English Fugitives, The: Difference between revisions
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==Theatrical Provenance== | ==Theatrical Provenance== | ||
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==Possible Narrative and Dramatic Sources or Analogues== | ==Possible Narrative and Dramatic Sources or Analogues== | ||
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See [[#Critical Commentary|Critical Commentary]], below. | |||
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==References to the Play== | ==References to the Play== | ||
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==Critical Commentary== | ==Critical Commentary== | ||
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[[WorksCited|Collier]], having noted Haughton's autograph signature, guessed "that the play was on the story of the Duchess of Suffolk, afterwards dramatised by Drue, and printed in 1631." He added, without providing further identification, that "it was the subject of a well-known ballad" (p. 168, n.2). | [[WorksCited|Collier]], having noted Haughton's autograph signature, guessed "that the play was on the story of the Duchess of Suffolk, afterwards dramatised by Drue, and printed in 1631." He added, without providing further identification, that "it was the subject of a well-known ballad" (p. 168, n.2). | ||
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[[WorksCited|Fleay, ''BCED'']], uncharacteristically, did not repeat Collier's suggestion or add one of his own (1.#9*, p. 273). | [[WorksCited|Fleay, ''BCED'']], uncharacteristically, did not repeat Collier's suggestion or add one of his own (1.#9*, p. 273). | ||
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[[WorksCited|Greg II]] had several ideas on the subject of "The English Fugitives" (II. 212, Item # 201). Adding to Collier's guess that the subject was Duchess of Suffolk, he provided Thomas Drue's affiliation with Palsgraves men and assigned that play to 1624 and observed that "The English Fugitives" might have been "an old stock piece." Greg also considered a link with "[[Robin Hood's Pennyworths]]," also a lost play by Haughton (Greg was perhaps thinking \of Robin Hood's band as the fugitives). In this context, he tallied other partial payments to Haughton that might add up to the purchase of an entire play, finding payments totalling £4 for the Robin Hood play in Dec-Jan 1600-1. However, Greg was enthusiastic only about two tracts published in 1595: "The Estate of English Fugitiues vnder the king of Spaine and his ministers," and "A Discourse of the Vsage of the English Fugitiues by the Spaniard." He suggested that these two texts, one of which is connected to Sir. L. Lewkenor, "might repay investigation" [http://www.archive.org/stream/henslowesdiary02hensuoft#page/212/mode/2up (# 201, p. 212)]. | |||
<br><br>[[category:John Payne Collier]] | |||
'''Knutson''' groups "The English Fugatives" with those projects in Henslowe's accounts for which the partial payments cannot be reasonably explained (p. 163). | |||
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'''Gurr''' does not pursue any of these suggestions for the narrative materials behind Haughton's project, "The English Fugitives" (#150, p. 251). | |||
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[[WorksCited|Wiggins, ''Catalogue'']], however, endorses Greg's suggestion about the Lewkenor tracts, which he labels the probable sources of the lost play. He adds that the fugitives were "Catholic Englishmen" who were "not treated as well as they expected to be" by the Spaniards to whose country they had fled (#1248). | |||
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==Works Cited== | ==Works Cited== | ||
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<div style="padding-left: 2em; text-indent: -2em;">Gurr, Andrew. ‘’Shakespeare's Opposites: The Admiral's Company 1594-1625.’’ Cambridge: Cambridge University Press, 2009.</div> | |||
<div style="padding-left: 2em; text-indent: -2em;">Knutson, Roslyn L. “The Commercial Significance of the Payments for Playtexts in Henslowe’s Diary 1597-1603.” Medieval and Renaissance Drama in England 6 (1991): 117-63.</div> | |||
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[[category:Roslyn L. Knutson]][[category:partial payment]][[category: Henslowe's records]][[category:William Haughton]] | [[category:Roslyn L. Knutson]][[category:partial payment]][[category: Henslowe's records]][[category:William Haughton]] | ||
Site created and maintained by Roslyn L. Knutson, Professor Emerita, University of Arkansas at Little Rock; created 31 October 2009, updated 13 August 2012. | Site created and maintained by Roslyn L. Knutson, Professor Emerita, University of Arkansas at Little Rock; created 31 October 2009, updated 13 August 2012.[[category:Plays]][[category:Update]][[category:Autograph signature]] |
Latest revision as of 17:25, 18 December 2020
William Haughton (1600)
Historical Records
Payments
To playwrights in Philip Henslowe's diary
Fol. 68v (Greg, I. 120)
Lent vnto wm harton the 16 of aprell 1600 in } earneste of a Boocke called the Ingleshe } xs fegetives the some of . . . . . . . . . . . . . . . . . . } W Haughton
Item receiued more of mr Henchelowe in } earnest of ye englishe fugitiues on the 24th } 20s of Aprill. by me receiued . . . . . . . . . . . . . . . } W Haughton
Theatrical Provenance
The Admiral's men, for whom Henslowe purchased "The English Fugitives" from William Haughton, were anticipating a move to the Fortune playhouse in April 1600, when this sale took place. The company were performing at their new playhouse by the fall of the year.
Probable Genre(s)
Topical Play? (Harbage)
Possible Narrative and Dramatic Sources or Analogues
See Critical Commentary, below.
References to the Play
None known.
Critical Commentary
Collier, having noted Haughton's autograph signature, guessed "that the play was on the story of the Duchess of Suffolk, afterwards dramatised by Drue, and printed in 1631." He added, without providing further identification, that "it was the subject of a well-known ballad" (p. 168, n.2).
Fleay, BCED, uncharacteristically, did not repeat Collier's suggestion or add one of his own (1.#9*, p. 273).
Greg II had several ideas on the subject of "The English Fugitives" (II. 212, Item # 201). Adding to Collier's guess that the subject was Duchess of Suffolk, he provided Thomas Drue's affiliation with Palsgraves men and assigned that play to 1624 and observed that "The English Fugitives" might have been "an old stock piece." Greg also considered a link with "Robin Hood's Pennyworths," also a lost play by Haughton (Greg was perhaps thinking \of Robin Hood's band as the fugitives). In this context, he tallied other partial payments to Haughton that might add up to the purchase of an entire play, finding payments totalling £4 for the Robin Hood play in Dec-Jan 1600-1. However, Greg was enthusiastic only about two tracts published in 1595: "The Estate of English Fugitiues vnder the king of Spaine and his ministers," and "A Discourse of the Vsage of the English Fugitiues by the Spaniard." He suggested that these two texts, one of which is connected to Sir. L. Lewkenor, "might repay investigation" (# 201, p. 212).
Knutson groups "The English Fugatives" with those projects in Henslowe's accounts for which the partial payments cannot be reasonably explained (p. 163).
Gurr does not pursue any of these suggestions for the narrative materials behind Haughton's project, "The English Fugitives" (#150, p. 251).
Wiggins, Catalogue, however, endorses Greg's suggestion about the Lewkenor tracts, which he labels the probable sources of the lost play. He adds that the fugitives were "Catholic Englishmen" who were "not treated as well as they expected to be" by the Spaniards to whose country they had fled (#1248).
For What It's Worth
Works Cited
Site created and maintained by Roslyn L. Knutson, Professor Emerita, University of Arkansas at Little Rock; created 31 October 2009, updated 13 August 2012.