Constantine: Difference between revisions
No edit summary |
|||
Line 5: | Line 5: | ||
}} | }} | ||
== Historical Records == | == Historical Records == | ||
Henslowe's diary | ===Performance Records (Henslowe's "diary")=== | ||
<br> | |||
A single record of performance survives in Henslowe’s accounts for early 1592 (new style): | |||
<br><br> | |||
Fol. 7/ [http://archive.org/stream/henslowesdiary01hensuoft#page/12/mode/2up ([[WorksCited|Greg I]], 13)] | |||
{| {{table}} | |||
| |||||||| | |||
|- | |||
| |||||||| ||R''es'' at constantine the 21 of marche 1591 || |||||||| ……………….||xij<sup>s</sup> | |||
|} | |||
<br> | |||
<br> | |||
<br> | |||
== Theatrical Provenance == | == Theatrical Provenance == |
Revision as of 13:30, 7 July 2020
Historical Records
Performance Records (Henslowe's "diary")
A single record of performance survives in Henslowe’s accounts for early 1592 (new style):
Res at constantine the 21 of marche 1591 | ………………. | xijs |
Theatrical Provenance
Rose, Strange's
Probable Genre(s)
Possible Narrative and Dramatic Sources or Analogues
References to the Play
Critical Commentary
Wiggins names two best-guess Constantines;