gresyan comody . . . . . . . . . . . . . . . . . . . . . . <br>
| R''es'' at the gresyan comody . . . . . . . . . . . . . . . . . . . . . . <br>
|xxviij<sup>s</sup><br>
|xxviij<sup>s</sup><br>
|-
|-
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| y<sup>e</sup> 22 of febreary 1594<br>
| y<sup>e</sup> 22 of febreary 1594<br>
|  . . . . . . . . .  <br>
|  . . . . . . . . .  <br>
| R''d'' at the gresyan comodey . . . . . . . . . . . . . . . . . . . . . . . <br>
| R''es'' at the gresyan comodey . . . . . . . . . . . . . . . . . . . . . . . <br>
|xx<sup>s</sup><br>
|xx<sup>s</sup><br>
|-
|-
| y<sup>e</sup> 24 of ap<sup>r</sup>ell 1595<br>
| y<sup>e</sup> 24 of ap<sup>r</sup>ell 1595<br>
|       
|       
| R''d'' at the gresyan ladye . . . . . . . . . . . . . . . . . . . . . . . . . .  <br>
| R''es'' at the gresyan ladye . . . . . . . . . . . . . . . . . . . . . . . . . .  <br>
|lj<sup>s</sup><br>
|lj<sup>s</sup><br>
|-
|-
| y<sup>e</sup> 16 of maye 1595<br>
| y<sup>e</sup> 16 of maye 1595<br>
|  <br>
|  <br>
| R''d'' at the greasyan comodey . . . . . . . . . . . . . . . . . . . . . .  <br>
| R''es'' at the greasyan comodey . . . . . . . . . . . . . . . . . . . . . .  <br>
|xxxiij<sup>s</sup><br>
|xxxiij<sup>s</sup><br>
|-
|-
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| y<sup>e</sup> 10 of octobʒ 1595<br>
| y<sup>e</sup> 10 of octobʒ 1595<br>
|  . . . . . .  . .  <br>
|  . . . . . .  . .  <br>
| R''d'' at the gresyan comody . . . . . . . . . . . . . . . . . . . . . . . .  <br>
| R''es'' at the gresyan comody . . . . . . . . . . . . . . . . . . . . . . . .  <br>
|x<sup>s</sup><br>
|x<sup>s</sup><br>
|-
|-
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== Critical Commentary ==
== Critical Commentary ==


[[WorksCited|Malone]] did not comment on this play; [[WorksCited|Collier]] considered it "[p]ossibly the same play as that before called the Love of a Grecian Lady" (p. 45, n. 3). [[WorksCited|Fleay, ''BCED'']] assigned "The Love of a Grecian Lady" number 136 and added "The Grecian Comedy" in parenthesis without further comment (2.301).
[[WorksCited|Malone]] does not comment on this play; [[WorksCited|Collier]] considers it "[p]ossibly the same play as that before called the Love of a Grecian Lady" (p. 45, n. 3). [[WorksCited|Fleay, ''BCED'']] assigns "The Love of a Grecian Lady" number 136 and adds "The Grecian Comedy" in parenthesis without further comment (2.301).


[[WorksCited|Greg II]] used the title, "The Grecian Comedy," for an entry that included "[[Love of a Grecian Lady, The|The Love of a Grecian Lady]]." Further, in an entry on another of the lost plays in Henslowe's diary, "[[French Doctor|The French Doctor]]," Greg further expanded the play titles assigned to entries for "The Grecian Comedy" by adding not only "[[Love of a Grecian Lady, The|The Love of a Grecian Lady]]" but also "[[Love of an English Lady, The|The Love of an English Lady]]" (p. 170, #57).
[[WorksCited|Greg II]] uses the title, "The Grecian Comedy," for an entry that includes "[[Love of a Grecian Lady, The|The Love of a Grecian Lady]]." Further, in an entry on another of the lost plays in Henslowe's diary, "[[French Doctor|The French Doctor]]," Greg further expands the play titles assigned to entries for "The Grecian Comedy" by adding not only "[[Love of a Grecian Lady, The|The Love of a Grecian Lady]]" but also "[[Love of an English Lady, The|The Love of an English Lady]]" (p. 170, #57).


