Predor and Lucia: Difference between revisions
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{{Play | {{Play | ||
|isStub=No | |||
|isSparse=No | |||
|dramatists=Anon. | |dramatists=Anon. | ||
|year=1573 | |year=1573 | ||
|venue=Court | |venue=Court | ||
|company= | |company=Leicester's Men | ||
| | |contributors=Category:Andreas P. Bassett; Andreas P. Bassett | ||
|wigginsNo=546 | |wigginsNo=546 | ||
|gregNo=θ | |gregNo=θ | ||
}} | }} | ||
== Historical Records == | ==Historical Records== | ||
=== Performance Records === | ===Performance Records=== | ||
<br> | |||
< | Entries from the Revels Accounts for 1573-4 include the following ([[Works Cited|Feuillerat,''Revels'' p. 193]]): | ||
<br><br> | |||
::::{| | |||
|- | |||
| ||||{ '''Predor : & Lucia.''' played by Therle of Leices- } | |||
|- | |||
| ||||{ ters servaunt''es'' vpon Saint stevens daye at nighte } | |||
|- | |||
| ||||{ at whitehall aforesaide/ } | |||
|- | |||
| |||| { '''Alkmeon,''' playde by the Children of Powles on } '''vj.''' all fytted and ffur- | |||
|- | |||
| |||| { Saint Iohns daye at nighte there/ } nyshed with the store | |||
|- | |||
| |||| { '''Mamillia.''' playde by therle of Leicester''es'' ser- } of thoffice and w''ith'' the | |||
|- | |||
| |||| { uaunt''es'' on Innosent''es'' daye at nighte there/ } woorkmanshipp and | |||
|- | |||
| '''Playes showen''' |||| { '''Truth, ffaythfullnesse, & Mercye,''' playde by } provisions herein | |||
|- | |||
| '''at whytehall''' |||| { the Children of westminster for Elderton vpon } expressed as followeth | |||
|- | |||
| '''vid''elicit''''' |||| { New yeares daye at nighte there/ } hereafter orderly. | |||
|- | |||
| |||| { '''Herpetulus''' the blew knighte '''& p''er''obia''' playde by } ffirst the wages and | |||
|- | |||
| |||| { my Lorde klintons servant''es'' the third of Ianuary } then the Emptions | |||
|- | |||
| |||| { being the sunday after Newyeares daye there/ } with the other charg''es'' | |||
|- | |||
| |||| { '''Quint''us'' ffabl''us''''' playd by the Children of wyn''d''sor } incident | |||
|- | |||
| |||| { ffor M<sup>r</sup> ffarrant on Twelfe daye at nighte lykewise } | |||
|- | |||
| |||| { at whitehall. } | |||
|- | |||
|} | |||
<br><br> | |||
===Payments=== | |||
====For properties==== | |||
:Regarding production expenses and props, Revels accounts list payments for holly, ivy, and artificial fish to the "Prop''er''tymaker" John Carrow: | |||
:::::Iohn Caro for mony to him due for sundry p''er''cells<br/> Holly & Ivye for the play predor . . . . . iiij<sup>s</sup>||||<br/>ffyshes Cownterfete for the same viz. whiting, playce, Mackerell, &c. iiij<sup>s</sup> | |||
:::::::::([[Works Cited|Feuillerat, ''Revels'', p. 203)]] | |||
<br><br> | |||
====To actors==== | |||
(Dasent 177) | The Acts of the Privy Council, under the subheading <q>At Westminster, the viii<sup>th</sup> of Januarie, 1573</q>, list a payment of £13.6.8d (fee) and £6.13.4d (reward) to Leicester’s Men for their court performances of ''Predor and Lucia'' and ''Mamillia'': | ||
:<q>A warrant to the Thresourer of the Chamber to pay to therle of Leicester’s players, for two severall plaies before the Queen’s Majestie, xiij<sup>li</sup> vj<sup>s</sup> viij<sup>d</sup> ; and by way of reward for their charges, &c., vj<sup>li</sup> xiij<sup>s</sup> iiij<sup>d</sup>.</q> (Dasent 8:177) | |||
Payments of the Treasurer and Chamber in the Declared Accounts of the Audit Office list for the years 1573–4: | Payments of the Treasurer and Chamber in the Declared Accounts of the Audit Office list for the years 1573–4: | ||
<q> | :<q>To Therle of Leicestres players vpon the Councell''es'' warr[ant] dated at westm[inster] ix<sup>o</sup> Ianuar[ij] 1573 for presenting of two seu[er]all playes before her highnes in xp̄emas [i.e. Christmas] Hollidayes last past xiij<sup>li</sup> vj<sup>s</sup> viij<sup>d</sup> and by waye of speciall rewarde for theyre chardg''es'' cun[n]yng and skill shewed therein vj<sup>li</sup> xiij<sup>s</sup> iiij<sup>d</sup> in all . . . . . . . xx<sup>li</sup></q> (Cook 7; cf. Wallace 215) | ||
==Theatrical Provenance== | |||
