Seleo and Olympo

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Historical Records

Performance Records

Playlists in Philip Henslowe's diary

F. 11^v (Greg I.22)

ye 5 of marche 1594	. . . . . . ne . .	Res at seleo & olempo	. . . . . . . . . . . . . . . . . . . . . . . . . iiill
ye 2 of maye 1595		Res at seleo & olempa	. . . . . . . . . . . . . . . . . . . . . . . . . ls
ye 9 of maye 1595		Res at selyo & olympo	. . . . . . . . . . . . . . . . . . . . . . . . . xxvjs

Fol. 12^v (Greg I.24)

ye 1[7]9 of maye 1595	. . . . . . . . . .	Res at olimpo	. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . xxiijs
ye 29 of maye 1595		Res at olimpo	. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . xxixs
ye 7 of June 1595		Res at olimpio	. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . xvs

Theatrical Provenance

The Admiral's men introduced "Seleo and Olympo" to the stage at the Rose playhouse on the 5th of March 1595. The number of performances in the run depends on an interpretation of the various spellings of "Olympo." See Critical Commentary below scholarly opinions on this question.

Probable Genre(s)

Unknown

Possible Narrative and Dramatic Sources or Analogues

None known, unless indeed the play used the traditional mythology in Olympian stories.

References to the Play

None known.

Critical Commentary

Malone considers "Seleo and Olympo" the same play as "Olympio and Eugenio," declaring that "Seleo ... is in a subsequent entry called Olempo and Hengens" (p. 296, n.6).

Collier, who initially spells the title "steleo and olempo," calls attention to Malone's misreading of the initial name as "Seleo," then faults "the scribe" not only for repeating Malone's misreading but also settling (apparently incorrectly in Collier's opinion) on Olympio as "the real name" of the play (p. 50, n.2). At the appearance in the playlists of "olempeo and hengenyo," Collier concedes that this "Olempeo" might be "Seleo and Olympo" and that the spelling of the second name might be "Ingenio." Then, letting frustration get the better of editorial restraint, Collier adds that "it is sometimes hardly possible even to guess, on account of Henslowe's ingeniously corrupt spelling" (p. 56, n.1).

Fleay, BCED has "no doubt" that "Seleo and Olympo" was "the original form" of Thomas Heywood's The Golden Age (1. #2, p. 283). Bolstering his surmise, Fleay revises the title-word, "Seleo," into "Coelo." He itemizes "Olympio and Eugenio" separately (2. #143, p. 301), thereby disconnecting it from "Seleo and Olympo," but he has no further comment on its identity. In A Chronicle History (p. 114), Fleay assigns "Seleo/Coelo and Olympo" a costume ("j sewtte for Nepton," Greg, Papers, p. 114, l. 17) and a property ("Nepun forcke & garland," Greg, Papers, p. 117, l. 68).

Greg II (#70, p. 175) collapses the entries in the diary for "Olympio and Eugenio" into those for "Seleo and Olympo." He takes seriously Fleay's identification of the play as an early version of Heywood's Golden Age, wrestling (as Fleay had not) with the implications of such an identification for the stage history of that play (which advertised at its 1611 printing that it had been performed by Queen Anne's men at the Red Bull). Greg repeats Heywood's own comment (in his address to the reader of that printing) that implies an earlier stage life for the Ages plays collectively, but Greg remains skeptical of Fleay's argument as illustrated by a discomfort with the Fleay-changed title, "Coelo and Olympo," which he called "rather fantastic."

Gurr combines the entries for "Seleo and Olympo" with those for "Olympio and Eugenio", commenting only that the former was "[p]robably the play also named Olympio and Eugenio (p. 214, n.40).

Wiggins, Catalogue, #994, #995 reflects the inclination of previous theater historians in leaning toward the merger of "Seleo and Olympo" and "Olympio and Eugenio" being the same play. Toward that merger, he finds it persuasive that "Olympio and Eugenio," the later of the two play-titles to appear in Henslowe's lists, is not marked "ne" (allowing thus for its run to appear a continuation), but he finds it troubling that Henslowe gave the word common to both titles distinct spellings: "Olympo" for earlier-appearing play and "Olympio" for the later-appearing one.

For What It's Worth

Information welcome.

Works Cited

Gurr, Andrew. Shakespeare's Opposites: The Admiral's Company 1594-1625. Cambridge: Cambridge University Press, 2009.

Site created and maintained by Roslyn L. Knutson, Professor Emerita, University of Arkansas at Little Rock; 9 February 2021.