'''Knutson''' uses the complex of five similar titles—"The Grecian Comedy,""The Love of an English Lady," "The Love of a Grecian Lady," and "The Grecian Comedy"—to illustrate the difficulties of separating discrete titles from variant ones (pp. 21-22). She reduces these five to two: "The Venetian Comedy" and "The Grecian Comedy" (which subsumes "The Love of an English Lady," "The Love of a Grecian Lady," and "The Grecian Lady").  
'''Knutson''' uses the complex of five similar titles—"The Grecian Comedy,""The Love of an English Lady," "The Love of a Grecian Lady," and "The Grecian Comedy"—to illustrate the difficulties of separating discrete titles from variant ones (pp. 21-22). She reduces these five to two: "The Venetian Comedy" and "The Grecian Comedy" (which subsumes "The Love of an English Lady," "The Love of a Grecian Lady," and "The Grecian Lady").  
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'''Gurr''' privileges the title, "The Grecian Comedy," in Appendix I, "The Plays," incorporating entries of "[[Love of a Grecian Lady, The|The Love of a Grecian Lady]]" (as is done in [[#Historical Records|Historical Records]] above). In a note to the entry, he clarifies that the title variations "[p]robably" indicate a single play (209-10, n. 24).
'''Gurr''' privileges the title, "The Grecian Comedy," in Appendix I, "The Plays," incorporating entries of "[[Love of a Grecian Lady, The|The Love of a Grecian Lady]]" (as is done in [[#Historical Records|Historical Records]] above). In a note to the entry, he clarifies that the title variations "[p]robably" indicate a single play (209-10, n. 24).


[[WorksCited|Wiggins, ''Catalogue'' #785]] considers "The Grecian Comedy" and "[[Love of a Grecian Lady, The|Love of a Grecian Lady]]" to be the same play, with "Grecian Comedy" the dominant title. He uses this play to consider the provenance of fourteen or so titles in the Admiral's repertory in 1594 that are not marked "ne" and thus appear to have been staged previously, perhaps with a pre-1591 version of the Admiral's men.  
[[WorksCited|Wiggins, ''Catalogue'' #785]] considers "The Grecian Comedy" and "[[Love of a Grecian Lady, The|Love of a Grecian Lady]]" to be the same play, with "Grecian Comedy" the dominant title. He uses the entry for this play (#785) to consider the provenance of fourteen or so titles in the Admiral's repertory in 1594 that are not marked "ne" and thus appear to have been staged previously, perhaps with a pre-1591 version of the Admiral's men.  
<br><br>
<br><br>


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== Works Cited ==
== Works Cited ==
<div style="padding-left: 2em; text-indent: -2em;">Gurr, Andrew. ''Shakespeare's Opposites: The Admiral's Company 1594-1625''. Cambridge: Cambridge University Press, 2009.</div>
<div style="padding-left: 2em; text-indent: -2em;">Gurr, Andrew. ''Shakespeare's Opposites: The Admiral's Company 1594-1625''. Cambridge: Cambridge University Press, 2009.</div>
<div style="padding-left: 2em; text-indent: -2em;">Knutson, Roslyn Lander. ''The Repertory of Shakespeare's Company, 1594-1613''. Fayetteville, AR: University of Arkansas Press, 1991. </div>
<br><br>
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Latest revision as of 11:53, 15 September 2022

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Historical Records

Performance Records

Playlists in Philip Henslowe's diary


Fol. 10 (Greg, I.19)

ye 4 of octobʒ 1594
. . . . . . . . .
Res at the love of a gresyan lady . . . . . . . . . . . . . . . . . . . .
xxvjs


Fol. 10v (Greg, I.20)

ye 13 of novembʒ 1594
Res at the gresyan ladye . . . . . . . . . . . . . . . . . . . . . . . . . . . .
xvs
ye 23 of novembʒ 1594

Res at the greasyon comodey . . . . . . . . . . . . . . . . . . . . . . .
xs
ye 1 of decembʒ 1594
———
Res at the gresyan comody . . . . . . . . . . . . . . . . . . . . . . . . .
iiijs


Fol. 11 (Greg, I.21)

ye 25 of decembʒ 1594
S steuen
Res at the greasyane comodey . . . . . . . . . . . . . . . . . . .
xxxxvjs
ye 10 of Jenewary 159[4]5

Res at the greasyon comodey . . . . . . . . . . . . . . . . . . . .
xxviijs
ye 25 of Jenewary 1594