Performed by Leicester’s Men on St Stephen’s Day, Saturday, 26 December 1573, before Queen Elizabeth I at Whitehall Palace. | |||
==Probable Genre(s)== | |||
<!-- This template outputs the probable genres entered in the data section above. You can replace this comment and the line below if you'd like to write about the probable genres in more detail --> | |||
Classical; Romance? (Harbage, McMillin, Ono, Wells); Saints’ Legend (Ellison) | |||
==Possible Narrative and Dramatic Sources or Analogues== | |||
'''Ellison''' is of the opinion that ''Predor and Lucia'' may have possessed an hagiographic angle: | |||
( | :“The ''Lucia'' of 1573 is another secularized saints’ legend, as was the ''Lady Barbara'' of the year before. Lucia was a martyr of the primitive church in Syracuse, who perished during the persecutions of the Christians by Diocletian. Her story was frequently presented by the religious drama of the fifteenth and early sixteenth centuries. She rejected the pagan suitor that had been chosen for her, was denounced as a Christian, condemned to pass a certain time as a public prostitute, and then be put to death. She escaped a part, at least, of this punishment by dying in prison.” (82) | ||
[[WorksCited|Hazlitt]] notes that “''Predor''” in ''Predor and Lucia''’s title may have been mistranscribed, thus obscuring clues to the play’s possible narrative: | |||
:"'''Predor [?Fedoro] and Lucia :'''" | |||
:“Predor and Lucia played by Therle of Leicesters servauntes upon Saint Stevens daye at nighte at Whitehall.”—''Revels’ Accounts'', 1573. ''Predor'' is probably wrong. In the ''Seven Deadly Sins'', one of the characters is ''Prelior''. (184) | |||
== | ==References to the Play== | ||
Information welcome. | |||
==Critical Commentary== | |||
[[Works Cited|Feuillerat, ''Revels'']]:: "In the MS. the name Predor is followed by a colon; but as it was difficult to decide what was the value given to this sign of abbreviation, I have thought it best to let the sign stand. Perhaps the scribe meant « Predorus»" (p. 457).[[category:Feuillerat]] | |||
[[Works Cited|Wiggins, ''Catalogue'' (#547)]] inferred from the use of fish as properties that "at least some of the action probably takes place near the sea." | |||
== | ==For What It's Worth== | ||
== | ==Works Cited== | ||
Cook, David, and F. P. Wilson, ed. "Dramatic Records in the Declared Accounts of the Treasurer of the Chamber, 1558–1642." In ''Collections Volume VI''. Oxford: Malone Society, 1962 (for 1961). v–xxv, 1–175.<br /> | |||
Dasent, J. R., ''et al''., eds. ''Acts of the Privy Council of England, New Series: 1542-1631''. 46 vols. London: HMSO, 1890-1964.<br /> | |||
Ellison, Lee Monroe. ''The Early Romantic Drama at the English Court''. University of Chicago, 1917.<br /> | |||
Wallace, Charles William. ''The Evolution of the English Drama up to Shakespeare''. G. Reimer, 1912.<br /> | |||
Site created and maintained by [[Andreas P. Bassett]], University of Washington; 22 November 2020; Updated by Roslyn L. Knutson in January 2023. | |||
[[Category:Leicester's Men]][[category:Leicester's]] | |||
[[Category:Romance]] | |||
[[Category:Andreas P. Bassett]][[category:Roslyn L. Knutson]][[category:Update]] |
Latest revision as of 13:04, 28 February 2023
Historical Records
Performance Records
Entries from the Revels Accounts for 1573-4 include the following (Feuillerat,Revels p. 193):
{ Predor : & Lucia. played by Therle of Leices- } { ters servauntes vpon Saint stevens daye at nighte } { at whitehall aforesaide/ } { Alkmeon, playde by the Children of Powles on } vj. all fytted and ffur- { Saint Iohns daye at nighte there/ } nyshed with the store { Mamillia. playde by therle of Leicesteres ser- } of thoffice and with the { uauntes on Innosentes daye at nighte there/ } woorkmanshipp and Playes showen { Truth, ffaythfullnesse, & Mercye, playde by } provisions herein at whytehall { the Children of westminster for Elderton vpon } expressed as followeth videlicit { New yeares daye at nighte there/ } hereafter orderly. { Herpetulus the blew knighte & perobia playde by } ffirst the wages and { my Lorde klintons servantes the third of Ianuary } then the Emptions { being the sunday after Newyeares daye there/ } with the other charges { Quintus ffablus playd by the Children of wyndsor } incident { ffor Mr ffarrant on Twelfe daye at nighte lykewise } { at whitehall. }
