Julius Caesar: Difference between revisions
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==Possible Narrative and Dramatic Sources or Analogues== | ==Possible Narrative and Dramatic Sources or Analogues== | ||
Although May's | Although May's passionate interest in Lucan makes the latter's ''Civil War'' appear as the most probable source of the play, Caesar's legacy had reached the Renaissance through many other texts, such as such as Appian's ''Civil Wars'', Plutarch's ''Lives'', Lucan's ''Civil War'', Suetonius's ''Lives of the Twelve Caesars'', Cassius Dio's ''Roman History'' and Caesar's own works. The use of these as sources can in no way be ruled out.<br><br> | ||
For a summary of Catiline's conspiracy, in which Caesar was rumoured to have taken part, see [[Catiline's Conspiracy (Catiline)#Possible Narrative and Dramatic Sources or Analogues|'''"Catiline's Conspiracy"''']]; for the main events of Caesar's life from the so-called First Triumvirate, see "'''[[Caesar_and_Pompey#Possible_Narrative_and_Dramatic_Sources_or_Analogues|Caesar and Pompey]]'''". | For a summary of Catiline's conspiracy, in which Caesar was rumoured to have taken part, see [[Catiline's Conspiracy (Catiline)#Possible Narrative and Dramatic Sources or Analogues|'''"Catiline's Conspiracy"''']]; for the main events of Caesar's life from the so-called First Triumvirate, see "'''[[Caesar_and_Pompey#Possible_Narrative_and_Dramatic_Sources_or_Analogues|Caesar and Pompey]]'''". | ||
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Revision as of 10:03, 26 July 2015
This page is under construction.
Historical Records
Biographia Dramatica (1812), 3:437 Google Books:
Julius Caesar. Trag. by Thomas May. The original MS. of this play, which is in five short acts, is in the possession of Mr. Stephen Jones. The author has affixed his name at the conclusion of the piece.
Theatrical Provenance
It has been suggested that the play may have been performed either at Sidney Sussex College or at Gray's Inn, but there is no evidence to support these claims. See the "Critical Commentary" section below.
Probable Genre(s)
Latin tragedy (Harbage).
Possible Narrative and Dramatic Sources or Analogues
Although May's passionate interest in Lucan makes the latter's Civil War appear as the most probable source of the play, Caesar's legacy had reached the Renaissance through many other texts, such as such as Appian's Civil Wars, Plutarch's Lives, Lucan's Civil War, Suetonius's Lives of the Twelve Caesars, Cassius Dio's Roman History and Caesar's own works. The use of these as sources can in no way be ruled out.
For a summary of Catiline's conspiracy, in which Caesar was rumoured to have taken part, see "Catiline's Conspiracy"; for the main events of Caesar's life from the so-called First Triumvirate, see "Caesar and Pompey".
References to the Play
None known.
Critical Commentary
Moore Smith (105) suggests, for unfathomable reasons, that a production of the play took place at Sidney Sussex College, Cambridge, in 1616, but this is unprovable and not especially probable.
As far as the dating of the play is concerned, Chester (99) contends as follows:
Concerning the Latin tragedy of Julius Caesar, our suppositions must be even more tenuous. Although this play, which never reached the press, existed for many years in manuscript, it has disappeared without a trace. If we exclude the possibility that May wrote it during the tender years of his residence at Cambridge, two possible dates of composition suggest themselves. The first of these is the period of May's residence at Gray's Inn – that is, 1616 or 1617 – when the play may have been written for performance at the Inns of Court. A more plausible supposition would be a date between 1625 and 1630, during which years May's attention was engaged by Roman history, as witness his English tragedies and his translation of the Pharsalia, the latter a work which undoubtedly served as an important source for the play. We may conclude, I think, that all of May's tragedies were written between 1625 and 1631.
Bentley (4:838): "One suspects that most of this information is not first-hand. Dr. Chester searched for the manuscript without success (Thomas May, p. 99, n. 5.) The evidence for the authorship or even the existence of this play is so slight as to make speculation concerning its date futile."
Bowers (192) . . .
Norbrook argues that this play may have shared the political concerns of May's tragedy of Julia Agrippina (1628), which "drew on Lucan in a stark portrayal of imperial corruption."
For What It's Worth
Works Cited
Site created and maintained by Domenico Lovascio, University of Genoa; updated 26 July 2015.