Masque of Amazons, A: Difference between revisions
Thomas Dabbs (talk | contribs) |
Thomas Dabbs (talk | contribs) |
||
Line 37: | Line 37: | ||
==For What It's Worth== | ==For What It's Worth== | ||
John Jowett connects this court masque with the masque scene in ''Timon of Athens'', specifically the possible emblematic motifs suggested by the stage directions in Timon (13). | |||
<br> | <br> | ||
<br> | <br> |
Revision as of 21:06, 20 November 2016
Historical Records
'A Maske of Amazons' is listed in the Revels accounts of 1578/9 as one of the masques performed 'before her maiestie the ffrench Imbassadour being presente the sonday night after Twelfdaie [11 January] whereof one was' (Feuillerat 286, 287).
Theatrical Provenance
English Court at Richmond.
Probable Genre(s)
Masque.
Possible Narrative and Dramatic Sources or Analogues
The interest in Amazons may point to the story of the Amazons in the Second Tome of William Painter's Palace of Pleasure (1567).
References to the Play
In a letter dated 15 January 1579, Bernadino de Mendoza, the Spanish ambassador in London, writes to Gabriel de Zayas about a series of state issues and international intrigues. Mendoza mentions in passing a recent grand ball at court during which there was 'an entertainment in imitation of a tournament, between six ladies and a like number of gentlemen, who surrendered to them' (see 'Simancas: January 1579', in Calendar of State Papers, Spain).
Critical Commentary
The play was performed for the French ambassador. Sibley notes that the resident French ambassador was Mauvissiere, but also points to Feuillerat's belief that the reference to Simier, Alecon's envoy (Sibley 183).
For What It's Worth
John Jowett connects this court masque with the masque scene in Timon of Athens, specifically the possible emblematic motifs suggested by the stage directions in Timon (13).
Works Cited
Site created and maintained by Thomas Dabbs, Aoyama Gakuin University, Tokyo; updated 02 November 2016.