Payments
For properties
- Regarding production expenses and props, Revels accounts list payments for holly, ivy, and artificial fish to the "Propertymaker" John Carrow:
- Iohn Caro for mony to him due for sundry percells
Holly & Ivye for the play predor . . . . . iiijs||||
ffyshes Cownterfete for the same viz. whiting, playce, Mackerell, &c. iiijs
- Iohn Caro for mony to him due for sundry percells
To actors
The Acts of the Privy Council, under the subheading At Westminster, the viiith of Januarie, 1573
, list a payment of £13.6.8d (fee) and £6.13.4d (reward) to Leicester’s Men for their court performances of Predor and Lucia and Mamillia:
A warrant to the Thresourer of the Chamber to pay to therle of Leicester’s players, for two severall plaies before the Queen’s Majestie, xiijli vjs viijd ; and by way of reward for their charges, &c., vjli xiijs iiijd.
(Dasent 8:177)
Payments of the Treasurer and Chamber in the Declared Accounts of the Audit Office list for the years 1573–4:
To Therle of Leicestres players vpon the Councelles warr[ant] dated at westm[inster] ixo Ianuar[ij] 1573 for presenting of two seu[er]all playes before her highnes in xp̄emas [i.e. Christmas] Hollidayes last past xiijli vjs viijd and by waye of speciall rewarde for theyre chardges cun[n]yng and skill shewed therein vjli xiijs iiijd in all . . . . . . . xxli
(Cook 7; cf. Wallace 215)
Theatrical Provenance
Performed by Leicester’s Men on St Stephen’s Day, Saturday, 26 December 1573, before Queen Elizabeth I at Whitehall Palace.
Probable Genre(s)
Classical; Romance? (Harbage, McMillin, Ono, Wells); Saints’ Legend (Ellison)
Possible Narrative and Dramatic Sources or Analogues
Ellison is of the opinion that Predor and Lucia may have possessed an hagiographic angle:
- “The Lucia of 1573 is another secularized saints’ legend, as was the Lady Barbara of the year before. Lucia was a martyr of the primitive church in Syracuse, who perished during the persecutions of the Christians by Diocletian. Her story was frequently presented by the religious drama of the fifteenth and early sixteenth centuries. She rejected the pagan suitor that had been chosen for her, was denounced as a Christian, condemned to pass a certain time as a public prostitute, and then be put to death. She escaped a part, at least, of this punishment by dying in prison.” (82)
Hazlitt notes that “Predor” in Predor and Lucia’s title may have been mistranscribed, thus obscuring clues to the play’s possible narrative:
- "Predor [?Fedoro] and Lucia :"
- “Predor and Lucia played by Therle of Leicesters servauntes upon Saint Stevens daye at nighte at Whitehall.”—Revels’ Accounts, 1573. Predor is probably wrong. In the Seven Deadly Sins, one of the characters is Prelior. (184)
References to the Play
Information welcome.
Critical Commentary
Feuillerat, Revels:: "In the MS. the name Predor is followed by a colon; but as it was difficult to decide what was the value given to this sign of abbreviation, I have thought it best to let the sign stand. Perhaps the scribe meant « Predorus»" (p. 457).
Wiggins, Catalogue (#547) inferred from the use of fish as properties that "at least some of the action probably takes place near the sea."
For What It's Worth
Works Cited
Cook, David, and F. P. Wilson, ed. "Dramatic Records in the Declared Accounts of the Treasurer of the Chamber, 1558–1642." In Collections Volume VI. Oxford: Malone Society, 1962 (for 1961). v–xxv, 1–175.
Dasent, J. R., et al., eds. Acts of the Privy Council of England, New Series: 1542-1631. 46 vols. London: HMSO, 1890-1964.
Ellison, Lee Monroe. The Early Romantic Drama at the English Court. University of Chicago, 1917.
Wallace, Charles William. The Evolution of the English Drama up to Shakespeare. G. Reimer, 1912.
Site created and maintained by Andreas P. Bassett, University of Washington; 22 November 2020; Updated by Roslyn L. Knutson in January 2023.