Olympio and Eugenio: Difference between revisions
 
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====Playlists in Philip Henslowe's diary====
====Playlists in Philip Henslowe's diary====
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:Fol. 12<sup>v</sup> ([http://www.archive.org/stream/henslowesdiary00unkngoog#page/n84/mode/2up Greg I.24])
:Fol. 12<sup>v</sup> ([http://www.archive.org/stream/henslowesdiary00unkngoog#page/n84/mode/2up Greg I.24])
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| y<sup>e</sup> 4 of septmbʒ  1595
| y<sup>e</sup> 4 of septmbʒ  1595
| . . . . . . . . . .
| . . . . . . . . . .
| R''d'' at olempeo & hengenyo
| R''es'' at olempeo & hengenyo
| . . . . . . . . . . . . . . . . . . . . . . . . . xviij<sup>s</sup>
| . . . . . . . . . . . . . . . . . . . . . . . . . xviij<sup>s</sup>
|-
|-
|}
|}


:Fol. 13 ([http://www.archive.org/stream/henslowesdiary00unkngoog#page/n84/mode/2up Greg I.25])
:Fol. 13 ([http://www.archive.org/stream/henslowesdiary00unkngoog#page/n84/mode/2up Greg I.25])
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| y<sup>e</sup> 3 of octobʒ  1595
| y<sup>e</sup> 3 of octobʒ  1595
| . . . . . . . . . . . .  
| . . . . . . . . . . . .  
| R''d'' at olempeo  
| R''es'' at olempeo  
| . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . xv<sup>s</sup>
| . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . xv<sup>s</sup>
|-
|-
|}
|}


:Fol. 14 [http://www.archive.org/stream/henslowesdiary00unkngoog#page/n87/mode/1up (Greg, I. 27)]
:Fol. 14 [http://www.archive.org/stream/henslowesdiary00unkngoog#page/n87/mode/1up (Greg, I. 27)]
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| y<sup>e</sup> 22 of novmbʒ  1595
| y<sup>e</sup> 22 of novmbʒ  1595
| . . . . . . . . . . .   
| . . . . . . . . . . .   
| R''d'' at olempo  
| R''es'' at olempo  
| . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . iiij<sup>s</sup> vj<sup>d</sup>
| . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . iiij<sup>s</sup> vj<sup>d</sup>
|-
|-
|}
|}


:Fol. 14<sup>v</sup> [https://archive.org/stream/henslowesdiary00unkngoog#page/n88/mode/1up (Greg, I. 28]
:Fol. 14<sup>v</sup> [https://archive.org/stream/henslowesdiary00unkngoog#page/n88/mode/1up (Greg, I. 28]
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| y<sup>e</sup> 18 of febreary  1595
| y<sup>e</sup> 18 of febreary  1595
| . . . . . . . . . . .   
| . . . . . . . . . . .   
| R''d'' at olempeo  
| R''es'' at olempeo  
| . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  x<sup>s</sup>  
| . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .  x<sup>s</sup>  
|-
|-
|}
|}
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== Theatrical Provenance ==
== Theatrical Provenance ==


"Olympio and Eugenio" was given sporadic performances by the Admiral's men at the Rose from September 1595 to February 1596.
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== Probable Genre(s) ==
== Probable Genre(s) ==
<!-- This template outputs the probable genres entered in the data section above. You can replace this comment and the line below if you'd like to write about the probable genres in more detail -->
<!-- This template outputs the probable genres entered in the data section above. You can replace this comment and the line below if you'd like to write about the probable genres in more detail -->
{{Play/Probable Genres}}
{{Play/Probable Genres}}
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== Possible Narrative and Dramatic Sources or Analogues ==
== Possible Narrative and Dramatic Sources or Analogues ==


Information Welcome.
<br><br>


== References to the Play ==
== References to the Play ==


None known.
<br><br>


== Critical Commentary ==
== Critical Commentary ==
<br>
[[WorksCited|Malone]] considered "Olympio and Eugenio" to be the same play as "Seleo and Olympo," which was introduced on 5 March 1595, declaring that "''Seleo'' ... is in a subsequent entry called ''Olempo and Hengengs''" (p. 296, n.6). He did not therefore list "Olympio and Eugenio" when it first appeared in Henslowe's listings for September 1595.
[[WorksCited|Collier]], at the appearance in the playlists of "olempeo and hengenyo," conceded that this "Olempeo" might be "Seleo and Olympo" and that the spelling of the second name might be "Ingenio." Then, letting frustration get the better of editorial restraint, he added that "it is sometimes hardly possible even to guess, on account of Henslowe's ingeniously corrupt spelling" (p. 56, n.1).


