Jealous Comedy, The: Difference between revisions
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== For What It's Worth == | == For What It's Worth == | ||
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The propinquity of early modern comedies to offer comedic plots based on jealousy means that "The Jealous Comedy" could be lumped with an extant play. [[WorksCited|Fleay, ''BCED'']] thought that the text of ''The Merry Wives of Windsor'' was "just what we might expect in an alteration of the old ''Gelyous Comedy'', hurriedly made by command" (II.184-5 #19). | |||
== Works Cited == | == Works Cited == |
Revision as of 16:10, 6 July 2020
Historical Records
Performance Records (Henslowe's "diary")
One record of performance survives in Henslowe’s accounts for early 1592 (new style):
Fol. 8/ Greg I, 15
ne | Res at the gelyous comodey the 5 of Jenewary 1592 | .......... xxxxiiijs |
Theatrical Provenance
When Lord Strange's men returned to the Rose playhouse at Christmastide 1592-3, "The Jealous Comedy" was their sixth offering and the only one to be marked "ne" until The Massacre at Paris was entered at its first performance on the 30th.
Probable Genre(s)
Comedy
Possible Narrative and Dramatic Sources or Analogues
References to the Play
Critical Commentary
For What It's Worth
The propinquity of early modern comedies to offer comedic plots based on jealousy means that "The Jealous Comedy" could be lumped with an extant play. Fleay, BCED thought that the text of The Merry Wives of Windsor was "just what we might expect in an alteration of the old Gelyous Comedy, hurriedly made by command" (II.184-5 #19).
Works Cited
Site created and maintained by Roslyn L. Knutson, Professor Emerita, University of Arkansas at Little Rock; 6 July 2020.