Res at the greasyan . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
xvs
ye 31 of Jenewary 1594

Res at the gresyan comody . . . . . . . . . . . . . . . . . . . . . .
xxviijs


Fol. 11v (Greg, I.22)

ye 22 of febreary 1594
. . . . . . . . .
Res at the gresyan comodey . . . . . . . . . . . . . . . . . . . . . . .
xxs
ye 24 of aprell 1595
Res at the gresyan ladye . . . . . . . . . . . . . . . . . . . . . . . . . .
ljs
ye 16 of maye 1595

Res at the greasyan comodey . . . . . . . . . . . . . . . . . . . . . .
xxxiijs


Fol. 13 (Greg, I.25)

ye 10 of octobʒ 1595
. . . . . . . .
Res at the gresyan comody . . . . . . . . . . . . . . . . . . . . . . . .
xs



Theatrical Provenance

Philip Henslowe recorded a play called "the greasyon comody" for the first time on 23 November 1594. He had previously recorded one he called "The Love of a Grecian Lady" on 4 October 1594 and "The Grecian Lady" on 13 November. He did not mark any of these titles with "ne." On 24 April 2595, he again entered the title "The Grecian Lady." There can be no question, then, that the titles were the Admiral's property, but it is not guaranteed that they belong to the same playscript, which was apparently not new when introduced in the late fall of 1594. See Critical Commentary below for scholars' opinions on whether these entries belong to one playscript or two and what title that script was most commonly known by at the time.


Probable Genre(s)

Comedy

Possible Narrative and Dramatic Sources or Analogues


Information Welcome.


References to the Play


Information Welcome.


Critical Commentary

Malone does not comment on this play; Collier considers it "[p]ossibly the same play as that before called the Love of a Grecian Lady" (p. 45, n. 3). Fleay, BCED assigns "The Love of a Grecian Lady" number 136 and adds "The Grecian Comedy" in parenthesis without further comment (2.301).

Greg II uses the title, "The Grecian Comedy," for an entry that includes "The Love of a Grecian Lady." Further, in an entry on another of the lost plays in Henslowe's diary, "The French Doctor," Greg further expands the play titles assigned to entries for "The Grecian Comedy" by adding not only "The Love of a Grecian Lady" but also "The Love of an English Lady" (p. 170, #57).

Knutson uses the complex of five similar titles—"The Grecian Comedy,""The Love of an English Lady," "The Love of a Grecian Lady," and "The Grecian Comedy"—to illustrate the difficulties of separating discrete titles from variant ones (pp. 21-22). She reduces these five to two: "The Venetian Comedy" and "The Grecian Comedy" (which subsumes "The Love of an English Lady," "The Love of a Grecian Lady," and "The Grecian Lady").

Gurr privileges the title, "The Grecian Comedy," in Appendix I, "The Plays," incorporating entries of "The Love of a Grecian Lady" (as is done in Historical Records above). In a note to the entry, he clarifies that the title variations "[p]robably" indicate a single play (209-10, n. 24).

Wiggins, Catalogue #785 considers "The Grecian Comedy" and "Love of a Grecian Lady" to be the same play, with "Grecian Comedy" the dominant title. He uses the entry for this play (#785) to consider the provenance of fourteen or so titles in the Admiral's repertory in 1594 that are not marked "ne" and thus appear to have been staged previously, perhaps with a pre-1591 version of the Admiral's men.

For What It's Worth

The presence of a play called "The Love of an English Lady" in the same season as "The Love of a Grecian Lady" and "The Grecian Comedy" has added to the confusion of how many discrete plays Henslowe was recording as the repertorial offerings of the Admiral's men.

See Critical Commentary on the pages for "The Love of a Grecian Lady," "The Venetian Comedy," and "The Love of an English Lady" for alternative opinions on the relationship of this play-set in the Admiral's repertory at the Rose in the fall of 1594.

Works Cited

Gurr, Andrew. Shakespeare's Opposites: The Admiral's Company 1594-1625. Cambridge: Cambridge University Press, 2009.
Knutson, Roslyn Lander. The Repertory of Shakespeare's Company, 1594-1613. Fayetteville, AR: University of Arkansas Press, 1991.




Site created and maintained by Roslyn L. Knutson, Professor Emerita, University of Arkansas at Little Rock; updated 11 August 2020.