[[WorksCited|Malone]] considers "Olympio and Eugenio" to be the same play as "Seleo and Olympo," which was introduced on 5 March 1595, declaring that "''Seleo'' ... is in a subsequent entry called ''Olempo and Hengengs''" (p. 296, n.6). He does not therefore list "Olympio and Eugenio" when it first appeared in Henslowe's listings for September 1595.[[category:Edmond Malone]]


[[WorksCited|Fleay, ''BCED'']] itemized "Olympio and Eugenio" separately from [[Seleo and Olympo|"Seleo and Olympo"]] (2. #143, p. 301), thereby disconnecting the two plays, but he had no comment on its possible narrative.
[[WorksCited|Collier]], at the appearance in the playlists of "olempeo and hengenyo," concedes that this "Olempeo" might be "Seleo and Olympo" and that the spelling of the second name might be "Ingenio." Then, letting frustration get the better of editorial restraint, he adds that "it is sometimes hardly possible even to guess, on account of Henslowe's ingeniously corrupt spelling" (p. 56, n.1).


[[WorksCited|Fleay, ''BCED'']] itemizes "Olympio and Eugenio" separately from [[Seleo and Olympo|"Seleo and Olympo"]] (2. #143, p. 301), thereby disconnecting the two plays, but he has no comment on its possible narrative.  [[category:F. G. Fleay]]


[[WorksCited|Greg II (#70, p. 175)]] collapsed the entries in the diary for "Olympio and Eugenio" into those for [[Seleo and Olympo|"Seleo and Olympo"]]. He devoted his entry for the merged pair to a discussion of Fleay's identification of the play/s as an early version of Heywood's ''Golden Age''; he wrestled (as Fleay had not) with the implications of such an identification for the stage history of Heywood's 1611 play, if it had indeed been first performed by the Admiral's men in 1595 under varying titles with some spelling of "Olympo/Olympio."  
[[WorksCited|Greg II (#70, p. 175)]] collapses the entries in the diary for "Olympio and Eugenio" into those for [[Seleo and Olympo|"Seleo and Olympo"]]. He devotes his entry for the merged pair to a discussion of Fleay's identification of the play/s as an early version of Heywood's ''Golden Age''; he wrestles (as Fleay had not) with the implications of such an identification for the stage history of Heywood's 1611 play, if it had indeed been first performed by the Admiral's men in 1595 under varying titles with some spelling of "Olympo/Olympio."  


'''Knutson''' implies acceptance of Greg's re-collapse by citing the pair in a list of plays with similar titles (p. 6).


'''Gurr''' combined the entries for [[Seleo and Olympo|"Seleo and Olympo"]] with those for "Olympio and Eugenio," commenting only that the former was "[p]robably the play also named ''Olympio and Eugenio''" (p. 214, n.40).
'''Gurr''' also combines the entries for [[Seleo and Olympo|"Seleo and Olympo"]] with those for "Olympio and Eugenio," explaining that the former was "[p]robably the play also named ''Olympio and Eugenio''" (p. 214, n.40).


 
[[WorksCited|Wiggins, ''Catalogue'', #994, #995]] reflects the inclination of previous theater historians to consider "Seleo and Olympo" and "Olympio and Eugenio" as a single play. He finds it persuasive that "Olympio and Eugenio," the later of the two play-titles to appear in Henslowe's lists, is not marked "ne" (suggesting it has been staged previously), but he makes the point that Henslowe consistently gave the word common to both titles distinct spellings: "Olympo" for earlier-appearing play and "Olympio" for the later-appearing one. His serial numbering for the pair reinforces their similitude.
[[WorksCited|Wiggins, ''Catalogue'', #994, #995]] reflects the inclination of previous theater historians in leaning toward the merger of "Seleo and Olympo" and "Olympio and Eugenio" as a single play. He finds it persuasive that "Olympio and Eugenio," the later of the two play-titles to appear in Henslowe's lists, is not marked "ne" (suggesting it has been staged previously), but he finds troubling the consistency with which Henslowe gave the word common to both titles distinct spelling:s "Olympo" for earlier-appearing play and "Olympio" for the later-appearing one.
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== For What It's Worth ==
== For What It's Worth ==


Information welcome.
<br><br>


== Works Cited ==
== Works Cited ==


<br>
[[category:all]][[category:Rose]][[Category:Henslowe's records]][[category:Roslyn L. Knutson]][[category:Update]][[category:Admiral's]][[category:Duplicate plays]][[category:Possibly corrupt titles]][[category:Plays]]
<br><br>
<br><br>


Site created and maintained by [[Roslyn L. Knutson]], Professor Emerita, University of Arkansas at Little Rock; 9 February 2021.
Site created and maintained by [[Roslyn L. Knutson]], Professor Emerita, University of Arkansas at Little Rock; 9 February 2021.
[[category:all]][[category:Rose]][[Category:Henslowe's records]][[category:Roslyn L. Knutson]][[category:Update]][[category:Admiral's]][[category:Duplicate plays]][[category:Possibly corrupt titles]]
[[category:all]][[category:Rose]][[Category:Henslowe's records]][[category:Roslyn L. Knutson]][[category:Update]][[category:Admiral's]][[category:Duplicate plays]][[category:Possibly corrupt titles]]

Latest revision as of 11:56, 20 September 2022

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Historical Records

Performance Records

Playlists in Philip Henslowe's diary

Fol. 12v (Greg I.24)
ye 4 of septmbʒ 1595 . . . . . . . . . . Res at olempeo & hengenyo . . . . . . . . . . . . . . . . . . . . . . . . . xviijs
Fol. 13 (Greg I.25)
ye 3 of octobʒ 1595 . . . . . . . . . . . . Res at olempeo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . xvs
Fol. 14 (Greg, I. 27)
ye 22 of novmbʒ 1595 . . . . . . . . . . . Res at olempo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . iiijs vjd
Fol. 14v (Greg, I. 28
ye 18 of febreary 1595 . . . . . . . . . . . Res at olempeo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . xs



Theatrical Provenance

"Olympio and Eugenio" was given sporadic performances by the Admiral's men at the Rose from September 1595 to February 1596.

Probable Genre(s)

Unknown

Possible Narrative and Dramatic Sources or Analogues

Information Welcome.

References to the Play

None known.

Critical Commentary

Malone considers "Olympio and Eugenio" to be the same play as "Seleo and Olympo," which was introduced on 5 March 1595, declaring that "Seleo ... is in a subsequent entry called Olempo and Hengengs" (p. 296, n.6). He does not therefore list "Olympio and Eugenio" when it first appeared in Henslowe's listings for September 1595.

Collier, at the appearance in the playlists of "olempeo and hengenyo," concedes that this "Olempeo" might be "Seleo and Olympo" and that the spelling of the second name might be "Ingenio." Then, letting frustration get the better of editorial restraint, he adds that "it is sometimes hardly possible even to guess, on account of Henslowe's ingeniously corrupt spelling" (p. 56, n.1).

Fleay, BCED itemizes "Olympio and Eugenio" separately from "Seleo and Olympo" (2. #143, p. 301), thereby disconnecting the two plays, but he has no comment on its possible narrative.

Greg II (#70, p. 175) collapses the entries in the diary for "Olympio and Eugenio" into those for "Seleo and Olympo". He devotes his entry for the merged pair to a discussion of Fleay's identification of the play/s as an early version of Heywood's Golden Age; he wrestles (as Fleay had not) with the implications of such an identification for the stage history of Heywood's 1611 play, if it had indeed been first performed by the Admiral's men in 1595 under varying titles with some spelling of "Olympo/Olympio."

Knutson implies acceptance of Greg's re-collapse by citing the pair in a list of plays with similar titles (p. 6).

Gurr also combines the entries for "Seleo and Olympo" with those for "Olympio and Eugenio," explaining that the former was "[p]robably the play also named Olympio and Eugenio" (p. 214, n.40).

Wiggins, Catalogue, #994, #995 reflects the inclination of previous theater historians to consider "Seleo and Olympo" and "Olympio and Eugenio" as a single play. He finds it persuasive that "Olympio and Eugenio," the later of the two play-titles to appear in Henslowe's lists, is not marked "ne" (suggesting it has been staged previously), but he makes the point that Henslowe consistently gave the word common to both titles distinct spellings: "Olympo" for earlier-appearing play and "Olympio" for the later-appearing one. His serial numbering for the pair reinforces their similitude.

For What It's Worth

Information welcome.

Works Cited



Site created and maintained by Roslyn L. Knutson, Professor Emerita, University of Arkansas at Little Rock; 9 February 2021.